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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC262 it is the complementary color #113D9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC262. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC262 shade: #F3C25D, #FFD470, #FFE683, #FFF896 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC262. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC262 shade: #EEC262, #DDB04F, #CC9E3C, #BB8C29 and #AA7A16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC262 shade: #EDC262, #ED9C62, #ED7762 and #ED6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC262 shade: #EDC262, #EDE762, #CEED62, #A9ED62 and #83ED62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC262 shade matches the following richer shades: #EDC262 and #FBC754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC262 shade: #EDC262, #DFBC70, #D1B77E, #C3B28D and #B5AD9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC262 shade: #ED7762, #ED9C62, #EDC162, #EDE662 and #CFED62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC262 shade: #E4A419, #E9B33D, #EDC262, #F1D088 and #F5DFAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC262 shade: #EEC262, #73ED62 and #8A62ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC262 shade: #EEC262, #62EDC1 and #C162ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC262 shade: #EEC262, #73ED62, #628EED and #DD62ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC262 shade: #EEC262, #62ED7C, #628EED and #ED62D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

Complementary color

CMYK 89 / 61 / 0 / 38

HEX #113D9D

RGB 17 61 157

HSL 221.14, 0.8%, 0.34%

LAB 29.14, 24.44, -56

 

CMYK 0 / 20 / 62 / 5

HEX #F3C25D

RGB 243 194 93

HSL 40.4, 0.86%, 0.66%

LAB 80.98, 6.66, 56.3

 

CMYK 0 / 17 / 56 / 0

HEX #FFD470

RGB 255 212 112

HSL 41.96, 1%, 0.72%

LAB 86.76, 3.62, 54.41

 

CMYK 0 / 10 / 49 / 0

HEX #FFE683

RGB 255 230 131

HSL 47.9, 1%, 0.76%

LAB 91.46, -3.96, 51.01

 

CMYK 0 / 3 / 41 / 0

HEX #FFF896

RGB 255 248 150

HSL 56, 1%, 0.79%

LAB 96.24, -11.11, 47.81

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

CMYK 0 / 20 / 64 / 13

HEX #DDB04F

RGB 221 176 79

HSL 40.99, 0.68%, 0.59%

LAB 74.18, 5.99, 54.53

 

CMYK 0 / 23 / 71 / 20

HEX #CC9E3C

RGB 204 158 60

HSL 40.83, 0.59%, 0.52%

LAB 67.74, 7.22, 55.56

 

CMYK 0 / 25 / 78 / 27

HEX #BB8C29

RGB 187 140 41

HSL 40.68, 0.64%, 0.45%

LAB 61.2, 8.68, 56.2

 

CMYK 0 / 28 / 87 / 33

HEX #AA7A16

RGB 170 122 22

HSL 40.54, 0.77%, 0.38%

LAB 54.58, 10.41, 55.99

 

CMYK 0 / 18 / 59 / 7

HEX #EDC262

RGB 237 194 98

HSL 41.44, 0.79%, 0.66%

LAB 80.44, 4.51, 53.21

 

CMYK 0 / 34 / 59 / 7

HEX #ED9C62

RGB 237 156 98

HSL 25.04, 0.79%, 0.66%

LAB 71.33, 24.56, 42.43

 

CMYK 0 / 50 / 59 / 7

HEX #ED7762

RGB 237 119 98

HSL 9.06, 0.79%, 0.66%

LAB 63.41, 43.71, 32.61

 

CMYK 0 / 59 / 59 / 7

HEX #ED6262

RGB 237 98 98

HSL 0, 0.79%, 0.66%

LAB 59.55, 53.69, 27.65

 

CMYK 0 / 18 / 59 / 7

HEX #EDC262

RGB 237 194 98

HSL 41.44, 0.79%, 0.66%

LAB 80.44, 4.51, 53.21

 

CMYK 0 / 3 / 59 / 7

HEX #EDE762

RGB 237 231 98

HSL 57.41, 0.79%, 0.66%

LAB 89.88, -14.26, 63.84

 

CMYK 13 / 0 / 59 / 7

HEX #CEED62

RGB 206 237 98

HSL 73.38, 0.79%, 0.66%

LAB 89.19, -29.46, 62.44

 

CMYK 29 / 0 / 59 / 7

HEX #A9ED62

RGB 169 237 98

HSL 89.35, 0.79%, 0.66%

LAB 86.94, -43.2, 59.29

 

CMYK 45 / 0 / 59 / 7

HEX #83ED62

RGB 131 237 98

HSL 105.76, 0.79%, 0.66%

LAB 85.14, -55.55, 56.76

 

CMYK 0 / 18 / 59 / 7

HEX #EDC262

RGB 237 194 98

HSL 41.44, 0.79%, 0.66%

LAB 80.44, 4.51, 53.21

 

CMYK 0 / 21 / 67 / 2

HEX #FBC754

RGB 251 199 84

HSL 41.32, 0.95%, 0.66%

LAB 82.91, 6.84, 62.64

 

CMYK 0 / 18 / 59 / 7

HEX #EDC262

RGB 237 194 98

HSL 41.44, 0.79%, 0.66%

LAB 80.44, 4.51, 53.21

 

CMYK 0 / 16 / 50 / 13

HEX #DFBC70

RGB 223 188 112

HSL 41.08, 0.63%, 0.66%

LAB 77.77, 3.01, 42.88

 

CMYK 0 / 12 / 40 / 18

HEX #D1B77E

RGB 209 183 126

HSL 41.2, 0.47%, 0.66%

LAB 75.41, 1.38, 32.41

 

CMYK 0 / 9 / 28 / 24

HEX #C3B28D

RGB 195 178 141

HSL 41.11, 0.31%, 0.66%

LAB 73.13, 0.34, 21.15

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9B

RGB 181 173 155

HSL 41.54, 0.15%, 0.66%

LAB 70.92, -0.24, 10.27

 

CMYK 0 / 50 / 59 / 7

HEX #ED7762

RGB 237 119 98

HSL 9.06, 0.79%, 0.66%

LAB 63.41, 43.71, 32.61

 

CMYK 0 / 34 / 59 / 7

HEX #ED9C62

RGB 237 156 98

HSL 25.04, 0.79%, 0.66%

LAB 71.33, 24.56, 42.43

 

CMYK 0 / 19 / 59 / 7

HEX #EDC162

RGB 237 193 98

HSL 41.01, 0.79%, 0.66%

LAB 80.19, 5.03, 52.93

 

CMYK 0 / 3 / 59 / 7

HEX #EDE662

RGB 237 230 98

HSL 56.98, 0.79%, 0.66%

LAB 89.62, -13.77, 63.55

 

CMYK 13 / 0 / 59 / 7

HEX #CFED62

RGB 207 237 98

HSL 72.95, 0.79%, 0.66%

LAB 89.26, -29.07, 62.53

 

CMYK 0 / 28 / 89 / 11

HEX #E4A419

RGB 228 164 25

HSL 41.08, 0.8%, 0.5%

LAB 71.63, 13.25, 71.56

 

CMYK 0 / 23 / 74 / 9

HEX #E9B33D

RGB 233 179 61

HSL 41.16, 0.8%, 0.58%

LAB 76.01, 8.56, 64.42

 

CMYK 0 / 18 / 59 / 7

HEX #EDC262

RGB 237 194 98

HSL 41.44, 0.79%, 0.66%

LAB 80.44, 4.51, 53.21

 

CMYK 0 / 14 / 44 / 5

HEX #F1D088

RGB 241 208 136

HSL 41.14, 0.79%, 0.74%

LAB 84.79, 2.16, 39.95

 

CMYK 0 / 9 / 29 / 4

HEX #F5DFAD

RGB 245 223 173

HSL 41.67, 0.78%, 0.82%

LAB 89.49, 0.23, 27.29

 

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

CMYK 51 / 0 / 59 / 7

HEX #73ED62

RGB 115 237 98

HSL 112.66, 0.79%, 0.66%

LAB 84.53, -60.02, 55.91

 

CMYK 42 / 59 / 0 / 7

HEX #8A62ED

RGB 138 98 237

HSL 257.27, 0.79%, 0.66%

LAB 52.12, 47.31, -64.84

 

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

CMYK 59 / 0 / 19 / 7

HEX #62EDC1

RGB 98 237 193

HSL 161.01, 0.79%, 0.66%

LAB 85.51, -48.01, 10.13

 

CMYK 19 / 59 / 0 / 7

HEX #C162ED

RGB 193 98 237

HSL 281.01, 0.79%, 0.66%

LAB 58.21, 59.88, -54.73

 

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

CMYK 51 / 0 / 59 / 7

HEX #73ED62

RGB 115 237 98

HSL 112.66, 0.79%, 0.66%

LAB 84.53, -60.02, 55.91

 

CMYK 59 / 40 / 0 / 7

HEX #628EED

RGB 98 142 237

HSL 221.01, 0.79%, 0.66%

LAB 59.94, 13.09, -52.47

 

CMYK 7 / 59 / 0 / 7

HEX #DD62ED

RGB 221 98 237

HSL 293.09, 0.79%, 0.66%

LAB 61.85, 66.66, -48.74

 

CMYK 0 / 18 / 59 / 7

HEX #EEC262

RGB 238 194 98

HSL 41.14, 0.8%, 0.66%

LAB 80.54, 4.93, 53.35

 

CMYK 59 / 0 / 48 / 7

HEX #62ED7C

RGB 98 237 124

HSL 131.22, 0.79%, 0.66%

LAB 84.29, -60.86, 43.51

 

CMYK 59 / 40 / 0 / 7

HEX #628EED

RGB 98 142 237

HSL 221.01, 0.79%, 0.66%

LAB 59.94, 13.09, -52.47

 

CMYK 0 / 59 / 11 / 7

HEX #ED62D4

RGB 237 98 212

HSL 310.79, 0.79%, 0.66%

LAB 62.92, 66.59, -32.91

 

Description

Color code: HEX #EEC262 | qconv.com Color code: HEX #EEC262 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 194 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 194 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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