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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED50B it is the complementary color #112AF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED50B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED50B shade: #F3D506, #FFE719, #FFF92C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED50B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED50B shade: #EED50B, #DDC300, #CCB100, #BB9F00 and #AA8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED50B shade: #EED50B, #EE980B, #EE5A0B, #EE1D0B and #EE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED50B shade: #EED50B, #CAEE0B, #8DEE0B, #4FEE0B and #12EE0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED50B shade matches the following richer shades: #EED50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED50B shade: #EED50B, #DAC51F, #C6B633, #B2A647 and #9D965C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED50B shade: #EE5A0B, #EE970B, #EED40B, #CCEE0B and #8FEE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED50B shade: #9F8F07, #C7B209, #EED50B, #F5DF2E and #F7E555

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED50B shade: #EED50B, #0BEE1E and #790BEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED50B shade: #EED50B, #0BEED4 and #D40BEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED50B shade: #EED50B, #0BEE1E, #0B25EE and #EE0BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED50B shade: #EED50B, #0BEE62, #0B25EE and #EE0B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

Complementary color

CMYK 93 / 83 / 0 / 4

HEX #112AF4

RGB 17 42 244

HSL 233.39, 0.91%, 0.51%

LAB 34.61, 65.68, -97.81

 

CMYK 0 / 12 / 98 / 5

HEX #F3D506

RGB 243 213 6

HSL 52.41, 0.95%, 0.49%

LAB 85.33, -5.98, 84.97

 

CMYK 0 / 9 / 90 / 0

HEX #FFE719

RGB 255 231 25

HSL 53.74, 1%, 0.55%

LAB 91, -9.69, 87.59

 

CMYK 0 / 2 / 83 / 0

HEX #FFF92C

RGB 255 249 44

HSL 58.29, 1%, 0.59%

LAB 95.66, -18.09, 87.83

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 0 / 12 / 100 / 13

HEX #DDC300

RGB 221 195 0

HSL 52.94, 1%, 0.43%

LAB 78.7, -6.34, 79.85

 

CMYK 0 / 13 / 100 / 20

HEX #CCB100

RGB 204 177 0

HSL 52.06, 1%, 0.4%

LAB 72.42, -4.47, 74.65

 

CMYK 0 / 15 / 100 / 27

HEX #BB9F00

RGB 187 159 0

HSL 51.02, 1%, 0.37%

LAB 66.03, -2.54, 69.37

 

CMYK 0 / 17 / 100 / 33

HEX #AA8D00

RGB 170 141 0

HSL 49.76, 1%, 0.33%

LAB 59.52, -0.52, 64

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 0 / 36 / 95 / 7

HEX #EE980B

RGB 238 152 11

HSL 37.27, 0.91%, 0.49%

LAB 69.94, 23.71, 73.3

 

CMYK 0 / 62 / 95 / 7

HEX #EE5A0B

RGB 238 90 11

HSL 20.88, 0.91%, 0.49%

LAB 57.57, 54.35, 65.21

 

CMYK 0 / 88 / 95 / 7

HEX #EE1D0B

RGB 238 29 11

HSL 4.76, 0.91%, 0.49%

LAB 50.78, 73.11, 61.38

 

CMYK 0 / 95 / 95 / 7

HEX #EE0B0B

RGB 238 11 11

HSL 0, 0.91%, 0.49%

LAB 50.03, 75.28, 61

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 15 / 0 / 95 / 7

HEX #CAEE0B

RGB 202 238 11

HSL 69.52, 0.91%, 0.49%

LAB 88.79, -35.06, 85.73

 

CMYK 41 / 0 / 95 / 7

HEX #8DEE0B

RGB 141 238 11

HSL 85.64, 0.91%, 0.49%

LAB 85.42, -57.48, 81.65

 

CMYK 67 / 0 / 95 / 7

HEX #4FEE0B

RGB 79 238 11

HSL 102.03, 0.91%, 0.49%

LAB 83.36, -73.81, 79.12

 

CMYK 92 / 0 / 95 / 7

HEX #12EE0B

RGB 18 238 11

HSL 118.15, 0.91%, 0.49%

LAB 82.54, -81, 78.12

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 0 / 10 / 86 / 15

HEX #DAC51F

RGB 218 197 31

HSL 53.26, 0.75%, 0.49%

LAB 79, -8.24, 75.69

 

CMYK 0 / 8 / 74 / 22

HEX #C6B633

RGB 198 182 51

HSL 53.47, 0.59%, 0.49%

LAB 73.35, -8.53, 64.39

 

CMYK 0 / 7 / 60 / 30

HEX #B2A647

RGB 178 166 71

HSL 53.27, 0.43%, 0.49%

LAB 67.42, -7.68, 49.58

 

CMYK 0 / 4 / 41 / 38

HEX #9D965C

RGB 157 150 92

HSL 53.54, 0.26%, 0.49%

LAB 61.44, -6.16, 31.48

 

CMYK 0 / 62 / 95 / 7

HEX #EE5A0B

RGB 238 90 11

HSL 20.88, 0.91%, 0.49%

LAB 57.57, 54.35, 65.21

 

CMYK 0 / 37 / 95 / 7

HEX #EE970B

RGB 238 151 11

HSL 37, 0.91%, 0.49%

LAB 69.71, 24.23, 73.14

 

CMYK 0 / 11 / 95 / 7

HEX #EED40B

RGB 238 212 11

HSL 53.13, 0.91%, 0.49%

LAB 84.63, -7.57, 83.82

 

CMYK 14 / 0 / 95 / 7

HEX #CCEE0B

RGB 204 238 11

HSL 68.99, 0.91%, 0.49%

LAB 88.93, -34.27, 85.89

 

CMYK 40 / 0 / 95 / 7

HEX #8FEE0B

RGB 143 238 11

HSL 85.11, 0.91%, 0.49%

LAB 85.51, -56.82, 81.76

 

CMYK 0 / 10 / 96 / 38

HEX #9F8F07

RGB 159 143 7

HSL 53.68, 0.92%, 0.33%

LAB 59, -6.56, 62.03

 

CMYK 0 / 11 / 95 / 22

HEX #C7B209

RGB 199 178 9

HSL 53.37, 0.91%, 0.41%

LAB 72.23, -7.1, 73.29

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 0 / 9 / 81 / 4

HEX #F5DF2E

RGB 245 223 46

HSL 53.37, 0.91%, 0.57%

LAB 88.15, -9.47, 80.7

 

CMYK 0 / 7 / 66 / 3

HEX #F7E555

RGB 247 229 85

HSL 53.33, 0.91%, 0.65%

LAB 90.08, -10, 69.64

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 95 / 0 / 87 / 7

HEX #0BEE1E

RGB 11 238 30

HSL 125.02, 0.91%, 0.49%

LAB 82.55, -80.8, 75.56

 

CMYK 49 / 95 / 0 / 7

HEX #790BEE

RGB 121 11 238

HSL 269.07, 0.91%, 0.49%

LAB 38.69, 77.83, -87.44

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 95 / 0 / 11 / 7

HEX #0BEED4

RGB 11 238 212

HSL 173.13, 0.91%, 0.49%

LAB 84.98, -52.64, -0.76

 

CMYK 11 / 95 / 0 / 7

HEX #D40BEE

RGB 212 11 238

HSL 293.13, 0.91%, 0.49%

LAB 52.3, 88.57, -64.64

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 95 / 0 / 87 / 7

HEX #0BEE1E

RGB 11 238 30

HSL 125.02, 0.91%, 0.49%

LAB 82.55, -80.8, 75.56

 

CMYK 95 / 84 / 0 / 7

HEX #0B25EE

RGB 11 37 238

HSL 233.13, 0.91%, 0.49%

LAB 33.07, 65.92, -96.99

 

CMYK 0 / 95 / 8 / 7

HEX #EE0BDB

RGB 238 11 219

HSL 305.02, 0.91%, 0.49%

LAB 55.62, 89.94, -48.33

 

CMYK 0 / 11 / 95 / 7

HEX #EED50B

RGB 238 213 11

HSL 53.39, 0.91%, 0.49%

LAB 84.89, -8.07, 84.01

 

CMYK 95 / 0 / 59 / 7

HEX #0BEE62

RGB 11 238 98

HSL 143, 0.91%, 0.49%

LAB 82.97, -75.46, 53.62

 

CMYK 95 / 84 / 0 / 7

HEX #0B25EE

RGB 11 37 238

HSL 233.13, 0.91%, 0.49%

LAB 33.07, 65.92, -96.99

 

CMYK 0 / 95 / 37 / 7

HEX #EE0B97

RGB 238 11 151

HSL 323, 0.91%, 0.49%

LAB 52.57, 82.15, -13.5

 

Description

Color code: HEX #EED50B | qconv.com Color code: HEX #EED50B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 213 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 213 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 95 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 95% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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