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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED085 it is the complementary color #112F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED085 shade: #F3D080, #FFE293, #FFF4A6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED085 shade: #EED085, #DDBE72, #CCAC5F, #BB9A4C and #AA8839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED085 shade: #EED085, #EEB485, #EE9885 and #EE8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED085 shade: #EED085, #EEEC85, #D3EE85, #B7EE85 and #9BEE85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED085 shade matches the following richer shades: #EED085 and #F9D57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED085 shade: #EED085, #E3CB90, #D8C79C, #CDC2A7 and #C1BDB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED085 shade: #EE9785, #EEB385, #EECF85, #EEEA85 and #D6EE85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED085 shade: #E4B43D, #E9C261, #EED085, #F3DEAA and #F8ECCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED085 shade: #EED085, #90EE85 and #A585EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED085 shade: #EED085, #85EECF and #CF85EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED085 shade: #EED085, #90EE85, #85A5EE and #E485EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED085 shade: #EED085, #85EE9A, #85A5EE and #EE85D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

Complementary color

CMYK 86 / 61 / 0 / 52

HEX #112F7A

RGB 17 47 122

HSL 222.86, 0.76%, 0.27%

LAB 22.15, 19.87, -45.69

 

CMYK 0 / 14 / 47 / 5

HEX #F3D080

RGB 243 208 128

HSL 41.74, 0.83%, 0.73%

LAB 84.86, 2.18, 44.09

 

CMYK 0 / 11 / 42 / 0

HEX #FFE293

RGB 255 226 147

HSL 43.89, 1%, 0.79%

LAB 90.67, -0.43, 42.21

 

CMYK 0 / 4 / 35 / 0

HEX #FFF4A6

RGB 255 244 166

HSL 52.58, 1%, 0.83%

LAB 95.46, -7.42, 38.95

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 14 / 48 / 13

HEX #DDBE72

RGB 221 190 114

HSL 42.62, 0.61%, 0.66%

LAB 78.12, 1.33, 42.26

 

CMYK 0 / 16 / 53 / 20

HEX #CCAC5F

RGB 204 172 95

HSL 42.39, 0.52%, 0.59%

LAB 71.67, 2.1, 43.54

 

CMYK 0 / 18 / 59 / 27

HEX #BB9A4C

RGB 187 154 76

HSL 42.16, 0.45%, 0.52%

LAB 65.12, 3.02, 44.83

 

CMYK 0 / 20 / 66 / 33

HEX #AA8839

RGB 170 136 57

HSL 41.95, 0.5%, 0.45%

LAB 58.46, 4.12, 46.04

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 24 / 44 / 7

HEX #EEB485

RGB 238 180 133

HSL 26.86, 0.76%, 0.73%

LAB 77.59, 15.31, 32.11

 

CMYK 0 / 36 / 44 / 7

HEX #EE9885

RGB 238 152 133

HSL 10.86, 0.76%, 0.73%

LAB 71.1, 30.15, 23.46

 

CMYK 0 / 44 / 44 / 7

HEX #EE8585

RGB 238 133 133

HSL 0, 0.76%, 0.73%

LAB 67.01, 40.04, 17.88

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 1 / 44 / 7

HEX #EEEC85

RGB 238 236 133

HSL 58.86, 0.76%, 0.73%

LAB 91.62, -13.46, 49.95

 

CMYK 11 / 0 / 44 / 7

HEX #D3EE85

RGB 211 238 133

HSL 75.43, 0.76%, 0.73%

LAB 90.18, -24.8, 47.72

 

CMYK 23 / 0 / 44 / 7

HEX #B7EE85

RGB 183 238 133

HSL 91.43, 0.76%, 0.73%

LAB 88.4, -35.05, 45.13

 

CMYK 35 / 0 / 44 / 7

HEX #9BEE85

RGB 155 238 133

HSL 107.43, 0.76%, 0.73%

LAB 86.9, -44.48, 42.92

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 14 / 51 / 2

HEX #F9D57A

RGB 249 213 122

HSL 42.99, 0.91%, 0.73%

LAB 86.57, 1.49, 49.27

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 11 / 37 / 11

HEX #E3CB90

RGB 227 203 144

HSL 42.65, 0.6%, 0.73%

LAB 82.41, 0.09, 32.52

 

CMYK 0 / 8 / 28 / 15

HEX #D8C79C

RGB 216 199 156

HSL 43, 0.43%, 0.73%

LAB 80.65, -0.6, 23.72

 

CMYK 0 / 5 / 19 / 20

HEX #CDC2A7

RGB 205 194 167

HSL 42.63, 0.28%, 0.73%

LAB 78.67, -0.57, 14.98

 

CMYK 0 / 2 / 8 / 24

HEX #C1BDB2

RGB 193 189 178

HSL 44, 0.11%, 0.73%

LAB 76.65, -0.54, 6.04

 

CMYK 0 / 37 / 44 / 7

HEX #EE9785

RGB 238 151 133

HSL 10.29, 0.76%, 0.73%

LAB 70.87, 30.67, 23.16

 

CMYK 0 / 25 / 44 / 7

HEX #EEB385

RGB 238 179 133

HSL 26.29, 0.76%, 0.73%

LAB 77.35, 15.84, 31.8

 

CMYK 0 / 13 / 44 / 7

HEX #EECF85

RGB 238 207 133

HSL 42.29, 0.76%, 0.73%

LAB 84.22, 1.18, 40.69

 

CMYK 0 / 2 / 44 / 7

HEX #EEEA85

RGB 238 234 133

HSL 57.71, 0.76%, 0.73%

LAB 91.11, -12.47, 49.31

 

CMYK 10 / 0 / 44 / 7

HEX #D6EE85

RGB 214 238 133

HSL 73.71, 0.76%, 0.73%

LAB 90.39, -23.67, 48.03

 

CMYK 0 / 21 / 73 / 11

HEX #E4B43D

RGB 228 180 61

HSL 42.75, 0.76%, 0.57%

LAB 75.74, 5.9, 63.99

 

CMYK 0 / 17 / 58 / 9

HEX #E9C261

RGB 233 194 97

HSL 42.79, 0.76%, 0.65%

LAB 80.05, 2.78, 53.13

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 0 / 9 / 30 / 5

HEX #F3DEAA

RGB 243 222 170

HSL 42.74, 0.75%, 0.81%

LAB 89.02, -0.4, 28.17

 

CMYK 0 / 5 / 17 / 3

HEX #F8ECCE

RGB 248 236 206

HSL 42.86, 0.75%, 0.89%

LAB 93.63, -0.74, 16.01

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 39 / 0 / 44 / 7

HEX #90EE85

RGB 144 238 133

HSL 113.71, 0.76%, 0.73%

LAB 86.39, -47.9, 42.16

 

CMYK 31 / 44 / 0 / 7

HEX #A585EE

RGB 165 133 238

HSL 258.29, 0.76%, 0.73%

LAB 62.46, 34.41, -48.72

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 44 / 0 / 13 / 7

HEX #85EECF

RGB 133 238 207

HSL 162.29, 0.76%, 0.73%

LAB 87.31, -37.65, 5.55

 

CMYK 13 / 44 / 0 / 7

HEX #CF85EE

RGB 207 133 238

HSL 282.29, 0.76%, 0.73%

LAB 66.68, 46.03, -41.79

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 39 / 0 / 44 / 7

HEX #90EE85

RGB 144 238 133

HSL 113.71, 0.76%, 0.73%

LAB 86.39, -47.9, 42.16

 

CMYK 44 / 31 / 0 / 7

HEX #85A5EE

RGB 133 165 238

HSL 221.71, 0.76%, 0.73%

LAB 68.07, 7.77, -40.07

 

CMYK 4 / 44 / 0 / 7

HEX #E485EE

RGB 228 133 238

HSL 294.29, 0.76%, 0.73%

LAB 69.07, 52.02, -37.89

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 44 / 0 / 35 / 7

HEX #85EE9A

RGB 133 238 154

HSL 132, 0.76%, 0.73%

LAB 86.24, -47.9, 31.43

 

CMYK 44 / 31 / 0 / 7

HEX #85A5EE

RGB 133 165 238

HSL 221.71, 0.76%, 0.73%

LAB 68.07, 7.77, -40.07

 

CMYK 0 / 44 / 9 / 7

HEX #EE85D9

RGB 238 133 217

HSL 312, 0.76%, 0.73%

LAB 69.44, 51.31, -25.63

 

Description

Color code: HEX #EED085 | qconv.com Color code: HEX #EED085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 208 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 208 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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