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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED3A9 it is the complementary color #112C56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED3A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED3A9 shade: #F3D3A4, #FFE5B7, #FFF7CA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED3A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED3A9 shade: #EED3A9, #DDC196, #CCAF83, #BB9D70 and #AA8B5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED3A9 shade: #EED3A9, #EEC0A9, #EEAEA9 and #EEA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED3A9 shade: #EED3A9, #EEE5A9, #E4EEA9, #D1EEA9 and #BFEEA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED3A9 shade matches the following richer shades: #EED3A9, #F6D5A1 and #FED799

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED3A9 shade: #EED3A9, #E5D1B2, #DDCFBA, #D5CEC2 and #CDCCCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED3A9 shade: #EEAEA9, #EEC0A9, #EED2A9, #EEE5A9 and #E5EEA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED3A9 shade: #E0B064, #E7C187, #EED3A9, #F4E5CC and #FBF6EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED3A9 shade: #EED3A9, #B7EEA9 and #B7A9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED3A9 shade: #EED3A9, #A9EED2 and #D2A9EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED3A9 shade: #EED3A9, #B7EEA9, #A9C5EE and #E0A9EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED3A9 shade: #EED3A9, #A9EEB0, #A9C5EE and #EEA9E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

Complementary color

CMYK 80 / 49 / 0 / 66

HEX #112C56

RGB 17 44 86

HSL 216.52, 0.67%, 0.2%

LAB 18.33, 6.65, -28.43

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 10 / 28 / 0

HEX #FFE5B7

RGB 255 229 183

HSL 38.33, 1%, 0.86%

LAB 92.01, 2.19, 25.71

 

CMYK 0 / 3 / 21 / 0

HEX #FFF7CA

RGB 255 247 202

HSL 50.94, 1%, 0.9%

LAB 96.84, -4.35, 22.63

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 13 / 32 / 13

HEX #DDC196

RGB 221 193 150

HSL 36.34, 0.51%, 0.73%

LAB 79.45, 3.69, 25.33

 

CMYK 0 / 14 / 36 / 20

HEX #CCAF83

RGB 204 175 131

HSL 36.16, 0.42%, 0.66%

LAB 72.98, 4.21, 26.46

 

CMYK 0 / 16 / 40 / 27

HEX #BB9D70

RGB 187 157 112

HSL 36, 0.36%, 0.59%

LAB 66.4, 4.81, 27.67

 

CMYK 0 / 18 / 45 / 33

HEX #AA8B5D

RGB 170 139 93

HSL 35.84, 0.31%, 0.52%

LAB 59.71, 5.51, 28.97

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 19 / 29 / 7

HEX #EEC0A9

RGB 238 192 169

HSL 20, 0.67%, 0.8%

LAB 81.15, 13.18, 17.81

 

CMYK 0 / 27 / 29 / 7

HEX #EEAEA9

RGB 238 174 169

HSL 4.35, 0.67%, 0.8%

LAB 76.87, 22.72, 11.8

 

CMYK 0 / 29 / 29 / 7

HEX #EEA9A9

RGB 238 169 169

HSL 0, 0.67%, 0.8%

LAB 75.71, 25.38, 10.16

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 4 / 29 / 7

HEX #EEE5A9

RGB 238 229 169

HSL 52.17, 0.67%, 0.8%

LAB 90.36, -5.96, 30.42

 

CMYK 4 / 0 / 29 / 7

HEX #E4EEA9

RGB 228 238 169

HSL 68.7, 0.67%, 0.8%

LAB 91.91, -14.18, 32.37

 

CMYK 12 / 0 / 29 / 7

HEX #D1EEA9

RGB 209 238 169

HSL 85.22, 0.67%, 0.8%

LAB 90.58, -21.09, 30.36

 

CMYK 20 / 0 / 29 / 7

HEX #BFEEA9

RGB 191 238 169

HSL 100.87, 0.67%, 0.8%

LAB 89.44, -27.41, 28.62

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 13 / 35 / 4

HEX #F6D5A1

RGB 246 213 161

HSL 36.71, 0.83%, 0.8%

LAB 86.88, 4.27, 29.97

 

CMYK 0 / 15 / 40 / 0

HEX #FED799

RGB 254 215 153

HSL 36.83, 0.98%, 0.8%

LAB 87.95, 5.43, 35.65

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 9 / 22 / 10

HEX #E5D1B2

RGB 229 209 178

HSL 36.47, 0.5%, 0.8%

LAB 84.73, 2.13, 17.91

 

CMYK 0 / 6 / 16 / 13

HEX #DDCFBA

RGB 221 207 186

HSL 36, 0.34%, 0.8%

LAB 83.73, 1.42, 12.18

 

CMYK 0 / 3 / 9 / 16

HEX #D5CEC2

RGB 213 206 194

HSL 37.89, 0.18%, 0.8%

LAB 83.01, 0.35, 6.81

 

CMYK 0 / 0 / 1 / 20

HEX #CDCCCA

RGB 205 204 202

HSL 40, 0.03%, 0.8%

LAB 82.07, -0.01, 1.11

 

CMYK 0 / 27 / 29 / 7

HEX #EEAEA9

RGB 238 174 169

HSL 4.35, 0.67%, 0.8%

LAB 76.87, 22.72, 11.8

 

CMYK 0 / 19 / 29 / 7

HEX #EEC0A9

RGB 238 192 169

HSL 20, 0.67%, 0.8%

LAB 81.15, 13.18, 17.81

 

CMYK 0 / 12 / 29 / 7

HEX #EED2A9

RGB 238 210 169

HSL 35.65, 0.67%, 0.8%

LAB 85.57, 3.76, 23.93

 

CMYK 0 / 4 / 29 / 7

HEX #EEE5A9

RGB 238 229 169

HSL 52.17, 0.67%, 0.8%

LAB 90.36, -5.96, 30.42

 

CMYK 4 / 0 / 29 / 7

HEX #E5EEA9

RGB 229 238 169

HSL 67.83, 0.67%, 0.8%

LAB 91.99, -13.82, 32.49

 

CMYK 0 / 21 / 55 / 12

HEX #E0B064

RGB 224 176 100

HSL 36.77, 0.67%, 0.64%

LAB 74.71, 8.74, 45.17

 

CMYK 0 / 16 / 42 / 9

HEX #E7C187

RGB 231 193 135

HSL 36.25, 0.67%, 0.72%

LAB 80.11, 5.89, 34.24

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 0 / 6 / 16 / 4

HEX #F4E5CC

RGB 244 229 204

HSL 37.5, 0.65%, 0.88%

LAB 91.52, 1.1, 14.02

 

CMYK 0 / 2 / 5 / 2

HEX #FBF6EE

RGB 251 246 238

HSL 36.92, 0.62%, 0.96%

LAB 97.06, 0.3, 4.42

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 23 / 0 / 29 / 7

HEX #B7EEA9

RGB 183 238 169

HSL 107.83, 0.67%, 0.8%

LAB 88.96, -30.12, 27.89

 

CMYK 23 / 29 / 0 / 7

HEX #B7A9EE

RGB 183 169 238

HSL 252.17, 0.67%, 0.8%

LAB 72.64, 19.26, -32.7

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 29 / 0 / 12 / 7

HEX #A9EED2

RGB 169 238 210

HSL 155.65, 0.67%, 0.8%

LAB 89.03, -27.25, 6.68

 

CMYK 12 / 29 / 0 / 7

HEX #D2A9EE

RGB 210 169 238

HSL 275.65, 0.67%, 0.8%

LAB 74.98, 27.5, -28.89

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 23 / 0 / 29 / 7

HEX #B7EEA9

RGB 183 238 169

HSL 107.83, 0.67%, 0.8%

LAB 88.96, -30.12, 27.89

 

CMYK 29 / 17 / 0 / 7

HEX #A9C5EE

RGB 169 197 238

HSL 215.65, 0.67%, 0.8%

LAB 78.78, -0.21, -23.37

 

CMYK 6 / 29 / 0 / 7

HEX #E0A9EE

RGB 224 169 238

HSL 287.83, 0.67%, 0.8%

LAB 76.31, 31.88, -26.74

 

CMYK 0 / 11 / 29 / 7

HEX #EED3A9

RGB 238 211 169

HSL 36.52, 0.67%, 0.8%

LAB 85.82, 3.24, 24.27

 

CMYK 29 / 0 / 26 / 7

HEX #A9EEB0

RGB 169 238 176

HSL 126.09, 0.67%, 0.8%

LAB 88.31, -33.54, 23.3

 

CMYK 29 / 17 / 0 / 7

HEX #A9C5EE

RGB 169 197 238

HSL 215.65, 0.67%, 0.8%

LAB 78.78, -0.21, -23.37

 

CMYK 0 / 29 / 3 / 7

HEX #EEA9E7

RGB 238 169 231

HSL 306.09, 0.67%, 0.8%

LAB 77.47, 35.05, -21.05

 

Description

Color code: HEX #EED3A9 | qconv.com Color code: HEX #EED3A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 211 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 211 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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