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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDCDD it is the complementary color #112322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDCDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDCDD shade: #F3DCD8, #FFEEEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDCDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDCDD shade: #EEDCDD, #DDCACA, #CCB8B7, #BBA6A4 and #AA9491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDCDD shade: #EEDCDD and #EEDCDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDCDD shade: #EEDCDD, #EEDCE2, #EEDCE7, #EEDCEC and #ECDCEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDCDD shade matches the following richer shades: #EEDCDD, #F2D8D9, #F6D4D6, #FAD0D2 and #FECCCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDCDD shade: #EEDCDD, #EAE0E1, #E6E4E4, #E2E8E8 and #DDEDEC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDCDD shade: #EEDCE7, #EEDCE2, #EEDCDD, #EEE0DC and #EEE4DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDCDD shade: #D3A4A7, #E1C0C2, #EEDCDD and #FBF8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDCDD shade: #EEDCDD, #ECEEDC and #DCE4EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDCDD shade: #EEDCDD, #DDEEDC and #DCDDEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDCDD shade: #EEDCDD, #ECEEDC, #DCEEED and #DEDCEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDCDD shade: #EEDCDD, #E6EEDC, #DCEEED and #E4DCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

Complementary color

CMYK 51 / 0 / 3 / 86

HEX #112322

RGB 17 35 34

HSL 176.67, 0.35%, 0.1%

LAB 12.2, -7.74, -1.67

 

CMYK 0 / 9 / 11 / 5

HEX #F3DCD8

RGB 243 220 216

HSL 8.89, 0.53%, 0.9%

LAB 89.49, 7.25, 4.83

 

CMYK 0 / 7 / 8 / 0

HEX #FFEEEB

RGB 255 238 235

HSL 9, 1%, 0.96%

LAB 95.33, 5.24, 3.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 9 / 9 / 13

HEX #DDCACA

RGB 221 202 202

HSL 0, 0.22%, 0.83%

LAB 82.85, 6.63, 2.39

 

CMYK 0 / 10 / 10 / 20

HEX #CCB8B7

RGB 204 184 183

HSL 2.86, 0.17%, 0.76%

LAB 76.4, 6.94, 3.09

 

CMYK 0 / 11 / 12 / 27

HEX #BBA6A4

RGB 187 166 164

HSL 5.22, 0.14%, 0.69%

LAB 69.84, 7.28, 3.82

 

CMYK 0 / 13 / 15 / 33

HEX #AA9491

RGB 170 148 145

HSL 7.2, 0.13%, 0.62%

LAB 63.15, 7.67, 4.59

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 8 / 8 / 7

HEX #EEDCDC

RGB 238 220 220

HSL 0, 0.35%, 0.9%

LAB 89.17, 6.17, 2.22

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 0 / 8 / 3 / 7

HEX #EEDCE7

RGB 238 220 231

HSL 323.33, 0.35%, 0.9%

LAB 89.46, 8.06, -3.15

 

CMYK 0 / 8 / 1 / 7

HEX #EEDCEC

RGB 238 220 236

HSL 306.67, 0.35%, 0.9%

LAB 89.59, 8.94, -5.58

 

CMYK 1 / 8 / 0 / 7

HEX #ECDCEE

RGB 236 220 238

HSL 293.33, 0.35%, 0.9%

LAB 89.48, 8.64, -6.81

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 11 / 10 / 5

HEX #F2D8D9

RGB 242 216 217

HSL 357.69, 0.5%, 0.9%

LAB 88.45, 9.15, 2.79

 

CMYK 0 / 14 / 13 / 4

HEX #F6D4D6

RGB 246 212 214

HSL 356.47, 0.65%, 0.9%

LAB 87.74, 12.15, 3.39

 

CMYK 0 / 17 / 16 / 2

HEX #FAD0D2

RGB 250 208 210

HSL 357.14, 0.81%, 0.9%

LAB 87.04, 15.03, 4.53

 

CMYK 0 / 20 / 19 / 0

HEX #FECCCE

RGB 254 204 206

HSL 357.6, 0.96%, 0.9%

LAB 86.36, 17.94, 5.72

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 4 / 4 / 8

HEX #EAE0E1

RGB 234 224 225

HSL 354, 0.19%, 0.9%

LAB 89.97, 3.57, 0.72

 

CMYK 0 / 1 / 1 / 10

HEX #E6E4E4

RGB 230 228 228

HSL 0, 0.04%, 0.9%

LAB 90.74, 0.68, 0.23

HEX #E6E4E4

CMYK 3 / 0 / 0 / 9

HEX #E2E8E8

RGB 226 232 232

HSL 180, 0.12%, 0.9%

LAB 91.55, -2, -0.71

HEX #E2E8E8

CMYK 7 / 0 / 0 / 7

HEX #DDEDEC

RGB 221 237 236

HSL 176.25, 0.31%, 0.9%

LAB 92.57, -5.45, -1.34

HEX #DDEDEC

CMYK 0 / 8 / 3 / 7

HEX #EEDCE7

RGB 238 220 231

HSL 323.33, 0.35%, 0.9%

LAB 89.46, 8.06, -3.15

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE2

RGB 238 220 226

HSL 340, 0.35%, 0.9%

LAB 89.32, 7.19, -0.71

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 6 / 8 / 7

HEX #EEE0DC

RGB 238 224 220

HSL 13.33, 0.35%, 0.9%

LAB 90.16, 4.1, 3.66

 

CMYK 0 / 4 / 8 / 7

HEX #EEE4DC

RGB 238 228 220

HSL 26.67, 0.35%, 0.9%

LAB 91.16, 2.04, 5.1

 

CMYK 0 / 22 / 21 / 17

HEX #D3A4A7

RGB 211 164 167

HSL 356.17, 0.35%, 0.74%

LAB 71.68, 17.76, 5.12

 

CMYK 0 / 15 / 14 / 12

HEX #E1C0C2

RGB 225 192 194

HSL 356.36, 0.35%, 0.82%

LAB 80.52, 12.03, 3.34

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 0 / 1 / 1 / 2

HEX #FBF8F8

RGB 251 248 248

HSL 0, 0.27%, 0.98%

LAB 97.8, 1, 0.34

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 8 / 4 / 0 / 7

HEX #DCE4EE

RGB 220 228 238

HSL 213.33, 0.35%, 0.9%

LAB 90.26, -0.79, -5.79

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 7 / 0 / 8 / 7

HEX #DDEEDC

RGB 221 238 220

HSL 116.67, 0.35%, 0.9%

LAB 92.44, -8.86, 6.78

 

CMYK 8 / 7 / 0 / 7

HEX #DCDDEE

RGB 220 221 238

HSL 236.67, 0.35%, 0.9%

LAB 88.5, 2.84, -8.41

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 8 / 0 / 0 / 7

HEX #DCEEED

RGB 220 238 237

HSL 176.67, 0.35%, 0.9%

LAB 92.79, -6.1, -1.56

 

CMYK 7 / 8 / 0 / 7

HEX #DEDCEE

RGB 222 220 238

HSL 246.67, 0.35%, 0.9%

LAB 88.39, 4.02, -8.54

 

CMYK 0 / 8 / 7 / 7

HEX #EEDCDD

RGB 238 220 221

HSL 356.67, 0.35%, 0.9%

LAB 89.2, 6.34, 1.73

 

CMYK 3 / 0 / 8 / 7

HEX #E6EEDC

RGB 230 238 220

HSL 86.67, 0.35%, 0.9%

LAB 93.08, -5.81, 7.78

 

CMYK 8 / 0 / 0 / 7

HEX #DCEEED

RGB 220 238 237

HSL 176.67, 0.35%, 0.9%

LAB 92.79, -6.1, -1.56

 

CMYK 4 / 8 / 0 / 7

HEX #E4DCEE

RGB 228 220 238

HSL 266.67, 0.35%, 0.9%

LAB 88.85, 5.98, -7.81

 

Description

Color code: HEX #EEDCDD | qconv.com Color code: HEX #EEDCDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 220 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 220 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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