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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDD61 it is the complementary color #11229E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDD61 shade: #F3DD5C, #FFEF6F, #FFFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDD61 shade: #EEDD61, #DDCB4E, #CCB93B, #BBA728 and #AA9515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDD61 shade: #EEDD62, #EEB762, #EE9162, #EE6B62 and #EE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDD61 shade: #EEDD62, #D9EE62, #B3EE62, #8DEE62 and #67EE62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDD61 shade matches the following richer shades: #EEDD62 and #FCE854

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDD61 shade: #EEDD62, #E0D270, #D2C87E, #C4BD8C and #B6B39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDD61 shade: #EE9062, #EEB662, #EEDB62, #DBEE62 and #B6EE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDD61 shade: #E5CD18, #EAD53C, #EEDD62, #F2E587 and #F6EDAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDD61 shade: #EEDD61, #62EE6B and #A362EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDD61 shade: #EEDD61, #62EEDB and #DB62EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDD61 shade: #EEDD61, #62EE6B, #6274EE and #EE62E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDD61 shade: #EEDD61, #62EE95, #6274EE and #EE62BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

Complementary color

CMYK 89 / 78 / 0 / 38

HEX #11229E

RGB 17 34 158

HSL 232.77, 0.81%, 0.34%

LAB 22.76, 42.24, -67.1

 

CMYK 0 / 9 / 62 / 5

HEX #F3DD5C

RGB 243 221 92

HSL 51.26, 0.86%, 0.66%

LAB 87.75, -7.23, 64.21

 

CMYK 0 / 6 / 56 / 0

HEX #FFEF6F

RGB 255 239 111

HSL 53.33, 1%, 0.72%

LAB 93.51, -10.04, 62.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

CMYK 0 / 8 / 65 / 13

HEX #DDCB4E

RGB 221 203 78

HSL 52.45, 0.68%, 0.59%

LAB 81.09, -8.12, 62.4

 

CMYK 0 / 9 / 71 / 20

HEX #CCB93B

RGB 204 185 59

HSL 52.14, 0.59%, 0.52%

LAB 74.73, -7.12, 62.99

 

CMYK 0 / 11 / 79 / 27

HEX #BBA728

RGB 187 167 40

HSL 51.84, 0.65%, 0.45%

LAB 68.28, -5.94, 63.03

 

CMYK 0 / 12 / 88 / 33

HEX #AA9515

RGB 170 149 21

HSL 51.54, 0.78%, 0.37%

LAB 61.74, -4.53, 62.07

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD62

RGB 238 221 98

HSL 52.71, 0.8%, 0.66%

LAB 87.37, -8.89, 61.09

 

CMYK 0 / 23 / 59 / 7

HEX #EEB762

RGB 238 183 98

HSL 36.43, 0.8%, 0.66%

LAB 77.83, 10.69, 50.2

 

CMYK 0 / 39 / 59 / 7

HEX #EE9162

RGB 238 145 98

HSL 20.14, 0.8%, 0.66%

LAB 68.98, 30.76, 39.59

 

CMYK 0 / 55 / 59 / 7

HEX #EE6B62

RGB 238 107 98

HSL 3.86, 0.8%, 0.66%

LAB 61.29, 49.88, 29.93

 

CMYK 0 / 59 / 59 / 7

HEX #EE6262

RGB 238 98 98

HSL 0, 0.8%, 0.66%

LAB 59.7, 54.03, 27.89

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD62

RGB 238 221 98

HSL 52.71, 0.8%, 0.66%

LAB 87.37, -8.89, 61.09

 

CMYK 9 / 0 / 59 / 7

HEX #D9EE62

RGB 217 238 98

HSL 69, 0.8%, 0.66%

LAB 90.22, -25.64, 63.79

 

CMYK 25 / 0 / 59 / 7

HEX #B3EE62

RGB 179 238 98

HSL 85.29, 0.8%, 0.66%

LAB 87.78, -40.06, 60.4

 

CMYK 41 / 0 / 59 / 7

HEX #8DEE62

RGB 141 238 98

HSL 101.57, 0.8%, 0.66%

LAB 85.85, -52.93, 57.69

 

CMYK 57 / 0 / 59 / 7

HEX #67EE62

RGB 103 238 98

HSL 117.86, 0.8%, 0.66%

LAB 84.44, -63.39, 55.7

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD62

RGB 238 221 98

HSL 52.71, 0.8%, 0.66%

LAB 87.37, -8.89, 61.09

 

CMYK 0 / 8 / 67 / 1

HEX #FCE854

RGB 252 232 84

HSL 52.86, 0.97%, 0.66%

LAB 91.26, -9.49, 71.38

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD62

RGB 238 221 98

HSL 52.71, 0.8%, 0.66%

LAB 87.37, -8.89, 61.09

 

CMYK 0 / 6 / 50 / 12

HEX #E0D270

RGB 224 210 112

HSL 52.5, 0.64%, 0.66%

LAB 83.5, -7.95, 49.87

 

CMYK 0 / 5 / 40 / 18

HEX #D2C87E

RGB 210 200 126

HSL 52.86, 0.48%, 0.66%

LAB 79.91, -7.1, 38.23

 

CMYK 0 / 4 / 29 / 23

HEX #C4BD8C

RGB 196 189 140

HSL 52.5, 0.32%, 0.66%

LAB 76.08, -5.22, 25.71

 

CMYK 0 / 2 / 15 / 29

HEX #B6B39A

RGB 182 179 154

HSL 53.57, 0.16%, 0.66%

LAB 72.57, -3.24, 13.16

 

CMYK 0 / 39 / 59 / 7

HEX #EE9062

RGB 238 144 98

HSL 19.71, 0.8%, 0.66%

LAB 68.76, 31.29, 39.32

 

CMYK 0 / 24 / 59 / 7

HEX #EEB662

RGB 238 182 98

HSL 36, 0.8%, 0.66%

LAB 77.59, 11.21, 49.92

 

CMYK 0 / 8 / 59 / 7

HEX #EEDB62

RGB 238 219 98

HSL 51.86, 0.8%, 0.66%

LAB 86.86, -7.88, 60.52

 

CMYK 8 / 0 / 59 / 7

HEX #DBEE62

RGB 219 238 98

HSL 68.14, 0.8%, 0.66%

LAB 90.36, -24.85, 63.98

 

CMYK 24 / 0 / 59 / 7

HEX #B6EE62

RGB 182 238 98

HSL 84, 0.8%, 0.66%

LAB 87.96, -38.97, 60.64

 

CMYK 0 / 10 / 90 / 10

HEX #E5CD18

RGB 229 205 24

HSL 52.98, 0.81%, 0.5%

LAB 82.05, -7.72, 79.85

 

CMYK 0 / 9 / 74 / 8

HEX #EAD53C

RGB 234 213 60

HSL 52.76, 0.81%, 0.58%

LAB 84.69, -8.61, 73.11

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD62

RGB 238 221 98

HSL 52.71, 0.8%, 0.66%

LAB 87.37, -8.89, 61.09

 

CMYK 0 / 5 / 44 / 5

HEX #F2E587

RGB 242 229 135

HSL 52.71, 0.8%, 0.74%

LAB 90.17, -8.22, 47.25

 

CMYK 0 / 4 / 30 / 4

HEX #F6EDAC

RGB 246 237 172

HSL 52.7, 0.8%, 0.82%

LAB 93.08, -6.61, 32.65

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

CMYK 59 / 0 / 55 / 7

HEX #62EE6B

RGB 98 238 107

HSL 123.86, 0.8%, 0.66%

LAB 84.38, -63.49, 51.59

 

CMYK 32 / 59 / 0 / 7

HEX #A362EE

RGB 163 98 238

HSL 267.86, 0.8%, 0.66%

LAB 54.76, 53.07, -61.02

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

CMYK 59 / 0 / 8 / 7

HEX #62EEDB

RGB 98 238 219

HSL 171.86, 0.8%, 0.66%

LAB 86.43, -42.26, -2.16

 

CMYK 8 / 59 / 0 / 7

HEX #DB62EE

RGB 219 98 238

HSL 291.86, 0.8%, 0.66%

LAB 61.63, 66.36, -49.66

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

CMYK 59 / 0 / 55 / 7

HEX #62EE6B

RGB 98 238 107

HSL 123.86, 0.8%, 0.66%

LAB 84.38, -63.49, 51.59

 

CMYK 59 / 51 / 0 / 7

HEX #6274EE

RGB 98 116 238

HSL 232.29, 0.8%, 0.66%

LAB 53.23, 29.1, -63.76

 

CMYK 0 / 59 / 4 / 7

HEX #EE62E5

RGB 238 98 229

HSL 303.86, 0.8%, 0.66%

LAB 63.81, 69.52, -41.03

 

CMYK 0 / 7 / 59 / 7

HEX #EEDD61

RGB 238 221 97

HSL 52.77, 0.81%, 0.66%

LAB 87.36, -8.96, 61.52

 

CMYK 59 / 0 / 37 / 7

HEX #62EE95

RGB 98 238 149

HSL 141.86, 0.8%, 0.66%

LAB 84.95, -57.24, 32.03

 

CMYK 59 / 51 / 0 / 7

HEX #6274EE

RGB 98 116 238

HSL 232.29, 0.8%, 0.66%

LAB 53.23, 29.1, -63.76

 

CMYK 0 / 59 / 21 / 7

HEX #EE62BB

RGB 238 98 187

HSL 321.86, 0.8%, 0.66%

LAB 62.08, 63.25, -20.02

 

Description

Color code: HEX #EEDD61 | qconv.com Color code: HEX #EEDD61 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 221 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 221 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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