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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDF80 it is the complementary color #11207F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDF80 shade: #F3DF7B, #FFF18E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDF80 shade: #EEDF80, #DDCD6D, #CCBB5A, #BBA947 and #AA9734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDF80 shade: #EDDF81, #EDC181, #EDA481, #ED8781 and #ED8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDF80 shade: #EDDF81, #DFED81, #C2ED81, #A4ED81 and #87ED81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDF80 shade matches the following richer shades: #EDDF81 and #F9E775

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDF80 shade: #EDDF81, #E2D68C, #D6CE98, #CBC5A3 and #BFBDAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDF80 shade: #EDA381, #EDC081, #EDDD81, #E1ED81 and #C4ED81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDF80 shade: #E3CC38, #E8D55D, #EDDF81, #F2E8A5 and #F7F1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDF80 shade: #EEDF80, #81ED86 and #B281ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDF80 shade: #EEDF80, #81EDDD and #DD81ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDF80 shade: #EEDF80, #81ED86, #8191ED and #ED81E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDF80 shade: #EEDF80, #81EDA7, #8191ED and #ED81C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

Complementary color

CMYK 87 / 75 / 0 / 50

HEX #11207F

RGB 17 32 127

HSL 231.82, 0.76%, 0.28%

LAB 18.73, 32.21, -54.47

 

CMYK 0 / 8 / 49 / 5

HEX #F3DF7B

RGB 243 223 123

HSL 50, 0.83%, 0.72%

LAB 88.57, -5.92, 51.1

 

CMYK 0 / 5 / 44 / 0

HEX #FFF18E

RGB 255 241 142

HSL 52.57, 1%, 0.78%

LAB 94.37, -8.44, 49.32

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

CMYK 0 / 7 / 51 / 13

HEX #DDCD6D

RGB 221 205 109

HSL 51.43, 0.62%, 0.65%

LAB 81.91, -6.88, 49.35

 

CMYK 0 / 8 / 56 / 20

HEX #CCBB5A

RGB 204 187 90

HSL 51.05, 0.53%, 0.58%

LAB 75.52, -6.2, 50.51

 

CMYK 0 / 10 / 62 / 27

HEX #BBA947

RGB 187 169 71

HSL 50.69, 0.46%, 0.51%

LAB 69.04, -5.38, 51.59

 

CMYK 0 / 11 / 69 / 33

HEX #AA9734

RGB 170 151 52

HSL 50.34, 0.53%, 0.44%

LAB 62.45, -4.39, 52.44

 

CMYK 0 / 6 / 46 / 7

HEX #EDDF81

RGB 237 223 129

HSL 52.22, 0.75%, 0.72%

LAB 88.14, -7.76, 47.57

 

CMYK 0 / 19 / 46 / 7

HEX #EDC181

RGB 237 193 129

HSL 35.56, 0.75%, 0.72%

LAB 80.59, 7.67, 38.06

 

CMYK 0 / 31 / 46 / 7

HEX #EDA481

RGB 237 164 129

HSL 19.44, 0.75%, 0.72%

LAB 73.64, 23, 29.01

 

CMYK 0 / 43 / 46 / 7

HEX #ED8781

RGB 237 135 129

HSL 3.33, 0.75%, 0.72%

LAB 67.22, 38.24, 20.38

 

CMYK 0 / 46 / 46 / 7

HEX #ED8181

RGB 237 129 129

HSL 0, 0.75%, 0.72%

LAB 65.97, 41.32, 18.67

 

CMYK 0 / 6 / 46 / 7

HEX #EDDF81

RGB 237 223 129

HSL 52.22, 0.75%, 0.72%

LAB 88.14, -7.76, 47.57

 

CMYK 6 / 0 / 46 / 7

HEX #DFED81

RGB 223 237 129

HSL 67.78, 0.75%, 0.72%

LAB 90.71, -20.16, 50.48

 

CMYK 18 / 0 / 46 / 7

HEX #C2ED81

RGB 194 237 129

HSL 83.89, 0.75%, 0.72%

LAB 88.74, -31.08, 47.62

 

CMYK 31 / 0 / 46 / 7

HEX #A4ED81

RGB 164 237 129

HSL 100.56, 0.75%, 0.72%

LAB 87.02, -41.62, 45.1

 

CMYK 43 / 0 / 46 / 7

HEX #87ED81

RGB 135 237 129

HSL 116.67, 0.75%, 0.72%

LAB 85.66, -50.69, 43.1

 

CMYK 0 / 6 / 46 / 7

HEX #EDDF81

RGB 237 223 129

HSL 52.22, 0.75%, 0.72%

LAB 88.14, -7.76, 47.57

 

CMYK 0 / 7 / 53 / 2

HEX #F9E775

RGB 249 231 117

HSL 51.82, 0.92%, 0.72%

LAB 91.04, -8.03, 56.98

 

CMYK 0 / 6 / 46 / 7

HEX #EDDF81

RGB 237 223 129

HSL 52.22, 0.75%, 0.72%

LAB 88.14, -7.76, 47.57

 

CMYK 0 / 5 / 38 / 11

HEX #E2D68C

RGB 226 214 140

HSL 51.63, 0.6%, 0.72%

LAB 85.08, -6.41, 38.04

 

CMYK 0 / 4 / 29 / 16

HEX #D6CE98

RGB 214 206 152

HSL 52.26, 0.43%, 0.72%

LAB 82.22, -5.52, 27.92

 

CMYK 0 / 3 / 20 / 20

HEX #CBC5A3

RGB 203 197 163

HSL 51, 0.28%, 0.72%

LAB 79.2, -3.49, 17.83

 

CMYK 0 / 1 / 8 / 25

HEX #BFBDAF

RGB 191 189 175

HSL 52.5, 0.11%, 0.72%

LAB 76.42, -1.78, 7.31

 

CMYK 0 / 31 / 46 / 7

HEX #EDA381

RGB 237 163 129

HSL 18.89, 0.75%, 0.72%

LAB 73.41, 23.53, 28.7

 

CMYK 0 / 19 / 46 / 7

HEX #EDC081

RGB 237 192 129

HSL 35, 0.75%, 0.72%

LAB 80.34, 8.19, 37.75

 

CMYK 0 / 7 / 46 / 7

HEX #EDDD81

RGB 237 221 129

HSL 51.11, 0.75%, 0.72%

LAB 87.63, -6.75, 46.93

 

CMYK 5 / 0 / 46 / 7

HEX #E1ED81

RGB 225 237 129

HSL 66.67, 0.75%, 0.72%

LAB 90.85, -19.39, 50.69

 

CMYK 17 / 0 / 46 / 7

HEX #C4ED81

RGB 196 237 129

HSL 82.78, 0.75%, 0.72%

LAB 88.87, -30.35, 47.8

 

CMYK 0 / 10 / 75 / 11

HEX #E3CC38

RGB 227 204 56

HSL 51.93, 0.75%, 0.55%

LAB 81.73, -7.17, 71.46

 

CMYK 0 / 8 / 60 / 9

HEX #E8D55D

RGB 232 213 93

HSL 51.8, 0.75%, 0.64%

LAB 84.76, -7.66, 60.23

 

CMYK 0 / 6 / 46 / 7

HEX #EDDF81

RGB 237 223 129

HSL 52.22, 0.75%, 0.72%

LAB 88.14, -7.76, 47.57

 

CMYK 0 / 4 / 32 / 5

HEX #F2E8A5

RGB 242 232 165

HSL 52.21, 0.75%, 0.8%

LAB 91.37, -6.46, 33.87

 

CMYK 0 / 2 / 19 / 3

HEX #F7F1C9

RGB 247 241 201

HSL 52.17, 0.74%, 0.88%

LAB 94.7, -4.36, 20.07

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

CMYK 46 / 0 / 43 / 7

HEX #81ED86

RGB 129 237 134

HSL 122.78, 0.75%, 0.72%

LAB 85.48, -51.69, 40.38

 

CMYK 25 / 46 / 0 / 7

HEX #B281ED

RGB 178 129 237

HSL 267.22, 0.75%, 0.72%

LAB 62.74, 39.9, -47.64

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

CMYK 46 / 0 / 7 / 7

HEX #81EDDD

RGB 129 237 221

HSL 171.11, 0.75%, 0.72%

LAB 87.22, -34.96, -1.94

 

CMYK 7 / 46 / 0 / 7

HEX #DD81ED

RGB 221 129 237

HSL 291.11, 0.75%, 0.72%

LAB 67.42, 51.87, -39.98

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

CMYK 46 / 0 / 43 / 7

HEX #81ED86

RGB 129 237 134

HSL 122.78, 0.75%, 0.72%

LAB 85.48, -51.69, 40.38

 

CMYK 46 / 39 / 0 / 7

HEX #8191ED

RGB 129 145 237

HSL 231.11, 0.75%, 0.72%

LAB 62.53, 18.03, -48.24

 

CMYK 0 / 46 / 2 / 7

HEX #ED81E8

RGB 237 129 232

HSL 302.78, 0.75%, 0.72%

LAB 69.13, 55.53, -34.4

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF80

RGB 238 223 128

HSL 51.82, 0.76%, 0.72%

LAB 88.21, -7.46, 48.16

 

CMYK 46 / 0 / 30 / 7

HEX #81EDA7

RGB 129 237 167

HSL 141.11, 0.75%, 0.72%

LAB 86.02, -46.29, 24.48

 

CMYK 46 / 39 / 0 / 7

HEX #8191ED

RGB 129 145 237

HSL 231.11, 0.75%, 0.72%

LAB 62.53, 18.03, -48.24

 

CMYK 0 / 46 / 16 / 7

HEX #ED81C7

RGB 237 129 199

HSL 321.11, 0.75%, 0.72%

LAB 67.89, 50.15, -17.98

 

Description

Color code: HEX #EEDF80 | qconv.com Color code: HEX #EEDF80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 223 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 223 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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