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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE561 it is the complementary color #111A9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE561 shade: #F3E55C, #FFF76F, #FFFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE561 shade: #EEE561, #DDD34E, #CCC13B, #BBAF28 and #AA9D15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE561 shade: #EEE562, #EEBF62, #EE9962, #EE7362 and #EE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE561 shade: #EEE562, #D1EE62, #ABEE62, #85EE62 and #62EE64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE561 shade matches the following richer shades: #EEE562 and #FCF154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE561 shade: #EEE562, #E0D970, #D2CD7E, #C4C08C and #B6B49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE561 shade: #EE9A62, #EEBF62, #EEE562, #D2EE62 and #ACEE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE561 shade: #E5D818, #EADF3C, #EEE562, #F2EB87 and #F6F1AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE561 shade: #EEE561, #62EE74 and #AC62EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE561 shade: #EEE561, #62EEE5 and #E562EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE561 shade: #EEE561, #62EE74, #626BEE and #EE62DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE561 shade: #EEE561, #62EE9E, #626BEE and #EE62B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

Complementary color

CMYK 89 / 84 / 0 / 38

HEX #111A9E

RGB 17 26 158

HSL 236.17, 0.81%, 0.34%

LAB 21.31, 46.48, -69.52

 

CMYK 0 / 6 / 62 / 5

HEX #F3E55C

RGB 243 229 92

HSL 54.44, 0.86%, 0.66%

LAB 89.8, -11.23, 66.41

 

CMYK 0 / 3 / 56 / 0

HEX #FFF76F

RGB 255 247 111

HSL 56.67, 1%, 0.72%

LAB 95.55, -13.97, 64.96

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

CMYK 0 / 5 / 65 / 13

HEX #DDD34E

RGB 221 211 78

HSL 55.8, 0.68%, 0.59%

LAB 83.18, -12.16, 64.59

 

CMYK 0 / 5 / 71 / 20

HEX #CCC13B

RGB 204 193 59

HSL 55.45, 0.59%, 0.52%

LAB 76.86, -11.23, 65.07

 

CMYK 0 / 6 / 79 / 27

HEX #BBAF28

RGB 187 175 40

HSL 55.1, 0.65%, 0.45%

LAB 70.44, -10.13, 64.97

 

CMYK 0 / 8 / 88 / 33

HEX #AA9D15

RGB 170 157 21

HSL 54.77, 0.78%, 0.37%

LAB 63.93, -8.81, 63.84

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 0 / 20 / 59 / 7

HEX #EEBF62

RGB 238 191 98

HSL 39.86, 0.8%, 0.66%

LAB 79.8, 6.49, 52.49

 

CMYK 0 / 36 / 59 / 7

HEX #EE9962

RGB 238 153 98

HSL 23.57, 0.8%, 0.66%

LAB 70.76, 26.55, 41.78

 

CMYK 0 / 52 / 59 / 7

HEX #EE7362

RGB 238 115 98

HSL 7.29, 0.8%, 0.66%

LAB 62.78, 46.04, 31.84

 

CMYK 0 / 59 / 59 / 7

HEX #EE6262

RGB 238 98 98

HSL 0, 0.8%, 0.66%

LAB 59.7, 54.03, 27.89

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 12 / 0 / 59 / 7

HEX #D1EE62

RGB 209 238 98

HSL 72.43, 0.8%, 0.66%

LAB 89.67, -28.76, 63.02

 

CMYK 28 / 0 / 59 / 7

HEX #ABEE62

RGB 171 238 98

HSL 88.71, 0.8%, 0.66%

LAB 87.33, -42.93, 59.77

 

CMYK 44 / 0 / 59 / 7

HEX #85EE62

RGB 133 238 98

HSL 105, 0.8%, 0.66%

LAB 85.51, -55.36, 57.21

 

CMYK 59 / 0 / 58 / 7

HEX #62EE64

RGB 98 238 100

HSL 120.86, 0.8%, 0.66%

LAB 84.31, -64.32, 54.64

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 0 / 4 / 67 / 1

HEX #FCF154

RGB 252 241 84

HSL 56.07, 0.97%, 0.66%

LAB 93.56, -13.92, 73.72

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 0 / 3 / 50 / 12

HEX #E0D970

RGB 224 217 112

HSL 56.25, 0.64%, 0.66%

LAB 85.32, -11.48, 52.05

 

CMYK 0 / 2 / 40 / 18

HEX #D2CD7E

RGB 210 205 126

HSL 56.43, 0.48%, 0.66%

LAB 81.22, -9.66, 39.91

 

CMYK 0 / 2 / 29 / 23

HEX #C4C08C

RGB 196 192 140

HSL 55.71, 0.32%, 0.66%

LAB 76.88, -6.78, 26.78

 

CMYK 0 / 1 / 15 / 29

HEX #B6B49A

RGB 182 180 154

HSL 55.71, 0.16%, 0.66%

LAB 72.84, -3.78, 13.53

 

CMYK 0 / 35 / 59 / 7

HEX #EE9A62

RGB 238 154 98

HSL 24, 0.8%, 0.66%

LAB 70.99, 26.02, 42.05

 

CMYK 0 / 20 / 59 / 7

HEX #EEBF62

RGB 238 191 98

HSL 39.86, 0.8%, 0.66%

LAB 79.8, 6.49, 52.49

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 12 / 0 / 59 / 7

HEX #D2EE62

RGB 210 238 98

HSL 72, 0.8%, 0.66%

LAB 89.74, -28.37, 63.11

 

CMYK 28 / 0 / 59 / 7

HEX #ACEE62

RGB 172 238 98

HSL 88.29, 0.8%, 0.66%

LAB 87.39, -42.57, 59.84

 

CMYK 0 / 6 / 90 / 10

HEX #E5D818

RGB 229 216 24

HSL 56.2, 0.81%, 0.5%

LAB 84.91, -13.24, 82.08

 

CMYK 0 / 5 / 74 / 8

HEX #EADF3C

RGB 234 223 60

HSL 56.21, 0.81%, 0.58%

LAB 87.29, -13.6, 75.53

 

CMYK 0 / 4 / 59 / 7

HEX #EEE562

RGB 238 229 98

HSL 56.14, 0.8%, 0.66%

LAB 89.44, -12.87, 63.38

 

CMYK 0 / 3 / 44 / 5

HEX #F2EB87

RGB 242 235 135

HSL 56.07, 0.8%, 0.74%

LAB 91.7, -11.21, 49.16

 

CMYK 0 / 2 / 30 / 4

HEX #F6F1AC

RGB 246 241 172

HSL 55.95, 0.8%, 0.82%

LAB 94.09, -8.6, 34.01

 

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

CMYK 59 / 0 / 51 / 7

HEX #62EE74

RGB 98 238 116

HSL 127.71, 0.8%, 0.66%

LAB 84.49, -62.34, 47.56

 

CMYK 28 / 59 / 0 / 7

HEX #AC62EE

RGB 172 98 238

HSL 271.71, 0.8%, 0.66%

LAB 55.77, 55.14, -59.35

 

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

CMYK 59 / 0 / 4 / 7

HEX #62EEE5

RGB 98 238 229

HSL 176.14, 0.8%, 0.66%

LAB 86.7, -39.72, -7.01

 

CMYK 4 / 59 / 0 / 7

HEX #E562EE

RGB 229 98 238

HSL 296.14, 0.8%, 0.66%

LAB 62.98, 68.79, -47.42

 

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

CMYK 59 / 0 / 51 / 7

HEX #62EE74

RGB 98 238 116

HSL 127.71, 0.8%, 0.66%

LAB 84.49, -62.34, 47.56

 

CMYK 59 / 55 / 0 / 7

HEX #626BEE

RGB 98 107 238

HSL 236.14, 0.8%, 0.66%

LAB 51.02, 34.56, -67.34

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DB

RGB 238 98 219

HSL 308.14, 0.8%, 0.66%

LAB 63.37, 67.93, -36.14

 

CMYK 0 / 4 / 59 / 7

HEX #EEE561

RGB 238 229 97

HSL 56.17, 0.81%, 0.66%

LAB 89.43, -12.94, 63.79

 

CMYK 59 / 0 / 34 / 7

HEX #62EE9E

RGB 98 238 158

HSL 145.71, 0.8%, 0.66%

LAB 85.11, -55.62, 27.67

 

CMYK 59 / 55 / 0 / 7

HEX #626BEE

RGB 98 107 238

HSL 236.14, 0.8%, 0.66%

LAB 51.02, 34.56, -67.34

 

CMYK 0 / 59 / 26 / 7

HEX #EE62B1

RGB 238 98 177

HSL 326.14, 0.8%, 0.66%

LAB 61.73, 61.92, -14.84

 

Description

Color code: HEX #EEE561 | qconv.com Color code: HEX #EEE561 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 229 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 229 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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