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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE570 it is the complementary color #111A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE570 shade: #F3E56B, #FFF77E, #FFFF91, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE570 shade: #EEE570, #DDD35D, #CCC14A, #BBAF37 and #AA9D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE570 shade: #EEE571, #EEC371, #EEA271, #EE8071 and #EE7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE570 shade: #EEE571, #D5EE71, #B3EE71, #92EE71 and #71EE72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE570 shade matches the following richer shades: #EEE571 and #FBF064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE570 shade: #EEE571, #E1DA7E, #D4CF8B, #C8C497 and #BBB9A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE570 shade: #EEA171, #EEC271, #EEE371, #D7EE71 and #B6EE71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE570 shade: #E5D827, #EADE4C, #EEE571, #F2EC96 and #F7F2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE570 shade: #EEE570, #71EE80 and #B271EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE570 shade: #EEE570, #71EEE3 and #E371EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE570 shade: #EEE570, #71EE80, #717BEE and #EE71DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE570 shade: #EEE570, #71EEA5, #717BEE and #EE71BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

Complementary color

CMYK 88 / 82 / 0 / 44

HEX #111A8F

RGB 17 26 143

HSL 235.71, 0.79%, 0.31%

LAB 19.4, 41.51, -63.44

 

CMYK 0 / 6 / 56 / 5

HEX #F3E56B

RGB 243 229 107

HSL 53.82, 0.85%, 0.69%

LAB 89.93, -10.21, 60.1

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77E

RGB 255 247 126

HSL 56.28, 1%, 0.75%

LAB 95.7, -12.82, 58.45

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

CMYK 0 / 5 / 58 / 13

HEX #DDD35D

RGB 221 211 93

HSL 55.31, 0.65%, 0.62%

LAB 83.31, -11.18, 58.37

 

CMYK 0 / 5 / 64 / 20

HEX #CCC14A

RGB 204 193 74

HSL 54.92, 0.56%, 0.55%

LAB 76.96, -10.41, 59.26

 

CMYK 0 / 6 / 71 / 27

HEX #BBAF37

RGB 187 175 55

HSL 54.55, 0.55%, 0.47%

LAB 70.53, -9.48, 59.86

 

CMYK 0 / 8 / 79 / 33

HEX #AA9D24

RGB 170 157 36

HSL 54.18, 0.65%, 0.4%

LAB 63.99, -8.35, 59.86

 

CMYK 0 / 4 / 53 / 7

HEX #EEE571

RGB 238 229 113

HSL 55.68, 0.79%, 0.69%

LAB 89.58, -11.76, 56.88

 

CMYK 0 / 18 / 53 / 7

HEX #EEC371

RGB 238 195 113

HSL 39.36, 0.79%, 0.69%

LAB 80.96, 5.57, 46.61

 

CMYK 0 / 32 / 53 / 7

HEX #EEA271

RGB 238 162 113

HSL 23.52, 0.79%, 0.69%

LAB 73.03, 22.98, 36.76

 

CMYK 0 / 46 / 53 / 7

HEX #EE8071

RGB 238 128 113

HSL 7.2, 0.79%, 0.69%

LAB 65.6, 40.73, 27.15

 

CMYK 0 / 53 / 53 / 7

HEX #EE7171

RGB 238 113 113

HSL 0, 0.79%, 0.69%

LAB 62.66, 48.17, 23.24

 

CMYK 0 / 4 / 53 / 7

HEX #EEE571

RGB 238 229 113

HSL 55.68, 0.79%, 0.69%

LAB 89.58, -11.76, 56.88

 

CMYK 11 / 0 / 53 / 7

HEX #D5EE71

RGB 213 238 113

HSL 72, 0.79%, 0.69%

LAB 90.09, -25.99, 56.99

 

CMYK 25 / 0 / 53 / 7

HEX #B3EE71

RGB 179 238 113

HSL 88.32, 0.79%, 0.69%

LAB 87.93, -38.66, 53.92

 

CMYK 39 / 0 / 53 / 7

HEX #92EE71

RGB 146 238 113

HSL 104.16, 0.79%, 0.69%

LAB 86.23, -49.78, 51.48

 

CMYK 53 / 0 / 52 / 7

HEX #71EE72

RGB 113 238 114

HSL 120.48, 0.79%, 0.69%

LAB 84.93, -59.05, 49.14

 

CMYK 0 / 4 / 53 / 7

HEX #EEE571

RGB 238 229 113

HSL 55.68, 0.79%, 0.69%

LAB 89.58, -11.76, 56.88

 

CMYK 0 / 4 / 60 / 2

HEX #FBF064

RGB 251 240 100

HSL 55.63, 0.95%, 0.69%

LAB 93.34, -12.9, 67.1

 

CMYK 0 / 4 / 53 / 7

HEX #EEE571

RGB 238 229 113

HSL 55.68, 0.79%, 0.69%

LAB 89.58, -11.76, 56.88

 

CMYK 0 / 3 / 44 / 12

HEX #E1DA7E

RGB 225 218 126

HSL 55.76, 0.62%, 0.69%

LAB 85.83, -10.29, 45.96

 

CMYK 0 / 2 / 34 / 17

HEX #D4CF8B

RGB 212 207 139

HSL 55.89, 0.46%, 0.69%

LAB 82.1, -8.42, 34.46

 

CMYK 0 / 2 / 25 / 22

HEX #C8C497

RGB 200 196 151

HSL 55.1, 0.31%, 0.69%

LAB 78.46, -5.83, 23.16

 

CMYK 0 / 1 / 12 / 27

HEX #BBB9A4

RGB 187 185 164

HSL 54.78, 0.14%, 0.69%

LAB 74.79, -2.96, 10.91

 

CMYK 0 / 32 / 53 / 7

HEX #EEA171

RGB 238 161 113

HSL 23.04, 0.79%, 0.69%

LAB 72.8, 23.51, 36.47

 

CMYK 0 / 18 / 53 / 7

HEX #EEC271

RGB 238 194 113

HSL 38.88, 0.79%, 0.69%

LAB 80.71, 6.09, 46.31

 

CMYK 0 / 5 / 53 / 7

HEX #EEE371

RGB 238 227 113

HSL 54.72, 0.79%, 0.69%

LAB 89.07, -10.76, 56.28

 

CMYK 10 / 0 / 53 / 7

HEX #D7EE71

RGB 215 238 113

HSL 71.04, 0.79%, 0.69%

LAB 90.22, -25.21, 57.19

 

CMYK 24 / 0 / 53 / 7

HEX #B6EE71

RGB 182 238 113

HSL 86.88, 0.79%, 0.69%

LAB 88.11, -37.59, 54.17

 

CMYK 0 / 6 / 83 / 10

HEX #E5D827

RGB 229 216 39

HSL 55.89, 0.79%, 0.53%

LAB 84.95, -12.92, 79.18

 

CMYK 0 / 5 / 68 / 8

HEX #EADE4C

RGB 234 222 76

HSL 55.44, 0.79%, 0.61%

LAB 87.12, -12.37, 69.76

 

CMYK 0 / 4 / 53 / 7

HEX #EEE571

RGB 238 229 113

HSL 55.68, 0.79%, 0.69%

LAB 89.58, -11.76, 56.88

 

CMYK 0 / 2 / 38 / 5

HEX #F2EC96

RGB 242 236 150

HSL 56.09, 0.78%, 0.77%

LAB 92.16, -10.18, 42.42

 

CMYK 0 / 2 / 24 / 3

HEX #F7F2BB

RGB 247 242 187

HSL 55, 0.79%, 0.85%

LAB 94.68, -6.81, 27.22

 

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

CMYK 53 / 0 / 46 / 7

HEX #71EE80

RGB 113 238 128

HSL 127.2, 0.79%, 0.69%

LAB 85.11, -57.16, 42.71

 

CMYK 25 / 53 / 0 / 7

HEX #B271EE

RGB 178 113 238

HSL 271.2, 0.79%, 0.69%

LAB 59.39, 48.8, -53.52

 

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

CMYK 53 / 0 / 5 / 7

HEX #71EEE3

RGB 113 238 227

HSL 174.72, 0.79%, 0.69%

LAB 87.1, -37.42, -5.33

 

CMYK 5 / 53 / 0 / 7

HEX #E371EE

RGB 227 113 238

HSL 294.72, 0.79%, 0.69%

LAB 65.21, 61.54, -43.93

 

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

CMYK 53 / 0 / 46 / 7

HEX #71EE80

RGB 113 238 128

HSL 127.2, 0.79%, 0.69%

LAB 85.11, -57.16, 42.71

 

CMYK 53 / 48 / 0 / 7

HEX #717BEE

RGB 113 123 238

HSL 235.2, 0.79%, 0.69%

LAB 55.94, 27.79, -59.36

 

CMYK 0 / 53 / 6 / 7

HEX #EE71DF

RGB 238 113 223

HSL 307.2, 0.79%, 0.69%

LAB 65.99, 61.93, -34.28

 

CMYK 0 / 4 / 53 / 7

HEX #EEE570

RGB 238 229 112

HSL 55.71, 0.79%, 0.69%

LAB 89.57, -11.84, 57.32

 

CMYK 53 / 0 / 31 / 7

HEX #71EEA5

RGB 113 238 165

HSL 144.96, 0.79%, 0.69%

LAB 85.69, -51.03, 24.97

 

CMYK 53 / 48 / 0 / 7

HEX #717BEE

RGB 113 123 238

HSL 235.2, 0.79%, 0.69%

LAB 55.94, 27.79, -59.36

 

CMYK 0 / 53 / 22 / 7

HEX #EE71BA

RGB 238 113 186

HSL 324.96, 0.79%, 0.69%

LAB 64.59, 56.33, -15.65

 

Description

Color code: HEX #EEE570 | qconv.com Color code: HEX #EEE570 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 229 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 229 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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