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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE154 it is the complementary color #111EAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE154 shade: #F3E14F, #FFF362, #FFFF75, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE154 shade: #EEE154, #DDCF41, #CCBD2E, #BBAB1B and #AA9908

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE154 shade: #EEE053, #EEB753, #EE8D53, #EE6353 and #EE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE154 shade: #EEE053, #D1EE53, #A7EE53, #7DEE53 and #54EE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE154 shade matches the following richer shades: #EEE053 and #FDED44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE154 shade: #EEE053, #DED462, #CFC771, #C0BA81 and #B0AE90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE154 shade: #EE8C53, #EEB553, #EEDE53, #D4EE53 and #AAEE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE154 shade: #D9C815, #EADA2D, #EEE053, #F1E778 and #F5EE9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE154 shade: #EEE154, #53EE62 and #A053EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE154 shade: #EEE154, #53EEDE and #DE53EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE154 shade: #EEE154, #53EE62, #5362EE and #EE53DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE154 shade: #EEE154, #53EE91, #5362EE and #EE53B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

Complementary color

CMYK 90 / 82 / 0 / 33

HEX #111EAB

RGB 17 30 171

HSL 234.94, 0.82%, 0.37%

LAB 23.63, 48.72, -73.55

 

CMYK 0 / 7 / 67 / 5

HEX #F3E14F

RGB 243 225 79

HSL 53.41, 0.87%, 0.63%

LAB 88.67, -9.98, 70.42

 

CMYK 0 / 5 / 62 / 0

HEX #FFF362

RGB 255 243 98

HSL 55.41, 1%, 0.69%

LAB 94.42, -12.88, 69.19

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

CMYK 0 / 6 / 71 / 13

HEX #DDCF41

RGB 221 207 65

HSL 54.62, 0.7%, 0.56%

LAB 82.04, -10.84, 68.44

 

CMYK 0 / 7 / 77 / 20

HEX #CCBD2E

RGB 204 189 46

HSL 54.3, 0.63%, 0.49%

LAB 75.72, -9.74, 68.42

 

CMYK 0 / 9 / 86 / 27

HEX #BBAB1B

RGB 187 171 27

HSL 54, 0.75%, 0.42%

LAB 69.31, -8.45, 67.51

 

CMYK 0 / 10 / 95 / 33

HEX #AA9908

RGB 170 153 8

HSL 53.7, 0.91%, 0.35%

LAB 62.8, -6.91, 65.19

 

CMYK 0 / 6 / 65 / 7

HEX #EEE053

RGB 238 224 83

HSL 54.58, 0.82%, 0.63%

LAB 88.02, -11.33, 68.07

 

CMYK 0 / 23 / 65 / 7

HEX #EEB753

RGB 238 183 83

HSL 38.71, 0.82%, 0.63%

LAB 77.68, 9.7, 57.05

 

CMYK 0 / 41 / 65 / 7

HEX #EE8D53

RGB 238 141 83

HSL 22.45, 0.82%, 0.63%

LAB 67.91, 31.86, 46.07

 

CMYK 0 / 58 / 65 / 7

HEX #EE6353

RGB 238 99 83

HSL 6.19, 0.82%, 0.63%

LAB 59.64, 52.63, 36.26

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 0 / 6 / 65 / 7

HEX #EEE053

RGB 238 224 83

HSL 54.58, 0.82%, 0.63%

LAB 88.02, -11.33, 68.07

 

CMYK 12 / 0 / 65 / 7

HEX #D1EE53

RGB 209 238 83

HSL 71.23, 0.82%, 0.63%

LAB 89.55, -29.8, 68.97

 

CMYK 30 / 0 / 65 / 7

HEX #A7EE53

RGB 167 238 83

HSL 87.48, 0.82%, 0.63%

LAB 86.99, -45.56, 65.5

 

CMYK 47 / 0 / 65 / 7

HEX #7DEE53

RGB 125 238 83

HSL 103.74, 0.82%, 0.63%

LAB 85.06, -59.08, 62.86

 

CMYK 65 / 0 / 65 / 7

HEX #54EE53

RGB 84 238 83

HSL 119.61, 0.82%, 0.63%

LAB 83.79, -69.05, 61.11

 

CMYK 0 / 6 / 65 / 7

HEX #EEE053

RGB 238 224 83

HSL 54.58, 0.82%, 0.63%

LAB 88.02, -11.33, 68.07

 

CMYK 0 / 6 / 73 / 1

HEX #FDED44

RGB 253 237 68

HSL 54.81, 0.98%, 0.63%

LAB 92.52, -12.3, 78.39

 

CMYK 0 / 6 / 65 / 7

HEX #EEE053

RGB 238 224 83

HSL 54.58, 0.82%, 0.63%

LAB 88.02, -11.33, 68.07

 

CMYK 0 / 5 / 56 / 13

HEX #DED462

RGB 222 212 98

HSL 55.16, 0.65%, 0.63%

LAB 83.7, -10.91, 56.59

 

CMYK 0 / 4 / 45 / 19

HEX #CFC771

RGB 207 199 113

HSL 54.89, 0.49%, 0.63%

LAB 79.22, -9.13, 43.85

 

CMYK 0 / 3 / 33 / 25

HEX #C0BA81

RGB 192 186 129

HSL 54.29, 0.33%, 0.63%

LAB 74.77, -6.63, 29.71

 

CMYK 0 / 1 / 18 / 31

HEX #B0AE90

RGB 176 174 144

HSL 56.25, 0.17%, 0.63%

LAB 70.54, -4.42, 15.69

 

CMYK 0 / 41 / 65 / 7

HEX #EE8C53

RGB 238 140 83

HSL 22.06, 0.82%, 0.63%

LAB 67.69, 32.38, 45.82

 

CMYK 0 / 24 / 65 / 7

HEX #EEB553

RGB 238 181 83

HSL 37.94, 0.82%, 0.63%

LAB 77.19, 10.75, 56.52

 

CMYK 0 / 7 / 65 / 7

HEX #EEDE53

RGB 238 222 83

HSL 53.81, 0.82%, 0.63%

LAB 87.51, -10.33, 67.53

 

CMYK 11 / 0 / 65 / 7

HEX #D4EE53

RGB 212 238 83

HSL 70.06, 0.82%, 0.63%

LAB 89.75, -28.62, 69.24

 

CMYK 29 / 0 / 65 / 7

HEX #AAEE53

RGB 170 238 83

HSL 86.32, 0.82%, 0.63%

LAB 87.15, -44.49, 65.72

 

CMYK 0 / 8 / 90 / 15

HEX #D9C815

RGB 217 200 21

HSL 54.8, 0.82%, 0.47%

LAB 79.68, -10.39, 78.05

 

CMYK 0 / 7 / 81 / 8

HEX #EADA2D

RGB 234 218 45

HSL 54.92, 0.82%, 0.55%

LAB 85.92, -11.64, 78.68

 

CMYK 0 / 6 / 65 / 7

HEX #EEE053

RGB 238 224 83

HSL 54.58, 0.82%, 0.63%

LAB 88.02, -11.33, 68.07

 

CMYK 0 / 4 / 50 / 5

HEX #F1E778

RGB 241 231 120

HSL 55.04, 0.81%, 0.71%

LAB 90.42, -10.98, 54.69

 

CMYK 0 / 3 / 36 / 4

HEX #F5EE9E

RGB 245 238 158

HSL 55.17, 0.81%, 0.79%

LAB 93.03, -9.14, 39.61

 

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

CMYK 65 / 0 / 59 / 7

HEX #53EE62

RGB 83 238 98

HSL 125.81, 0.82%, 0.63%

LAB 83.9, -67.67, 54.94

 

CMYK 33 / 65 / 0 / 7

HEX #A053EE

RGB 160 83 238

HSL 269.81, 0.82%, 0.63%

LAB 51.65, 59.92, -66.05

 

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

CMYK 65 / 0 / 7 / 7

HEX #53EEDE

RGB 83 238 222

HSL 173.81, 0.82%, 0.63%

LAB 86.14, -43.95, -4.21

 

CMYK 7 / 65 / 0 / 7

HEX #DE53EE

RGB 222 83 238

HSL 293.81, 0.82%, 0.63%

LAB 59.79, 73.29, -52.55

 

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

CMYK 65 / 0 / 59 / 7

HEX #53EE62

RGB 83 238 98

HSL 125.81, 0.82%, 0.63%

LAB 83.9, -67.67, 54.94

 

CMYK 65 / 59 / 0 / 7

HEX #5362EE

RGB 83 98 238

HSL 234.19, 0.82%, 0.63%

LAB 47.94, 37.62, -72.38

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 0 / 5 / 65 / 7

HEX #EEE154

RGB 238 225 84

HSL 54.94, 0.82%, 0.63%

LAB 88.29, -11.77, 67.94

 

CMYK 65 / 0 / 39 / 7

HEX #53EE91

RGB 83 238 145

HSL 144, 0.82%, 0.63%

LAB 84.5, -60.85, 33.37

 

CMYK 65 / 59 / 0 / 7

HEX #5362EE

RGB 83 98 238

HSL 234.19, 0.82%, 0.63%

LAB 47.94, 37.62, -72.38

 

CMYK 0 / 65 / 26 / 7

HEX #EE53B0

RGB 238 83 176

HSL 324, 0.82%, 0.63%

LAB 59.43, 67.96, -17.75

 

Description

Color code: HEX #EEE154 | qconv.com Color code: HEX #EEE154 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 225 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 225 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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