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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEEABD it is the complementary color #111542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEEABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEEABD shade: #F3EAB8, #FFFCCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEEABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEEABD shade: #EEEABD, #DDD8AA, #CCC697, #BBB484 and #AAA271

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEEABD shade: #EEEABE, #EEDDBE, #EED0BE, #EEC3BE and #EEBEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEEABD shade: #EEEABE, #E5EEBE, #D8EEBE, #CBEEBE and #BEEEBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEEABD shade matches the following richer shades: #EEEABE, #F4EFB7 and #FBF5B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEEABD shade: #EEEABE, #E7E4C4, #E1DFCB, #DAD9D1 and #D3D4D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEEABD shade: #EED0BE, #EEDDBE, #EEEABE, #E5EEBE and #D8EEBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEEABD shade: #DDD57C, #E5DF9D, #EEEABE and #F6F4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEEABD shade: #EEEABD, #BEEEC3 and #D7BEEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEEABD shade: #EEEABD, #BEEEEA and #EABEEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEEABD shade: #EEEABD, #BEEEC3, #BEC2EE and #EEBEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEEABD shade: #EEEABD, #BEEED2, #BEC2EE and #EEBEDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

Complementary color

CMYK 74 / 68 / 0 / 74

HEX #111542

RGB 17 21 66

HSL 235.1, 0.59%, 0.16%

LAB 9.39, 15.48, -29.15

 

CMYK 0 / 4 / 24 / 5

HEX #F3EAB8

RGB 243 234 184

HSL 50.85, 0.71%, 0.84%

LAB 92.29, -4.66, 25.43

 

CMYK 0 / 1 / 20 / 0

HEX #FFFCCB

RGB 255 252 203

HSL 56.54, 1%, 0.9%

LAB 98.11, -6.7, 23.88

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

CMYK 0 / 2 / 23 / 13

HEX #DDD8AA

RGB 221 216 170

HSL 54.12, 0.43%, 0.77%

LAB 85.7, -5.59, 23.35

 

CMYK 0 / 3 / 26 / 20

HEX #CCC697

RGB 204 198 151

HSL 53.21, 0.34%, 0.7%

LAB 79.31, -5.35, 24.36

 

CMYK 0 / 4 / 29 / 27

HEX #BBB484

RGB 187 180 132

HSL 52.36, 0.29%, 0.63%

LAB 72.81, -5.07, 25.44

 

CMYK 0 / 5 / 34 / 33

HEX #AAA271

RGB 170 162 113

HSL 51.58, 0.25%, 0.55%

LAB 66.2, -4.74, 26.57

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 0 / 7 / 20 / 7

HEX #EEDDBE

RGB 238 221 190

HSL 38.75, 0.59%, 0.84%

LAB 88.74, 0.96, 17.33

 

CMYK 0 / 13 / 20 / 7

HEX #EED0BE

RGB 238 208 190

HSL 22.5, 0.59%, 0.84%

LAB 85.51, 7.7, 12.78

 

CMYK 0 / 18 / 20 / 7

HEX #EEC3BE

RGB 238 195 190

HSL 6.25, 0.59%, 0.84%

LAB 82.34, 14.53, 8.27

 

CMYK 0 / 20 / 20 / 7

HEX #EEBEBE

RGB 238 190 190

HSL 0, 0.59%, 0.84%

LAB 81.14, 17.18, 6.55

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 4 / 0 / 20 / 7

HEX #E5EEBE

RGB 229 238 190

HSL 71.25, 0.59%, 0.84%

LAB 92.36, -10.91, 22.28

 

CMYK 9 / 0 / 20 / 7

HEX #D8EEBE

RGB 216 238 190

HSL 87.5, 0.59%, 0.84%

LAB 91.44, -15.52, 20.86

 

CMYK 15 / 0 / 20 / 7

HEX #CBEEBE

RGB 203 238 190

HSL 103.75, 0.59%, 0.84%

LAB 90.58, -20.02, 19.53

 

CMYK 20 / 0 / 20 / 7

HEX #BEEEBE

RGB 190 238 190

HSL 120, 0.59%, 0.84%

LAB 89.77, -24.38, 18.28

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 0 / 2 / 25 / 4

HEX #F4EFB7

RGB 244 239 183

HSL 55.08, 0.73%, 0.84%

LAB 93.62, -6.94, 27.77

 

CMYK 0 / 2 / 30 / 2

HEX #FBF5B0

RGB 251 245 176

HSL 55.2, 0.9%, 0.84%

LAB 95.56, -8.24, 34.02

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 0 / 1 / 15 / 9

HEX #E7E4C4

RGB 231 228 196

HSL 54.86, 0.42%, 0.84%

LAB 90.07, -4.26, 16

 

CMYK 0 / 1 / 10 / 12

HEX #E1DFCB

RGB 225 223 203

HSL 54.55, 0.27%, 0.84%

LAB 88.49, -2.73, 10.04

 

CMYK 0 / 0 / 4 / 15

HEX #DAD9D1

RGB 218 217 209

HSL 53.33, 0.11%, 0.84%

LAB 86.57, -1.07, 4.05

 

CMYK 2 / 2 / 0 / 15

HEX #D3D4D8

RGB 211 212 216

HSL 228, 0.06%, 0.84%

LAB 84.94, 0.4, -2.1

 

CMYK 0 / 13 / 20 / 7

HEX #EED0BE

RGB 238 208 190

HSL 22.5, 0.59%, 0.84%

LAB 85.51, 7.7, 12.78

 

CMYK 0 / 7 / 20 / 7

HEX #EEDDBE

RGB 238 221 190

HSL 38.75, 0.59%, 0.84%

LAB 88.74, 0.96, 17.33

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 4 / 0 / 20 / 7

HEX #E5EEBE

RGB 229 238 190

HSL 71.25, 0.59%, 0.84%

LAB 92.36, -10.91, 22.28

 

CMYK 9 / 0 / 20 / 7

HEX #D8EEBE

RGB 216 238 190

HSL 87.5, 0.59%, 0.84%

LAB 91.44, -15.52, 20.86

 

CMYK 0 / 4 / 44 / 13

HEX #DDD57C

RGB 221 213 124

HSL 55.05, 0.59%, 0.68%

LAB 84.18, -9.55, 44.81

 

CMYK 0 / 3 / 31 / 10

HEX #E5DF9D

RGB 229 223 157

HSL 55, 0.58%, 0.76%

LAB 87.9, -7.83, 33.15

 

CMYK 0 / 2 / 20 / 7

HEX #EEEABE

RGB 238 234 190

HSL 55, 0.59%, 0.84%

LAB 92.02, -5.66, 21.9

 

CMYK 0 / 1 / 10 / 4

HEX #F6F4DE

RGB 246 244 222

HSL 55, 0.57%, 0.92%

LAB 95.82, -3.02, 10.83

 

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

CMYK 20 / 0 / 18 / 7

HEX #BEEEC3

RGB 190 238 195

HSL 126.25, 0.59%, 0.84%

LAB 89.88, -23.53, 15.84

 

CMYK 10 / 20 / 0 / 7

HEX #D7BEEE

RGB 215 190 238

HSL 271.25, 0.59%, 0.84%

LAB 80.43, 17.68, -20.54

 

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

CMYK 20 / 0 / 2 / 7

HEX #BEEEEA

RGB 190 238 234

HSL 175, 0.59%, 0.84%

LAB 90.8, -16.09, -3.14

 

CMYK 2 / 20 / 0 / 7

HEX #EABEEE

RGB 234 190 238

HSL 295, 0.59%, 0.84%

LAB 82.11, 23.84, -17.85

 

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

CMYK 20 / 0 / 18 / 7

HEX #BEEEC3

RGB 190 238 195

HSL 126.25, 0.59%, 0.84%

LAB 89.88, -23.53, 15.84

 

CMYK 20 / 18 / 0 / 7

HEX #BEC2EE

RGB 190 194 238

HSL 235, 0.59%, 0.84%

LAB 79.44, 7.67, -22.22

 

CMYK 0 / 20 / 3 / 7

HEX #EEBEE8

RGB 238 190 232

HSL 307.5, 0.59%, 0.84%

LAB 82.29, 24.06, -14.32

 

CMYK 0 / 2 / 21 / 7

HEX #EEEABD

RGB 238 234 189

HSL 55.1, 0.59%, 0.84%

LAB 92, -5.8, 22.39

 

CMYK 20 / 0 / 12 / 7

HEX #BEEED2

RGB 190 238 210

HSL 145, 0.59%, 0.84%

LAB 90.21, -20.82, 8.51

 

CMYK 20 / 18 / 0 / 7

HEX #BEC2EE

RGB 190 194 238

HSL 235, 0.59%, 0.84%

LAB 79.44, 7.67, -22.22

 

CMYK 0 / 20 / 8 / 7

HEX #EEBEDA

RGB 238 190 218

HSL 325, 0.59%, 0.84%

LAB 81.87, 21.63, -7.43

 

Description

Color code: HEX #EEEABD | qconv.com Color code: HEX #EEEABD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 234 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 234 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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