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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEF131 it is the complementary color #110ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEF131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEF131 shade: #F3F12C, #FFFF3F, #FFFF52, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEF131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEF131 shade: #EEF131, #DDDF1E, #CCCD0B, #BBBB00 and #AAA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEF131 shade: #EDF031, #F0C031, #F08C31, #F05931 and #F03131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEF131 shade: #EDF031, #BAF031, #86F031, #53F031 and #31F043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEF131 shade matches the following richer shades: #EDF031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEF131 shade: #EDF031, #DCDF43, #CBCD55, #BABB67 and #A9A978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEF131 shade: #F08A31, #F0BD31, #F0F031, #BDF031 and #8AF031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEF131 shade: #BFC20D, #E5E910, #EDF031, #F1F358 and #F4F67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEF131 shade: #EEF131, #31F058 and #A431F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEF131 shade: #EEF131, #31F0F0 and #F031F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEF131 shade: #EEF131, #31F058, #3131F0 and #F031CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEF131 shade: #EEF131, #31F091, #3131F0 and #F03191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

Complementary color

CMYK 92 / 93 / 0 / 19

HEX #110ECE

RGB 17 14 206

HSL 240.94, 0.87%, 0.43%

LAB 26.42, 64.67, -89.67

 

CMYK 0 / 1 / 82 / 5

HEX #F3F12C

RGB 243 241 44

HSL 59.4, 0.89%, 0.56%

LAB 92.64, -19.18, 84.92

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

CMYK 1 / 0 / 87 / 13

HEX #DDDF1E

RGB 221 223 30

HSL 60.62, 0.76%, 0.5%

LAB 86.13, -19.94, 81.75

 

CMYK 0 / 0 / 95 / 20

HEX #CCCD0B

RGB 204 205 11

HSL 60.31, 0.9%, 0.42%

LAB 79.91, -18.6, 79.02

 

CMYK 0 / 0 / 100 / 27

HEX #BBBB00

RGB 187 187 0

HSL 60, 1%, 0.37%

LAB 73.61, -17.07, 74.84

 

CMYK 0 / 1 / 100 / 33

HEX #AAA900

RGB 170 169 0

HSL 59.65, 1%, 0.33%

LAB 67.22, -15.4, 69.53

 

CMYK 1 / 0 / 80 / 6

HEX #EDF031

RGB 237 240 49

HSL 60.94, 0.86%, 0.57%

LAB 91.93, -21.02, 82.93

 

CMYK 0 / 20 / 80 / 6

HEX #F0C031

RGB 240 192 49

HSL 44.92, 0.86%, 0.57%

LAB 79.87, 4.29, 72.47

 

CMYK 0 / 42 / 80 / 6

HEX #F08C31

RGB 240 140 49

HSL 28.59, 0.86%, 0.57%

LAB 67.65, 31.61, 61.43

 

CMYK 0 / 63 / 80 / 6

HEX #F05931

RGB 240 89 49

HSL 12.57, 0.86%, 0.57%

LAB 57.93, 56.21, 52.26

 

CMYK 0 / 80 / 80 / 6

HEX #F03131

RGB 240 49 49

HSL 0, 0.86%, 0.57%

LAB 52.89, 70.08, 47.31

 

CMYK 1 / 0 / 80 / 6

HEX #EDF031

RGB 237 240 49

HSL 60.94, 0.86%, 0.57%

LAB 91.93, -21.02, 82.93

 

CMYK 23 / 0 / 80 / 6

HEX #BAF031

RGB 186 240 49

HSL 76.96, 0.86%, 0.57%

LAB 88.44, -41.32, 78.52

 

CMYK 44 / 0 / 80 / 6

HEX #86F031

RGB 134 240 49

HSL 93.3, 0.86%, 0.57%

LAB 85.81, -59.38, 75.16

 

CMYK 65 / 0 / 80 / 6

HEX #53F031

RGB 83 240 49

HSL 109.32, 0.86%, 0.57%

LAB 84.16, -72.4, 73.03

 

CMYK 80 / 0 / 72 / 6

HEX #31F043

RGB 49 240 67

HSL 125.65, 0.86%, 0.57%

LAB 83.64, -76.51, 66.74

 

CMYK 1 / 0 / 80 / 6

HEX #EDF031

RGB 237 240 49

HSL 60.94, 0.86%, 0.57%

LAB 91.93, -21.02, 82.93

 

CMYK 1 / 0 / 80 / 6

HEX #EDF031

RGB 237 240 49

HSL 60.94, 0.86%, 0.57%

LAB 91.93, -21.02, 82.93

 

CMYK 1 / 0 / 70 / 13

HEX #DCDF43

RGB 220 223 67

HSL 61.15, 0.71%, 0.57%

LAB 86.2, -19.1, 71.76

 

CMYK 1 / 0 / 59 / 20

HEX #CBCD55

RGB 203 205 85

HSL 61, 0.55%, 0.57%

LAB 80.19, -16.16, 58.01

 

CMYK 1 / 0 / 45 / 27

HEX #BABB67

RGB 186 187 103

HSL 60.71, 0.38%, 0.57%

LAB 74.16, -12.49, 42.22

 

CMYK 0 / 0 / 29 / 34

HEX #A9A978

RGB 169 169 120

HSL 60, 0.22%, 0.57%

LAB 68.14, -7.96, 25.37

 

CMYK 0 / 43 / 80 / 6

HEX #F08A31

RGB 240 138 49

HSL 27.96, 0.86%, 0.57%

LAB 67.22, 32.65, 61.03

 

CMYK 0 / 21 / 80 / 6

HEX #F0BD31

RGB 240 189 49

HSL 43.98, 0.86%, 0.57%

LAB 79.12, 5.85, 71.81

 

CMYK 0 / 0 / 80 / 6

HEX #F0F031

RGB 240 240 49

HSL 60, 0.86%, 0.57%

LAB 92.16, -19.79, 83.22

 

CMYK 21 / 0 / 80 / 6

HEX #BDF031

RGB 189 240 49

HSL 76.02, 0.86%, 0.57%

LAB 88.62, -40.18, 78.75

 

CMYK 43 / 0 / 80 / 6

HEX #8AF031

RGB 138 240 49

HSL 92.04, 0.86%, 0.57%

LAB 85.98, -58.14, 75.37

 

CMYK 2 / 0 / 93 / 24

HEX #BFC20D

RGB 191 194 13

HSL 60.99, 0.87%, 0.41%

LAB 75.88, -18.69, 75.28

 

CMYK 2 / 0 / 93 / 9

HEX #E5E910

RGB 229 233 16

HSL 61.11, 0.87%, 0.49%

LAB 89.38, -21.66, 86.56

 

CMYK 1 / 0 / 80 / 6

HEX #EDF031

RGB 237 240 49

HSL 60.94, 0.86%, 0.57%

LAB 91.93, -21.02, 82.93

 

CMYK 1 / 0 / 64 / 5

HEX #F1F358

RGB 241 243 88

HSL 60.77, 0.87%, 0.65%

LAB 93.24, -19.12, 71.59

 

CMYK 1 / 0 / 48 / 4

HEX #F4F67F

RGB 244 246 127

HSL 61.01, 0.87%, 0.73%

LAB 94.6, -16.56, 56.48

 

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

CMYK 80 / 0 / 63 / 6

HEX #31F058

RGB 49 240 88

HSL 132.25, 0.86%, 0.57%

LAB 83.8, -74.57, 58.91

 

CMYK 32 / 80 / 0 / 6

HEX #A431F0

RGB 164 49 240

HSL 276.13, 0.86%, 0.57%

LAB 47.47, 74.75, -73.93

 

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

CMYK 80 / 0 / 0 / 6

HEX #31F0F0

RGB 49 240 240

HSL 180, 0.86%, 0.57%

LAB 86.63, -43.79, -12.99

 

CMYK 0 / 80 / 0 / 6

HEX #F031F0

RGB 240 49 240

HSL 300, 0.86%, 0.57%

LAB 58.99, 87.71, -54.77

 

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

CMYK 80 / 0 / 63 / 6

HEX #31F058

RGB 49 240 88

HSL 132.25, 0.86%, 0.57%

LAB 83.8, -74.57, 58.91

 

CMYK 80 / 80 / 0 / 6

HEX #3131F0

RGB 49 49 240

HSL 240, 0.86%, 0.57%

LAB 36.25, 62.39, -92.79

 

CMYK 0 / 80 / 16 / 6

HEX #F031CA

RGB 240 49 202

HSL 311.94, 0.86%, 0.57%

LAB 57.06, 82.4, -36.33

 

CMYK 1 / 0 / 80 / 5

HEX #EEF131

RGB 238 241 49

HSL 60.94, 0.87%, 0.57%

LAB 92.27, -21.09, 83.25

 

CMYK 80 / 0 / 40 / 6

HEX #31F091

RGB 49 240 145

HSL 150.16, 0.86%, 0.57%

LAB 84.49, -66.32, 33.25

 

CMYK 80 / 80 / 0 / 6

HEX #3131F0

RGB 49 49 240

HSL 240, 0.86%, 0.57%

LAB 36.25, 62.39, -92.79

 

CMYK 0 / 80 / 40 / 6

HEX #F03191

RGB 240 49 145

HSL 329.84, 0.86%, 0.57%

LAB 54.83, 75.97, -6.5

 

Description

Color code: HEX #EEF131 | qconv.com Color code: HEX #EEF131 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 241 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 241 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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