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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF1490 it is the complementary color #10EB6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF1490. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF1490 shade: #F4148B, #FF269E, #FF38B1, #FF4AC4 and #FF5CD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF1490. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF1490 shade: #EF1490, #DE027D, #CD006A, #BC0057 and #AB0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF1490 shade: #EE1590, #EE1555, #EE151B and #EE1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF1490 shade: #EE1590, #EE15CB, #D715EE, #9D15EE and #6215EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF1490 shade matches the following richer shades: #EE1590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF1490 shade: #EE1590, #DA298D, #C63D8B, #B25188 and #9D6685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF1490 shade: #D915EE, #EE15CA, #EE1590, #EE1556 and #EE151C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF1490 shade: #A60B63, #CC0E7A, #EE1590, #F13BA2 and #F462B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF1490 shade: #EF1490, #EE9F15 and #15E7EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF1490 shade: #EF1490, #90EE15 and #1590EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF1490 shade: #EF1490, #EE9F15, #15EE73 and #1565EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF1490 shade: #EF1490, #EEE015, #15EE73 and #1523EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

Complementary color

CMYK 93 / 0 / 53 / 8

HEX #10EB6F

RGB 16 235 111

HSL 146.03, 0.87%, 0.49%

LAB 82.2, -72.61, 46.81

 

CMYK 0 / 92 / 43 / 4

HEX #F4148B

RGB 244 20 139

HSL 328.13, 0.91%, 0.52%

LAB 53.6, 81.51, -4.67

 

CMYK 0 / 85 / 38 / 0

HEX #FF269E

RGB 255 38 158

HSL 326.82, 1%, 0.57%

LAB 57.19, 83, -10.37

 

CMYK 0 / 78 / 31 / 0

HEX #FF38B1

RGB 255 56 177

HSL 323.52, 1%, 0.61%

LAB 59.22, 81, -18.39

 

CMYK 0 / 71 / 23 / 0

HEX #FF4AC4

RGB 255 74 196

HSL 319.56, 1%, 0.65%

LAB 61.78, 77.98, -25.39

 

CMYK 0 / 64 / 16 / 0

HEX #FF5CD7

RGB 255 92 215

HSL 314.72, 1%, 0.68%

LAB 64.82, 74.1, -31.44

 

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

CMYK 0 / 99 / 44 / 13

HEX #DE027D

RGB 222 2 125

HSL 326.45, 0.98%, 0.44%

LAB 48.33, 77.13, -4.48

 

CMYK 0 / 100 / 48 / 20

HEX #CD006A

RGB 205 0 106

HSL 328.98, 1%, 0.4%

LAB 44.26, 72.07, 0.89

 

CMYK 0 / 100 / 54 / 26

HEX #BC0057

RGB 188 0 87

HSL 332.23, 1%, 0.37%

LAB 40.21, 66.82, 6.59

 

CMYK 0 / 100 / 60 / 33

HEX #AB0044

RGB 171 0 68

HSL 336.14, 1%, 0.34%

LAB 36.13, 61.57, 12.6

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 91 / 64 / 7

HEX #EE1555

RGB 238 21 85

HSL 342.3, 0.86%, 0.51%

LAB 51.12, 76.34, 24.37

 

CMYK 0 / 91 / 89 / 7

HEX #EE151B

RGB 238 21 27

HSL 358.34, 0.86%, 0.51%

LAB 50.44, 74.45, 55.66

 

CMYK 0 / 91 / 91 / 7

HEX #EE1515

RGB 238 21 21

HSL 0, 0.86%, 0.51%

LAB 50.41, 74.36, 58.03

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 91 / 15 / 7

HEX #EE15CB

RGB 238 21 203

HSL 309.68, 0.86%, 0.51%

LAB 55.1, 86.98, -40.01

 

CMYK 10 / 91 / 0 / 7

HEX #D715EE

RGB 215 21 238

HSL 293.64, 0.86%, 0.51%

LAB 53.12, 88.05, -63.28

 

CMYK 34 / 91 / 0 / 7

HEX #9D15EE

RGB 157 21 238

HSL 277.6, 0.86%, 0.51%

LAB 44.06, 80.07, -78.42

 

CMYK 59 / 91 / 0 / 7

HEX #6215EE

RGB 98 21 238

HSL 261.29, 0.86%, 0.51%

LAB 36.57, 74.43, -91.03

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 81 / 35 / 15

HEX #DA298D

RGB 218 41 141

HSL 326.1, 0.71%, 0.51%

LAB 49.99, 72.26, -11.76

 

CMYK 0 / 69 / 30 / 22

HEX #C63D8B

RGB 198 61 139

HSL 325.84, 0.55%, 0.51%

LAB 48.52, 60.88, -13.13

 

CMYK 0 / 54 / 24 / 30

HEX #B25188

RGB 178 81 136

HSL 325.98, 0.39%, 0.51%

LAB 48.42, 45.84, -11.79

 

CMYK 0 / 35 / 15 / 38

HEX #9D6685

RGB 157 102 133

HSL 326.18, 0.22%, 0.51%

LAB 49.94, 26.88, -8.01

 

CMYK 9 / 91 / 0 / 7

HEX #D915EE

RGB 217 21 238

HSL 294.19, 0.86%, 0.51%

LAB 53.45, 88.36, -62.73

 

CMYK 0 / 91 / 15 / 7

HEX #EE15CA

RGB 238 21 202

HSL 309.95, 0.86%, 0.51%

LAB 55.05, 86.85, -39.51

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 91 / 64 / 7

HEX #EE1556

RGB 238 21 86

HSL 342.03, 0.86%, 0.51%

LAB 51.14, 76.39, 23.79

 

CMYK 0 / 91 / 88 / 7

HEX #EE151C

RGB 238 21 28

HSL 358.06, 0.86%, 0.51%

LAB 50.45, 74.46, 55.23

 

CMYK 0 / 93 / 40 / 35

HEX #A60B63

RGB 166 11 99

HSL 325.94, 0.88%, 0.35%

LAB 36.46, 61.55, -7.11

 

CMYK 0 / 93 / 40 / 20

HEX #CC0E7A

RGB 204 14 122

HSL 325.89, 0.87%, 0.43%

LAB 45.02, 71.92, -7.94

 

CMYK 0 / 91 / 39 / 7

HEX #EE1590

RGB 238 21 144

HSL 325.99, 0.86%, 0.51%

LAB 52.65, 80.54, -9.2

 

CMYK 0 / 76 / 33 / 5

HEX #F13BA2

RGB 241 59 162

HSL 326.04, 0.87%, 0.59%

LAB 56.52, 75.25, -13.97

 

CMYK 0 / 60 / 26 / 4

HEX #F462B4

RGB 244 98 180

HSL 326.3, 0.87%, 0.67%

LAB 62.73, 64.04, -14.96

 

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

CMYK 0 / 33 / 91 / 7

HEX #EE9F15

RGB 238 159 21

HSL 38.16, 0.86%, 0.51%

LAB 71.57, 20.13, 72.84

 

CMYK 91 / 3 / 0 / 7

HEX #15E7EE

RGB 21 231 238

HSL 181.94, 0.86%, 0.51%

LAB 83.7, -42.01, -16.37

 

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

CMYK 39 / 0 / 91 / 7

HEX #90EE15

RGB 144 238 21

HSL 85.99, 0.86%, 0.51%

LAB 85.57, -56.33, 80.74

 

CMYK 91 / 39 / 0 / 7

HEX #1590EE

RGB 21 144 238

HSL 205.99, 0.86%, 0.51%

LAB 58.3, 3.12, -55.76

 

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

CMYK 0 / 33 / 91 / 7

HEX #EE9F15

RGB 238 159 21

HSL 38.16, 0.86%, 0.51%

LAB 71.57, 20.13, 72.84

 

CMYK 91 / 0 / 52 / 7

HEX #15EE73

RGB 21 238 115

HSL 145.99, 0.86%, 0.51%

LAB 83.2, -72.74, 46.17

 

CMYK 91 / 58 / 0 / 7

HEX #1565EE

RGB 21 101 238

HSL 217.88, 0.86%, 0.51%

LAB 46.5, 29.95, -74.82

 

CMYK 0 / 92 / 40 / 6

HEX #EF1490

RGB 239 20 144

HSL 326.03, 0.87%, 0.51%

LAB 52.8, 80.87, -8.95

 

CMYK 0 / 6 / 91 / 7

HEX #EEE015

RGB 238 224 21

HSL 56.13, 0.86%, 0.51%

LAB 87.75, -13.44, 85.03

 

CMYK 91 / 0 / 52 / 7

HEX #15EE73

RGB 21 238 115

HSL 145.99, 0.86%, 0.51%

LAB 83.2, -72.74, 46.17

 

CMYK 91 / 85 / 0 / 7

HEX #1523EE

RGB 21 35 238

HSL 236.13, 0.86%, 0.51%

LAB 32.99, 66.85, -97.11

 

Description

Color code: HEX #EF1490 | qconv.com Color code: HEX #EF1490 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 20 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 20 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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