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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF1ADD it is the complementary color #10E522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF1ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF1ADD shade: #F41AD8, #FF2CEB, #FF3EFE, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF1ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF1ADD shade: #EF1ADD, #DE08CA, #CD00B7, #BC00A4 and #AB0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF1ADD shade: #EF1ADD, #EF1AA3, #EF1A6A, #EF1A30 and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF1ADD shade: #EF1ADD, #C71AEF, #8E1AEF, #541AEF and #1B1AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF1ADD shade matches the following richer shades: #EF1ADD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF1ADD shade: #EF1ADD, #DB2DCC, #C741BC, #B355AB and #9F699B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF1ADD shade: #8F1AEF, #C81AEF, #EF1ADD, #EF1AA4 and #EF1A6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF1ADD shade: #AA0B9D, #D10EC0, #EF1ADD, #F140E2 and #F467E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF1ADD shade: #EF1ADD, #EF561A and #1AEFAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF1ADD shade: #EF1ADD, #DDEF1A and #1ADDEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF1ADD shade: #EF1ADD, #EF561A, #1AEF2B and #1AB2EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF1ADD shade: #EF1ADD, #EF961A, #1AEF2B and #1A72EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

Complementary color

CMYK 93 / 0 / 85 / 10

HEX #10E522

RGB 16 229 34

HSL 125.07, 0.87%, 0.48%

LAB 79.76, -78.03, 72.33

 

CMYK 0 / 89 / 11 / 4

HEX #F41AD8

RGB 244 26 216

HSL 307.71, 0.91%, 0.53%

LAB 57.01, 89.14, -44.36

 

CMYK 0 / 83 / 8 / 0

HEX #FF2CEB

RGB 255 44 235

HSL 305.69, 1%, 0.59%

LAB 60.83, 90.8, -48.89

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFE

RGB 255 62 254

HSL 300.31, 1%, 0.62%

LAB 63.23, 89.44, -55.65

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 96 / 9 / 13

HEX #DE08CA

RGB 222 8 202

HSL 305.61, 0.93%, 0.45%

LAB 51.8, 85.15, -44.83

 

CMYK 0 / 100 / 11 / 20

HEX #CD00B7

RGB 205 0 183

HSL 306.44, 1%, 0.4%

LAB 47.49, 80.3, -40.8

 

CMYK 0 / 100 / 13 / 26

HEX #BC00A4

RGB 188 0 164

HSL 307.66, 1%, 0.37%

LAB 43.32, 74.78, -36.35

 

CMYK 0 / 100 / 15 / 33

HEX #AB0091

RGB 171 0 145

HSL 309.12, 1%, 0.34%

LAB 39.07, 69.16, -31.77

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 89 / 32 / 6

HEX #EF1AA3

RGB 239 26 163

HSL 321.41, 0.87%, 0.52%

LAB 53.74, 81.96, -18.81

 

CMYK 0 / 89 / 56 / 6

HEX #EF1A6A

RGB 239 26 106

HSL 337.46, 0.87%, 0.52%

LAB 51.98, 77.13, 12.81

 

CMYK 0 / 89 / 80 / 6

HEX #EF1A30

RGB 239 26 48

HSL 353.8, 0.87%, 0.52%

LAB 51.04, 74.46, 45.94

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 17 / 89 / 0 / 6

HEX #C71AEF

RGB 199 26 239

HSL 288.73, 0.87%, 0.52%

LAB 50.82, 85.12, -67.69

 

CMYK 41 / 89 / 0 / 6

HEX #8E1AEF

RGB 142 26 239

HSL 272.68, 0.87%, 0.52%

LAB 42.34, 77.64, -81.88

 

CMYK 65 / 89 / 0 / 6

HEX #541AEF

RGB 84 26 239

HSL 256.34, 0.87%, 0.52%

LAB 35.7, 72.56, -93.07

 

CMYK 89 / 89 / 0 / 6

HEX #1B1AEF

RGB 27 26 239

HSL 240.28, 0.87%, 0.52%

LAB 32.27, 70.32, -98.88

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 79 / 7 / 14

HEX #DB2DCC

RGB 219 45 204

HSL 305.17, 0.71%, 0.52%

LAB 53.27, 79.36, -43.69

 

CMYK 0 / 67 / 6 / 22

HEX #C741BC

RGB 199 65 188

HSL 304.93, 0.54%, 0.52%

LAB 51.33, 66.53, -37.73

 

CMYK 0 / 53 / 4 / 30

HEX #B355AB

RGB 179 85 171

HSL 305.11, 0.38%, 0.52%

LAB 50.71, 49.79, -29

 

CMYK 0 / 34 / 3 / 38

HEX #9F699B

RGB 159 105 155

HSL 304.44, 0.22%, 0.52%

LAB 51.66, 29.87, -18.38

 

CMYK 40 / 89 / 0 / 6

HEX #8F1AEF

RGB 143 26 239

HSL 272.96, 0.87%, 0.52%

LAB 42.48, 77.75, -81.65

 

CMYK 16 / 89 / 0 / 6

HEX #C81AEF

RGB 200 26 239

HSL 289.01, 0.87%, 0.52%

LAB 50.98, 85.27, -67.42

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 89 / 31 / 6

HEX #EF1AA4

RGB 239 26 164

HSL 321.13, 0.87%, 0.52%

LAB 53.78, 82.06, -19.35

 

CMYK 0 / 89 / 55 / 6

HEX #EF1A6B

RGB 239 26 107

HSL 337.18, 0.87%, 0.52%

LAB 52.01, 77.2, 12.24

 

CMYK 0 / 94 / 8 / 33

HEX #AA0B9D

RGB 170 11 157

HSL 304.91, 0.88%, 0.35%

LAB 39.95, 69.44, -37.69

 

CMYK 0 / 93 / 8 / 18

HEX #D10EC0

RGB 209 14 192

HSL 305.23, 0.87%, 0.44%

LAB 49.1, 81.05, -43.47

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 73 / 6 / 5

HEX #F140E2

RGB 241 64 226

HSL 305.08, 0.86%, 0.6%

LAB 59.76, 81.95, -45.69

 

CMYK 0 / 58 / 5 / 4

HEX #F467E8

RGB 244 103 232

HSL 305.11, 0.87%, 0.68%

LAB 65.56, 69.41, -39.9

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 64 / 89 / 6

HEX #EF561A

RGB 239 86 26

HSL 16.9, 0.87%, 0.52%

LAB 57.15, 56.58, 61.02

 

CMYK 89 / 0 / 28 / 6

HEX #1AEFAB

RGB 26 239 171

HSL 160.85, 0.87%, 0.52%

LAB 84.43, -62.47, 19.87

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 8 / 0 / 89 / 6

HEX #DDEF1A

RGB 221 239 26

HSL 65.07, 0.87%, 0.52%

LAB 90.4, -27.65, 85.82

 

CMYK 89 / 8 / 0 / 6

HEX #1ADDEF

RGB 26 221 239

HSL 185.07, 0.87%, 0.52%

LAB 80.83, -36.95, -21.22

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 64 / 89 / 6

HEX #EF561A

RGB 239 86 26

HSL 16.9, 0.87%, 0.52%

LAB 57.15, 56.58, 61.02

 

CMYK 89 / 0 / 82 / 6

HEX #1AEF2B

RGB 26 239 43

HSL 124.79, 0.87%, 0.52%

LAB 82.98, -79.79, 73.18

 

CMYK 89 / 26 / 0 / 6

HEX #1AB2EF

RGB 26 178 239

HSL 197.18, 0.87%, 0.52%

LAB 68.24, -15.52, -40.62

 

CMYK 0 / 89 / 8 / 6

HEX #EF1ADD

RGB 239 26 221

HSL 305.07, 0.87%, 0.52%

LAB 56.4, 88.91, -48.21

 

CMYK 0 / 37 / 89 / 6

HEX #EF961A

RGB 239 150 26

HSL 34.93, 0.87%, 0.52%

LAB 69.64, 25.38, 70.37

 

CMYK 89 / 0 / 82 / 6

HEX #1AEF2B

RGB 26 239 43

HSL 124.79, 0.87%, 0.52%

LAB 82.98, -79.79, 73.18

 

CMYK 89 / 52 / 0 / 6

HEX #1A72EF

RGB 26 114 239

HSL 215.21, 0.87%, 0.52%

LAB 50.08, 22.27, -69.55

 

Description

Color code: HEX #EF1ADD | qconv.com Color code: HEX #EF1ADD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 26 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 26 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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