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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF2EEA it is the complementary color #10D115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF2EEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF2EEA shade: #F42EE5, #FF40F8, #FF52FF, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF2EEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF2EEA shade: #EF2EEA, #DE1CD7, #CD0AC4, #BC00B1 and #AB009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF2EEA shade: #EF2EEA, #EF2EB6, #EF2E82, #EF2E4E and #EF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF2EEA shade: #EF2EEA, #C02EEF, #8C2EEF, #582EEF and #2E2EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF2EEA shade matches the following richer shades: #EF2EEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF2EEA shade: #EF2EEA, #DD40D9, #CA52C7, #B864B6 and #A676A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF2EEA shade: #8B2EEF, #BF2EEF, #EF2EEC, #EF2EB8 and #EF2E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF2EEA shade: #BC0EB8, #E311DD, #EF2EEA, #F254EE and #F57BF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF2EEA shade: #EF2EEA, #EF582E and #2EEFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF2EEA shade: #EF2EEA, #ECEF2E and #2EECEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF2EEA shade: #EF2EEA, #EF582E, #2EEF31 and #2EC5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF2EEA shade: #EF2EEA, #EF922E, #2EEF31 and #2E8BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

Complementary color

CMYK 92 / 0 / 90 / 18

HEX #10D115

RGB 16 209 21

HSL 121.55, 0.86%, 0.44%

LAB 73.39, -73.06, 69.25

 

CMYK 0 / 81 / 6 / 4

HEX #F42EE5

RGB 244 46 229

HSL 304.55, 0.9%, 0.57%

LAB 58.83, 87.52, -48.82

 

CMYK 0 / 75 / 3 / 0

HEX #FF40F8

RGB 255 64 248

HSL 302.2, 1%, 0.63%

LAB 63.1, 88.02, -52.54

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 87 / 3 / 13

HEX #DE1CD7

RGB 222 28 215

HSL 302.16, 0.78%, 0.49%

LAB 53.24, 84.81, -50

 

CMYK 0 / 95 / 4 / 20

HEX #CD0AC4

RGB 205 10 196

HSL 302.77, 0.91%, 0.42%

LAB 48.49, 81.26, -46.81

 

CMYK 0 / 100 / 6 / 26

HEX #BC00B1

RGB 188 0 177

HSL 303.51, 1%, 0.37%

LAB 44.04, 76.55, -42.94

 

CMYK 0 / 100 / 8 / 33

HEX #AB009E

RGB 171 0 158

HSL 304.56, 1%, 0.34%

LAB 39.79, 70.94, -38.53

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 81 / 24 / 6

HEX #EF2EB6

RGB 239 46 182

HSL 317.72, 0.86%, 0.56%

LAB 55.77, 80.4, -26.83

 

CMYK 0 / 81 / 46 / 6

HEX #EF2E82

RGB 239 46 130

HSL 333.89, 0.86%, 0.56%

LAB 53.94, 75.11, 1.11

 

CMYK 0 / 81 / 67 / 6

HEX #EF2E4E

RGB 239 46 78

HSL 350.05, 0.86%, 0.56%

LAB 52.79, 71.67, 30.74

 

CMYK 0 / 81 / 81 / 6

HEX #EF2E2E

RGB 239 46 46

HSL 0, 0.86%, 0.56%

LAB 52.4, 70.47, 48.33

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 20 / 81 / 0 / 6

HEX #C02EEF

RGB 192 46 239

HSL 285.39, 0.86%, 0.56%

LAB 51.14, 79.88, -67.22

 

CMYK 41 / 81 / 0 / 6

HEX #8C2EEF

RGB 140 46 239

HSL 269.22, 0.86%, 0.56%

LAB 43.89, 72.05, -79.35

 

CMYK 63 / 81 / 0 / 6

HEX #582EEF

RGB 88 46 239

HSL 253.06, 0.86%, 0.56%

LAB 38.31, 66.17, -88.74

 

CMYK 81 / 81 / 0 / 6

HEX #2E2EEF

RGB 46 46 239

HSL 240, 0.86%, 0.56%

LAB 35.53, 63.32, -93.43

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 71 / 2 / 13

HEX #DD40D9

RGB 221 64 217

HSL 301.53, 0.7%, 0.56%

LAB 56.14, 76.37, -46.55

 

CMYK 0 / 59 / 1 / 21

HEX #CA52C7

RGB 202 82 199

HSL 301.5, 0.53%, 0.56%

LAB 54.78, 62.24, -38.62

 

CMYK 0 / 46 / 1 / 28

HEX #B864B6

RGB 184 100 182

HSL 301.43, 0.37%, 0.56%

LAB 54.74, 45.67, -29.08

 

CMYK 0 / 29 / 1 / 35

HEX #A676A5

RGB 166 118 165

HSL 301.25, 0.21%, 0.56%

LAB 55.87, 26.82, -17.71

 

CMYK 42 / 81 / 0 / 6

HEX #8B2EEF

RGB 139 46 239

HSL 268.91, 0.86%, 0.56%

LAB 43.76, 71.91, -79.56

 

CMYK 20 / 81 / 0 / 6

HEX #BF2EEF

RGB 191 46 239

HSL 285.08, 0.86%, 0.56%

LAB 50.99, 79.72, -67.47

 

CMYK 0 / 81 / 1 / 6

HEX #EF2EEC

RGB 239 46 236

HSL 300.93, 0.86%, 0.56%

LAB 58.38, 87.59, -53.52

 

CMYK 0 / 81 / 23 / 6

HEX #EF2EB8

RGB 239 46 184

HSL 317.1, 0.86%, 0.56%

LAB 55.85, 80.64, -27.86

 

CMYK 0 / 81 / 44 / 6

HEX #EF2E85

RGB 239 46 133

HSL 332.95, 0.86%, 0.56%

LAB 54.03, 75.37, -0.56

 

CMYK 0 / 93 / 2 / 26

HEX #BC0EB8

RGB 188 14 184

HSL 301.38, 0.86%, 0.4%

LAB 44.89, 76.24, -45.71

 

CMYK 0 / 93 / 3 / 11

HEX #E311DD

RGB 227 17 221

HSL 301.71, 0.86%, 0.48%

LAB 53.98, 87.87, -52.19

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 65 / 2 / 5

HEX #F254EE

RGB 242 84 238

HSL 301.52, 0.86%, 0.64%

LAB 62.84, 77.4, -47.53

 

CMYK 0 / 50 / 2 / 4

HEX #F57BF1

RGB 245 123 241

HSL 301.97, 0.86%, 0.72%

LAB 69.42, 62.2, -38.83

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 63 / 81 / 6

HEX #EF582E

RGB 239 88 46

HSL 13.06, 0.86%, 0.56%

LAB 57.59, 56.2, 53.27

 

CMYK 81 / 0 / 31 / 6

HEX #2EEFA5

RGB 46 239 165

HSL 156.99, 0.86%, 0.56%

LAB 84.5, -62.33, 23.09

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 1 / 0 / 81 / 6

HEX #ECEF2E

RGB 236 239 46

HSL 60.93, 0.86%, 0.56%

LAB 91.58, -21.04, 83.34

 

CMYK 81 / 1 / 0 / 6

HEX #2EECEF

RGB 46 236 239

HSL 180.93, 0.86%, 0.56%

LAB 85.4, -42.54, -14.31

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 63 / 81 / 6

HEX #EF582E

RGB 239 88 46

HSL 13.06, 0.86%, 0.56%

LAB 57.59, 56.2, 53.27

 

CMYK 81 / 0 / 79 / 6

HEX #2EEF31

RGB 46 239 49

HSL 120.93, 0.86%, 0.56%

LAB 83.2, -77.77, 71.89

 

CMYK 81 / 18 / 0 / 6

HEX #2EC5EF

RGB 46 197 239

HSL 193.06, 0.86%, 0.56%

LAB 74.03, -24.04, -31.61

 

CMYK 0 / 81 / 2 / 6

HEX #EF2EEA

RGB 239 46 234

HSL 301.55, 0.86%, 0.56%

LAB 58.27, 87.3, -52.57

 

CMYK 0 / 39 / 81 / 6

HEX #EF922E

RGB 239 146 46

HSL 31.09, 0.86%, 0.56%

LAB 68.83, 27.97, 63.59

 

CMYK 81 / 0 / 79 / 6

HEX #2EEF31

RGB 46 239 49

HSL 120.93, 0.86%, 0.56%

LAB 83.2, -77.77, 71.89

 

CMYK 81 / 42 / 0 / 6

HEX #2E8BEF

RGB 46 139 239

HSL 211.09, 0.86%, 0.56%

LAB 57.35, 8.18, -57.82

 

Description

Color code: HEX #EF2EEA | qconv.com Color code: HEX #EF2EEA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 46 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 46 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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