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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF4123 it is the complementary color #10BEDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF4123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF4123 shade: #F4411E, #FF5331, #FF6544, #FF7757 and #FF896A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF4123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF4123 shade: #EF4123, #DE2F10, #CD1D00, #BC0B00 and #AB0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF4123 shade: #EE4224 and #EE2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF4123 shade: #EE4224, #EE7824, #EEAF24, #EEE524 and #C1EE24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF4123 shade matches the following richer shades: #EE4224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF4123 shade: #EE4224, #DB4F37, #C85D4A, #B56A5D and #A27870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF4123 shade: #EE2475, #EE243F, #EE3F24, #EE7524 and #EEAB24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF4123 shade: #B3250D, #D92D10, #EE4224, #F1634B and #F48471

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF4123 shade: #EF4123, #ABEE24 and #245AEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF4123 shade: #EF4123, #24EE3F and #3F24EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF4123 shade: #EF4123, #ABEE24, #24D3EE and #6824EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF4123 shade: #EF4123, #6EEE24, #24D3EE and #A424EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

Complementary color

CMYK 93 / 14 / 0 / 14

HEX #10BEDC

RGB 16 190 220

HSL 188.82, 0.86%, 0.46%

LAB 70.94, -28.57, -26.08

 

CMYK 0 / 73 / 88 / 4

HEX #F4411E

RGB 244 65 30

HSL 9.81, 0.91%, 0.54%

LAB 55.18, 66.09, 58.48

 

CMYK 0 / 67 / 81 / 0

HEX #FF5331

RGB 255 83 49

HSL 9.9, 1%, 0.6%

LAB 59.59, 63.56, 54.73

 

CMYK 0 / 60 / 73 / 0

HEX #FF6544

RGB 255 101 68

HSL 10.59, 1%, 0.63%

LAB 62.49, 56.87, 48.29

 

CMYK 0 / 53 / 66 / 0

HEX #FF7757

RGB 255 119 87

HSL 11.43, 1%, 0.67%

LAB 65.86, 49.59, 42.18

 

CMYK 0 / 46 / 58 / 0

HEX #FF896A

RGB 255 137 106

HSL 12.48, 1%, 0.71%

LAB 69.61, 42, 36.6

 

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

CMYK 0 / 79 / 93 / 13

HEX #DE2F10

RGB 222 47 16

HSL 9.03, 0.87%, 0.47%

LAB 49.01, 64.83, 57.27

 

CMYK 0 / 86 / 100 / 20

HEX #CD1D00

RGB 205 29 0

HSL 8.49, 1%, 0.4%

LAB 44.03, 64.23, 57.5

 

CMYK 0 / 94 / 100 / 26

HEX #BC0B00

RGB 188 11 0

HSL 3.51, 1%, 0.37%

LAB 39.46, 62.52, 53.6

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171 0 0

HSL 0, 1%, 0.34%

LAB 35.32, 59.38, 49.65

 

CMYK 0 / 72 / 85 / 7

HEX #EE4224

RGB 238 66 36

HSL 8.91, 0.86%, 0.54%

LAB 54.24, 64.05, 54.75

 

CMYK 0 / 85 / 85 / 7

HEX #EE2424

RGB 238 36 36

HSL 0, 0.86%, 0.54%

LAB 51.34, 72.19, 52.29

 

CMYK 0 / 72 / 85 / 7

HEX #EE4224

RGB 238 66 36

HSL 8.91, 0.86%, 0.54%

LAB 54.24, 64.05, 54.75

 

CMYK 0 / 50 / 85 / 7

HEX #EE7824

RGB 238 120 36

HSL 24.95, 0.86%, 0.54%

LAB 63.13, 40.67, 62.2

 

CMYK 0 / 26 / 85 / 7

HEX #EEAF24

RGB 238 175 36

HSL 41.29, 0.86%, 0.54%

LAB 75.43, 11.97, 72.37

 

CMYK 0 / 4 / 85 / 7

HEX #EEE524

RGB 238 229 36

HSL 57.33, 0.86%, 0.54%

LAB 89.08, -15.63, 83.55

 

CMYK 19 / 0 / 85 / 7

HEX #C1EE24

RGB 193 238 36

HSL 73.37, 0.86%, 0.54%

LAB 88.26, -38.16, 81.54

 

CMYK 0 / 72 / 85 / 7

HEX #EE4224

RGB 238 66 36

HSL 8.91, 0.86%, 0.54%

LAB 54.24, 64.05, 54.75

 

CMYK 0 / 72 / 85 / 7

HEX #EE4224

RGB 238 66 36

HSL 8.91, 0.86%, 0.54%

LAB 54.24, 64.05, 54.75

 

CMYK 0 / 64 / 75 / 14

HEX #DB4F37

RGB 219 79 55

HSL 8.78, 0.69%, 0.54%

LAB 52.87, 53.49, 42.93

 

CMYK 0 / 54 / 63 / 22

HEX #C85D4A

RGB 200 93 74

HSL 9.05, 0.53%, 0.54%

LAB 52.51, 41.18, 31.23

 

CMYK 0 / 41 / 49 / 29

HEX #B56A5D

RGB 181 106 93

HSL 8.86, 0.37%, 0.54%

LAB 52.86, 28.52, 20.21

 

CMYK 0 / 26 / 31 / 36

HEX #A27870

RGB 162 120 112

HSL 9.6, 0.21%, 0.54%

LAB 54.33, 15.25, 10.81

 

CMYK 0 / 85 / 51 / 7

HEX #EE2475

RGB 238 36 117

HSL 335.94, 0.86%, 0.54%

LAB 52.65, 75.98, 7.05

 

CMYK 0 / 85 / 74 / 7

HEX #EE243F

RGB 238 36 63

HSL 351.98, 0.86%, 0.54%

LAB 51.61, 72.97, 38.06

 

CMYK 0 / 74 / 85 / 7

HEX #EE3F24

RGB 238 63 36

HSL 8.02, 0.86%, 0.54%

LAB 53.88, 65.05, 54.44

 

CMYK 0 / 51 / 85 / 7

HEX #EE7524

RGB 238 117 36

HSL 24.06, 0.86%, 0.54%

LAB 62.53, 42.16, 61.7

 

CMYK 0 / 28 / 85 / 7

HEX #EEAB24

RGB 238 171 36

HSL 40.1, 0.86%, 0.54%

LAB 74.46, 14.08, 71.58

 

CMYK 0 / 79 / 93 / 30

HEX #B3250D

RGB 179 37 13

HSL 8.67, 0.86%, 0.38%

LAB 39.47, 54.9, 47.99

 

CMYK 0 / 79 / 93 / 15

HEX #D92D10

RGB 217 45 16

HSL 8.66, 0.86%, 0.46%

LAB 47.84, 63.94, 56.05

 

CMYK 0 / 72 / 85 / 7

HEX #EE4224

RGB 238 66 36

HSL 8.91, 0.86%, 0.54%

LAB 54.24, 64.05, 54.75

 

CMYK 0 / 59 / 69 / 5

HEX #F1634B

RGB 241 99 75

HSL 8.67, 0.86%, 0.62%

LAB 60.01, 53.24, 41.2

 

CMYK 0 / 46 / 54 / 4

HEX #F48471

RGB 244 132 113

HSL 8.7, 0.86%, 0.7%

LAB 67.22, 40.94, 29.44

 

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

CMYK 28 / 0 / 85 / 7

HEX #ABEE24

RGB 171 238 36

HSL 79.9, 0.86%, 0.54%

LAB 86.96, -46.51, 79.92

 

CMYK 85 / 62 / 0 / 7

HEX #245AEE

RGB 36 90 238

HSL 223.96, 0.86%, 0.54%

LAB 44.03, 37.72, -78.84

 

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

CMYK 85 / 0 / 74 / 7

HEX #24EE3F

RGB 36 238 63

HSL 128.02, 0.86%, 0.54%

LAB 82.85, -77.53, 67.25

 

CMYK 74 / 85 / 0 / 7

HEX #3F24EE

RGB 63 36 238

HSL 248.02, 0.86%, 0.54%

LAB 34.99, 67.96, -93.74

 

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

CMYK 28 / 0 / 85 / 7

HEX #ABEE24

RGB 171 238 36

HSL 79.9, 0.86%, 0.54%

LAB 86.96, -46.51, 79.92

 

CMYK 85 / 11 / 0 / 7

HEX #24D3EE

RGB 36 211 238

HSL 188.02, 0.86%, 0.54%

LAB 77.96, -32, -25.05

 

CMYK 56 / 85 / 0 / 7

HEX #6824EE

RGB 104 36 238

HSL 260.2, 0.86%, 0.54%

LAB 38.51, 70.97, -87.79

 

CMYK 0 / 73 / 85 / 6

HEX #EF4123

RGB 239 65 35

HSL 8.82, 0.86%, 0.54%

LAB 54.29, 64.67, 55.31

 

CMYK 54 / 0 / 85 / 7

HEX #6EEE24

RGB 110 238 36

HSL 98.02, 0.86%, 0.54%

LAB 84.27, -66.07, 76.55

 

CMYK 85 / 11 / 0 / 7

HEX #24D3EE

RGB 36 211 238

HSL 188.02, 0.86%, 0.54%

LAB 77.96, -32, -25.05

 

CMYK 31 / 85 / 0 / 7

HEX #A424EE

RGB 164 36 238

HSL 278.02, 0.86%, 0.54%

LAB 46.08, 77.97, -75.07

 

Description

Color code: HEX #EF4123 | qconv.com Color code: HEX #EF4123 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 65 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 65 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 85 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 85% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

92% - nanilani INC.
Link: http://nanilani.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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