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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF5D0F it is the complementary color #10A2F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF5D0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF5D0F shade: #F45D0A, #FF6F1D, #FF8130, #FF9343 and #FFA556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF5D0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF5D0F shade: #EF5D0F, #DE4B00, #CD3900, #BC2700 and #AB1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF5D0F shade: #EF5D0F, #EF200F and #EF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF5D0F shade: #EF5D0F, #EF990F, #EFD60F, #CCEF0F and #8FEF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF5D0F shade matches the following richer shades: #EF5D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF5D0F shade: #EF5D0F, #DB6323, #C66938, #B1704D and #9D7661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF5D0F shade: #EF0F3C, #EF1E0F, #EF5A0F, #EF950F and #EFD10F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF5D0F shade: #A23F0A, #C84E0C, #EF5D0F, #F27736 and #F4915C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF5D0F shade: #EF5D0F, #78EF0F and #0F1EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF5D0F shade: #EF5D0F, #0FEF5A and #5A0FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF5D0F shade: #EF5D0F, #78EF0F, #0FA4EF and #860FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF5D0F shade: #EF5D0F, #34EF0F, #0FA4EF and #CA0FEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

Complementary color

CMYK 93 / 33 / 0 / 6

HEX #10A2F0

RGB 16 162 240

HSL 200.89, 0.88%, 0.5%

LAB 63.54, -6.78, -48.55

 

CMYK 0 / 62 / 96 / 4

HEX #F45D0A

RGB 244 93 10

HSL 21.28, 0.92%, 0.5%

LAB 59.05, 55.14, 66.8

 

CMYK 0 / 56 / 89 / 0

HEX #FF6F1D

RGB 255 111 29

HSL 21.77, 1%, 0.56%

LAB 63.93, 51.26, 66.23

 

CMYK 0 / 49 / 81 / 0

HEX #FF8130

RGB 255 129 48

HSL 23.48, 1%, 0.59%

LAB 67.41, 43.1, 62.35

 

CMYK 0 / 42 / 74 / 0

HEX #FF9343

RGB 255 147 67

HSL 25.53, 1%, 0.63%

LAB 71.24, 34.71, 57.99

 

CMYK 0 / 35 / 66 / 0

HEX #FFA556

RGB 255 165 86

HSL 28.05, 1%, 0.67%

LAB 75.35, 26.34, 53.62

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 66 / 100 / 13

HEX #DE4B00

RGB 222 75 0

HSL 20.27, 1%, 0.44%

LAB 52.47, 55.03, 63.18

 

CMYK 0 / 72 / 100 / 20

HEX #CD3900

RGB 205 57 0

HSL 16.68, 1%, 0.4%

LAB 46.85, 56.31, 58.71

 

CMYK 0 / 79 / 100 / 26

HEX #BC2700

RGB 188 39 0

HSL 12.45, 1%, 0.37%

LAB 41.44, 56.89, 54.38

 

CMYK 0 / 88 / 100 / 33

HEX #AB1500

RGB 171 21 0

HSL 7.37, 1%, 0.34%

LAB 36.36, 56.39, 50.16

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 87 / 94 / 6

HEX #EF200F

RGB 239 32 15

HSL 4.55, 0.88%, 0.5%

LAB 51.17, 72.89, 60.59

 

CMYK 0 / 94 / 94 / 6

HEX #EF0F0F

RGB 239 15 15

HSL 0, 0.88%, 0.5%

LAB 50.37, 75.21, 60.14

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 36 / 94 / 6

HEX #EF990F

RGB 239 153 15

HSL 36.96, 0.88%, 0.5%

LAB 70.29, 23.64, 73.03

 

CMYK 0 / 10 / 94 / 6

HEX #EFD60F

RGB 239 214 15

HSL 53.3, 0.88%, 0.5%

LAB 85.24, -8.11, 83.91

 

CMYK 15 / 0 / 94 / 6

HEX #CCEF0F

RGB 204 239 15

HSL 69.38, 0.88%, 0.5%

LAB 89.21, -34.68, 85.75

 

CMYK 40 / 0 / 94 / 6

HEX #8FEF0F

RGB 143 239 15

HSL 85.71, 0.88%, 0.5%

LAB 85.81, -57.15, 81.62

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 55 / 84 / 14

HEX #DB6323

RGB 219 99 35

HSL 20.87, 0.72%, 0.5%

LAB 56.19, 43.69, 55.57

 

CMYK 0 / 47 / 72 / 22

HEX #C66938

RGB 198 105 56

HSL 20.7, 0.56%, 0.5%

LAB 54.44, 33.18, 43.16

 

CMYK 0 / 37 / 56 / 31

HEX #B1704D

RGB 177 112 77

HSL 21, 0.39%, 0.5%

LAB 53.46, 22.09, 30.03

 

CMYK 0 / 25 / 38 / 38

HEX #9D7661

RGB 157 118 97

HSL 21, 0.24%, 0.5%

LAB 52.94, 12.35, 17.5

 

CMYK 0 / 94 / 75 / 6

HEX #EF0F3C

RGB 239 15 60

HSL 347.95, 0.88%, 0.5%

LAB 50.71, 76.17, 38.83

 

CMYK 0 / 87 / 94 / 6

HEX #EF1E0F

RGB 239 30 15

HSL 4.02, 0.88%, 0.5%

LAB 51.05, 73.24, 60.52

 

CMYK 0 / 62 / 94 / 6

HEX #EF5A0F

RGB 239 90 15

HSL 20.09, 0.88%, 0.5%

LAB 57.75, 54.74, 64.55

 

CMYK 0 / 38 / 94 / 6

HEX #EF950F

RGB 239 149 15

HSL 35.89, 0.88%, 0.5%

LAB 69.38, 25.75, 72.39

 

CMYK 0 / 13 / 94 / 6

HEX #EFD10F

RGB 239 209 15

HSL 51.96, 0.88%, 0.5%

LAB 83.96, -5.58, 82.96

 

CMYK 0 / 61 / 94 / 36

HEX #A23F0A

RGB 162 63 10

HSL 20.92, 0.88%, 0.34%

LAB 40.01, 38.8, 47.81

 

CMYK 0 / 61 / 94 / 22

HEX #C84E0C

RGB 200 78 12

HSL 21.06, 0.89%, 0.42%

LAB 49.2, 46.07, 56.55

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 0 / 51 / 78 / 5

HEX #F27736

RGB 242 119 54

HSL 20.74, 0.88%, 0.58%

LAB 63.62, 43.25, 55.59

 

CMYK 0 / 41 / 62 / 4

HEX #F4915C

RGB 244 145 92

HSL 20.92, 0.87%, 0.66%

LAB 69.65, 32.72, 43.71

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 50 / 0 / 94 / 6

HEX #78EF0F

RGB 120 239 15

HSL 91.88, 0.88%, 0.5%

LAB 84.87, -64.22, 80.48

 

CMYK 94 / 87 / 0 / 6

HEX #0F1EEF

RGB 15 30 239

HSL 235.98, 0.88%, 0.5%

LAB 32.4, 68.85, -98.67

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 94 / 0 / 62 / 6

HEX #0FEF5A

RGB 15 239 90

HSL 140.09, 0.88%, 0.5%

LAB 83.22, -76.56, 57.34

 

CMYK 62 / 94 / 0 / 6

HEX #5A0FEF

RGB 90 15 239

HSL 260.09, 0.88%, 0.5%

LAB 35.49, 75.28, -93.4

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 50 / 0 / 94 / 6

HEX #78EF0F

RGB 120 239 15

HSL 91.88, 0.88%, 0.5%

LAB 84.87, -64.22, 80.48

 

CMYK 94 / 31 / 0 / 6

HEX #0FA4EF

RGB 15 164 239

HSL 200.09, 0.88%, 0.5%

LAB 64.07, -8.31, -47.17

 

CMYK 44 / 94 / 0 / 6

HEX #860FEF

RGB 134 15 239

HSL 271.88, 0.88%, 0.5%

LAB 40.64, 78.68, -84.72

 

CMYK 0 / 61 / 94 / 6

HEX #EF5D0F

RGB 239 93 15

HSL 20.89, 0.88%, 0.5%

LAB 58.24, 53.43, 64.87

 

CMYK 78 / 0 / 94 / 6

HEX #34EF0F

RGB 52 239 15

HSL 110.09, 0.88%, 0.5%

LAB 83.18, -78.32, 78.39

 

CMYK 94 / 31 / 0 / 6

HEX #0FA4EF

RGB 15 164 239

HSL 200.09, 0.88%, 0.5%

LAB 64.07, -8.31, -47.17

 

CMYK 15 / 94 / 0 / 6

HEX #CA0FEF

RGB 202 15 239

HSL 290.09, 0.88%, 0.5%

LAB 50.84, 86.93, -67.63

 

Description

Color code: HEX #EF5D0F | qconv.com Color code: HEX #EF5D0F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 93 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 93 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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