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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6554 it is the complementary color #109AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6554 shade: #F4654F, #FF7762, #FF8975, #FF9B88 and #FFAD9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6554 shade: #EF6554, #DE5341, #CD412E, #BC2F1B and #AB1D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6554 shade: #EE6352 and #EE5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6554 shade: #EE6352, #EE8D52, #EEB752, #EEE252 and #D1EE52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6554 shade matches the following richer shades: #EE6352 and #FE5743

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6554 shade: #EE6352, #DF6F61, #D07B70, #C18780 and #B1938F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6554 shade: #EE5296, #EE526C, #EE6252, #EE8B52 and #EEB552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6554 shade: #DA2A14, #EB412C, #EE6352, #F28578 and #F5A79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6554 shade: #EF6554, #BFEE52 and #5281EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6554 shade: #EF6554, #52EE62 and #6252EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6554 shade: #EF6554, #BFEE52, #52DFEE and #8152EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6554 shade: #EF6554, #90EE52, #52DFEE and #B052EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

Complementary color

CMYK 91 / 10 / 0 / 33

HEX #109AAB

RGB 16 154 171

HSL 186.58, 0.83%, 0.37%

LAB 58.19, -26.82, -18.33

 

CMYK 0 / 59 / 68 / 4

HEX #F4654F

RGB 244 101 79

HSL 8, 0.88%, 0.63%

LAB 60.87, 53.59, 40.17

 

CMYK 0 / 53 / 62 / 0

HEX #FF7762

RGB 255 119 98

HSL 8.03, 1%, 0.69%

LAB 66.01, 50.25, 36.43

 

CMYK 0 / 46 / 54 / 0

HEX #FF8975

RGB 255 137 117

HSL 8.7, 1%, 0.73%

LAB 69.78, 42.83, 30.86

 

CMYK 0 / 39 / 47 / 0

HEX #FF9B88

RGB 255 155 136

HSL 9.58, 1%, 0.77%

LAB 73.86, 35.33, 25.89

 

CMYK 0 / 32 / 39 / 0

HEX #FFAD9B

RGB 255 173 155

HSL 10.8, 1%, 0.8%

LAB 78.18, 27.93, 21.48

 

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

CMYK 0 / 63 / 71 / 13

HEX #DE5341

RGB 222 83 65

HSL 6.88, 0.7%, 0.56%

LAB 54.13, 53.25, 39.06

 

CMYK 0 / 68 / 78 / 20

HEX #CD412E

RGB 205 65 46

HSL 7.17, 0.63%, 0.49%

LAB 48.21, 54.19, 42.04

 

CMYK 0 / 75 / 86 / 26

HEX #BC2F1B

RGB 188 47 27

HSL 7.45, 0.75%, 0.42%

LAB 42.47, 54.77, 45.11

 

CMYK 0 / 83 / 95 / 33

HEX #AB1D08

RGB 171 29 8

HSL 7.73, 0.91%, 0.35%

LAB 37.03, 54.66, 47.38

 

CMYK 0 / 58 / 66 / 7

HEX #EE6352

RGB 238 99 82

HSL 6.54, 0.82%, 0.63%

LAB 59.63, 52.57, 36.8

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 0 / 58 / 66 / 7

HEX #EE6352

RGB 238 99 82

HSL 6.54, 0.82%, 0.63%

LAB 59.63, 52.57, 36.8

 

CMYK 0 / 41 / 66 / 7

HEX #EE8D52

RGB 238 141 82

HSL 22.69, 0.82%, 0.63%

LAB 67.9, 31.8, 46.57

 

CMYK 0 / 23 / 66 / 7

HEX #EEB752

RGB 238 183 82

HSL 38.85, 0.82%, 0.63%

LAB 77.67, 9.64, 57.49

 

CMYK 0 / 5 / 66 / 7

HEX #EEE252

RGB 238 226 82

HSL 55.38, 0.82%, 0.63%

LAB 88.53, -12.38, 68.99

 

CMYK 12 / 0 / 66 / 7

HEX #D1EE52

RGB 209 238 82

HSL 71.15, 0.82%, 0.63%

LAB 89.54, -29.86, 69.34

 

CMYK 0 / 58 / 66 / 7

HEX #EE6352

RGB 238 99 82

HSL 6.54, 0.82%, 0.63%

LAB 59.63, 52.57, 36.8

 

CMYK 0 / 66 / 74 / 0

HEX #FE5743

RGB 254 87 67

HSL 6.42, 0.99%, 0.63%

LAB 60.15, 62.3, 46.21

 

CMYK 0 / 58 / 66 / 7

HEX #EE6352

RGB 238 99 82

HSL 6.54, 0.82%, 0.63%

LAB 59.63, 52.57, 36.8

 

CMYK 0 / 50 / 57 / 13

HEX #DF6F61

RGB 223 111 97

HSL 6.67, 0.66%, 0.63%

LAB 59.82, 42.43, 28.16

 

CMYK 0 / 41 / 46 / 18

HEX #D07B70

RGB 208 123 112

HSL 6.88, 0.51%, 0.63%

LAB 60.56, 31.85, 20.27

 

CMYK 0 / 30 / 34 / 24

HEX #C18780

RGB 193 135 128

HSL 6.46, 0.34%, 0.63%

LAB 61.85, 21.3, 12.68

 

CMYK 0 / 17 / 19 / 31

HEX #B1938F

RGB 177 147 143

HSL 7.06, 0.18%, 0.63%

LAB 63.51, 10.57, 6.31

 

CMYK 0 / 66 / 37 / 7

HEX #EE5296

RGB 238 82 150

HSL 333.85, 0.82%, 0.63%

LAB 58.43, 65.34, -4.15

 

CMYK 0 / 66 / 55 / 7

HEX #EE526C

RGB 238 82 108

HSL 350, 0.82%, 0.63%

LAB 57.36, 61.53, 18.98

 

CMYK 0 / 59 / 66 / 7

HEX #EE6252

RGB 238 98 82

HSL 6.15, 0.82%, 0.63%

LAB 59.45, 53.02, 36.59

 

CMYK 0 / 42 / 66 / 7

HEX #EE8B52

RGB 238 139 82

HSL 21.92, 0.82%, 0.63%

LAB 67.47, 32.84, 46.07

 

CMYK 0 / 24 / 66 / 7

HEX #EEB552

RGB 238 181 82

HSL 38.08, 0.82%, 0.63%

LAB 77.18, 10.69, 56.96

 

CMYK 0 / 81 / 91 / 15

HEX #DA2A14

RGB 218 42 20

HSL 6.67, 0.83%, 0.47%

LAB 47.77, 65.07, 54.7

 

CMYK 0 / 72 / 81 / 8

HEX #EB412C

RGB 235 65 44

HSL 6.6, 0.83%, 0.55%

LAB 53.63, 63.67, 50.25

 

CMYK 0 / 58 / 66 / 7

HEX #EE6352

RGB 238 99 82

HSL 6.54, 0.82%, 0.63%

LAB 59.63, 52.57, 36.8

 

CMYK 0 / 45 / 50 / 5

HEX #F28578

RGB 242 133 120

HSL 6.39, 0.82%, 0.71%

LAB 67.28, 40.28, 25.59

 

CMYK 0 / 32 / 36 / 4

HEX #F5A79D

RGB 245 167 157

HSL 6.82, 0.81%, 0.79%

LAB 75.75, 27.54, 16.87

 

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

CMYK 20 / 0 / 66 / 7

HEX #BFEE52

RGB 191 238 82

HSL 78.08, 0.82%, 0.63%

LAB 88.37, -36.82, 67.76

 

CMYK 66 / 46 / 0 / 7

HEX #5281EE

RGB 82 129 238

HSL 221.92, 0.82%, 0.63%

LAB 55.75, 18.44, -59.75

 

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

CMYK 66 / 0 / 59 / 7

HEX #52EE62

RGB 82 238 98

HSL 126.15, 0.82%, 0.63%

LAB 83.87, -67.86, 54.9

 

CMYK 59 / 66 / 0 / 7

HEX #6252EE

RGB 98 82 238

HSL 246.15, 0.82%, 0.63%

LAB 45.36, 49.26, -76.54

 

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

CMYK 20 / 0 / 66 / 7

HEX #BFEE52

RGB 191 238 82

HSL 78.08, 0.82%, 0.63%

LAB 88.37, -36.82, 67.76

 

CMYK 66 / 6 / 0 / 7

HEX #52DFEE

RGB 82 223 238

HSL 185.77, 0.82%, 0.63%

LAB 82.24, -32.89, -18.47

 

CMYK 46 / 66 / 0 / 7

HEX #8152EE

RGB 129 82 238

HSL 258.08, 0.82%, 0.63%

LAB 48.1, 54.41, -71.96

 

CMYK 0 / 58 / 65 / 6

HEX #EF6554

RGB 239 101 84

HSL 6.58, 0.83%, 0.63%

LAB 60.16, 52.12, 36.37

 

CMYK 39 / 0 / 66 / 7

HEX #90EE52

RGB 144 238 82

HSL 96.15, 0.82%, 0.63%

LAB 85.85, -53.4, 64.33

 

CMYK 66 / 6 / 0 / 7

HEX #52DFEE

RGB 82 223 238

HSL 185.77, 0.82%, 0.63%

LAB 82.24, -32.89, -18.47

 

CMYK 26 / 66 / 0 / 7

HEX #B052EE

RGB 176 82 238

HSL 276.15, 0.82%, 0.63%

LAB 53.43, 63.7, -63.08

 

Description

Color code: HEX #EF6554 | qconv.com Color code: HEX #EF6554 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 101 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 101 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 65 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 65% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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