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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF682E it is the complementary color #1097D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF682E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF682E shade: #F46829, #FF7A3C, #FF8C4F, #FF9E62 and #FFB075

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF682E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF682E shade: #EF682E, #DE561B, #CD4408, #BC3200 and #AB2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF682E shade: #EF682E, #EF342E and #EF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF682E shade: #EF682E, #EF9C2E, #EFD02E, #DAEF2E and #A6EF2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF682E shade matches the following richer shades: #EF682E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF682E shade: #EF682E, #DD6F40, #CA7652, #B87E64 and #A68576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF682E shade: #EF2E5B, #EF342E, #EF682E, #EF9B2E and #EFCF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF682E shade: #BC420E, #E35011, #EF682E, #F28454 and #F59F7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF682E shade: #EF682E, #8EEF2E and #2E41EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF682E shade: #EF682E, #2EEF68 and #682EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF682E shade: #EF682E, #8EEF2E, #2EB5EF and #8E2EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF682E shade: #EF682E, #54EF2E, #2EB5EF and #C82EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

Complementary color

CMYK 92 / 28 / 0 / 18

HEX #1097D1

RGB 16 151 209

HSL 198.03, 0.86%, 0.44%

LAB 58.83, -11.93, -38.78

 

CMYK 0 / 57 / 83 / 4

HEX #F46829

RGB 244 104 41

HSL 18.62, 0.9%, 0.56%

LAB 61.04, 50.75, 58.88

 

CMYK 0 / 52 / 76 / 0

HEX #FF7A3C

RGB 255 122 60

HSL 19.08, 1%, 0.62%

LAB 66.14, 46.91, 55.99

 

CMYK 0 / 45 / 69 / 0

HEX #FF8C4F

RGB 255 140 79

HSL 20.8, 1%, 0.65%

LAB 69.88, 38.84, 50.9

 

CMYK 0 / 38 / 62 / 0

HEX #FF9E62

RGB 255 158 98

HSL 22.93, 1%, 0.69%

LAB 73.93, 30.71, 46.07

 

CMYK 0 / 31 / 54 / 0

HEX #FFB075

RGB 255 176 117

HSL 25.65, 1%, 0.73%

LAB 78.22, 22.72, 41.62

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 61 / 88 / 13

HEX #DE561B

RGB 222 86 27

HSL 18.15, 0.78%, 0.49%

LAB 54.31, 50.67, 57.26

 

CMYK 0 / 67 / 96 / 20

HEX #CD4408

RGB 205 68 8

HSL 18.27, 0.92%, 0.42%

LAB 48.42, 52.16, 57.46

 

CMYK 0 / 73 / 100 / 26

HEX #BC3200

RGB 188 50 0

HSL 15.96, 1%, 0.37%

LAB 42.72, 53.32, 54.95

 

CMYK 0 / 81 / 100 / 33

HEX #AB2000

RGB 171 32 0

HSL 11.23, 1%, 0.34%

LAB 37.28, 53.76, 50.57

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 78 / 81 / 6

HEX #EF342E

RGB 239 52 46

HSL 1.87, 0.86%, 0.56%

LAB 52.95, 68.91, 48.87

 

CMYK 0 / 81 / 81 / 6

HEX #EF2E2E

RGB 239 46 46

HSL 0, 0.86%, 0.56%

LAB 52.4, 70.47, 48.33

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 35 / 81 / 6

HEX #EF9C2E

RGB 239 156 46

HSL 34.2, 0.86%, 0.56%

LAB 71.09, 22.71, 65.62

 

CMYK 0 / 13 / 81 / 6

HEX #EFD02E

RGB 239 208 46

HSL 50.36, 0.86%, 0.56%

LAB 83.79, -4.46, 76.75

 

CMYK 9 / 0 / 81 / 6

HEX #DAEF2E

RGB 218 239 46

HSL 66.53, 0.86%, 0.56%

LAB 90.25, -28.39, 81.67

 

CMYK 31 / 0 / 81 / 6

HEX #A6EF2E

RGB 166 239 46

HSL 82.69, 0.86%, 0.56%

LAB 87.02, -48.4, 77.58

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 50 / 71 / 13

HEX #DD6F40

RGB 221 111 64

HSL 17.96, 0.7%, 0.56%

LAB 59.08, 39.59, 45.11

 

CMYK 0 / 42 / 59 / 21

HEX #CA7652

RGB 202 118 82

HSL 18, 0.53%, 0.56%

LAB 58.15, 29.5, 33.81

 

CMYK 0 / 32 / 46 / 28

HEX #B87E64

RGB 184 126 100

HSL 18.57, 0.37%, 0.56%

LAB 58.07, 19.38, 23.22

 

CMYK 0 / 20 / 29 / 35

HEX #A68576

RGB 166 133 118

HSL 18.75, 0.21%, 0.56%

LAB 58.22, 10.33, 12.86

 

CMYK 0 / 81 / 62 / 6

HEX #EF2E5B

RGB 239 46 91

HSL 346.01, 0.86%, 0.56%

LAB 53.02, 72.35, 23.27

 

CMYK 0 / 78 / 81 / 6

HEX #EF342E

RGB 239 52 46

HSL 1.87, 0.86%, 0.56%

LAB 52.95, 68.91, 48.87

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 35 / 81 / 6

HEX #EF9B2E

RGB 239 155 46

HSL 33.89, 0.86%, 0.56%

LAB 70.86, 23.23, 65.41

 

CMYK 0 / 13 / 81 / 6

HEX #EFCF2E

RGB 239 207 46

HSL 50.05, 0.86%, 0.56%

LAB 83.53, -3.95, 76.53

 

CMYK 0 / 65 / 93 / 26

HEX #BC420E

RGB 188 66 14

HSL 17.93, 0.86%, 0.4%

LAB 45.11, 47.12, 52.26

 

CMYK 0 / 65 / 93 / 11

HEX #E35011

RGB 227 80 17

HSL 18, 0.86%, 0.48%

LAB 54.14, 54.84, 60.72

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 0 / 45 / 65 / 5

HEX #F28454

RGB 242 132 84

HSL 18.23, 0.86%, 0.64%

LAB 66.54, 38.14, 44.1

 

CMYK 0 / 35 / 50 / 4

HEX #F59F7B

RGB 245 159 123

HSL 17.7, 0.86%, 0.72%

LAB 73.31, 28.21, 31.97

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 41 / 0 / 81 / 6

HEX #8EEF2E

RGB 142 239 46

HSL 90.16, 0.86%, 0.56%

LAB 85.85, -56.61, 76.1

 

CMYK 81 / 73 / 0 / 6

HEX #2E41EF

RGB 46 65 239

HSL 234.09, 0.86%, 0.56%

LAB 38.89, 53.69, -87.86

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 81 / 0 / 56 / 6

HEX #2EEF68

RGB 46 239 104

HSL 138.03, 0.86%, 0.56%

LAB 83.61, -72.7, 51.77

 

CMYK 56 / 81 / 0 / 6

HEX #682EEF

RGB 104 46 239

HSL 258.03, 0.86%, 0.56%

LAB 39.8, 67.72, -86.23

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 41 / 0 / 81 / 6

HEX #8EEF2E

RGB 142 239 46

HSL 90.16, 0.86%, 0.56%

LAB 85.85, -56.61, 76.1

 

CMYK 81 / 24 / 0 / 6

HEX #2EB5EF

RGB 46 181 239

HSL 198.03, 0.86%, 0.56%

LAB 69.37, -15.74, -38.83

 

CMYK 41 / 81 / 0 / 6

HEX #8E2EEF

RGB 142 46 239

HSL 269.84, 0.86%, 0.56%

LAB 44.14, 72.32, -78.93

 

CMYK 0 / 56 / 81 / 6

HEX #EF682E

RGB 239 104 46

HSL 18.03, 0.86%, 0.56%

LAB 60.29, 49.07, 55.8

 

CMYK 65 / 0 / 81 / 6

HEX #54EF2E

RGB 84 239 46

HSL 108.19, 0.86%, 0.56%

LAB 83.87, -72.04, 73.56

 

CMYK 81 / 24 / 0 / 6

HEX #2EB5EF

RGB 46 181 239

HSL 198.03, 0.86%, 0.56%

LAB 69.37, -15.74, -38.83

 

CMYK 16 / 81 / 0 / 6

HEX #C82EEF

RGB 200 46 239

HSL 287.88, 0.86%, 0.56%

LAB 52.36, 81.21, -65.19

 

Description

Color code: HEX #EF682E | qconv.com Color code: HEX #EF682E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 104 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 104 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 81 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 81% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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