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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6EE0 it is the complementary color #10911F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6EE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6EE0 shade: #F46EDB, #FF80EE, #FF92FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6EE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6EE0 shade: #EF6EE0, #DE5CCD, #CD4ABA, #BC38A7 and #AB2694

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6EE0 shade: #EE6CDF, #EE6CBC, #EE6C99, #EE6C75 and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6EE0 shade: #EE6CDF, #DA6CEE, #B76CEE, #946CEE and #716CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6EE0 shade matches the following richer shades: #EE6CDF and #FB5EE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6EE0 shade: #EE6CDF, #E179D5, #D486CB, #C793C1 and #B9A0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6EE0 shade: #B66CEE, #D86CEE, #EE6CE1, #EE6CBE and #EE6C9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6EE0 shade: #E621CF, #EA46D7, #EE6CDF, #F291E7 and #F6B6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6EE0 shade: #EF6EE0, #EE936C and #6CEEC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6EE0 shade: #EF6EE0, #E1EE6C and #6CE1EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6EE0 shade: #EF6EE0, #EE936C, #6CEE79 and #6CC7EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6EE0 shade: #EF6EE0, #EEBA6C, #6CEE79 and #6CA0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

Complementary color

CMYK 89 / 0 / 79 / 43

HEX #10911F

RGB 16 145 31

HSL 126.98, 0.8%, 0.32%

LAB 52.35, -54.06, 47.75

 

CMYK 0 / 55 / 10 / 4

HEX #F46EDB

RGB 244 110 219

HSL 311.19, 0.86%, 0.69%

LAB 66.14, 64.31, -31.77

 

CMYK 0 / 50 / 7 / 0

HEX #FF80EE

RGB 255 128 238

HSL 308.03, 1%, 0.75%

LAB 71.47, 62.12, -33.9

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 0 / 59 / 8 / 13

HEX #DE5CCD

RGB 222 92 205

HSL 307.85, 0.66%, 0.62%

LAB 59.52, 64.1, -34.41

 

CMYK 0 / 64 / 9 / 20

HEX #CD4ABA

RGB 205 74 186

HSL 308.7, 0.57%, 0.55%

LAB 53.41, 64.22, -33.25

 

CMYK 0 / 70 / 11 / 26

HEX #BC38A7

RGB 188 56 167

HSL 309.55, 0.54%, 0.48%

LAB 47.38, 63.92, -31.75

 

CMYK 0 / 78 / 13 / 33

HEX #AB2694

RGB 171 38 148

HSL 310.38, 0.64%, 0.41%

LAB 41.5, 62.96, -29.78

 

CMYK 0 / 55 / 6 / 7

HEX #EE6CDF

RGB 238 108 223

HSL 306.92, 0.79%, 0.68%

LAB 65.14, 64.21, -35.6

 

CMYK 0 / 55 / 21 / 7

HEX #EE6CBC

RGB 238 108 188

HSL 323.08, 0.79%, 0.68%

LAB 63.78, 58.93, -18.01

 

CMYK 0 / 55 / 36 / 7

HEX #EE6C99

RGB 238 108 153

HSL 339.23, 0.79%, 0.68%

LAB 62.68, 54.49, 0.34

 

CMYK 0 / 55 / 51 / 7

HEX #EE6C75

RGB 238 108 117

HSL 355.85, 0.79%, 0.68%

LAB 61.81, 50.89, 19.82

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 55 / 6 / 7

HEX #EE6CDF

RGB 238 108 223

HSL 306.92, 0.79%, 0.68%

LAB 65.14, 64.21, -35.6

 

CMYK 8 / 55 / 0 / 7

HEX #DA6CEE

RGB 218 108 238

HSL 290.77, 0.79%, 0.68%

LAB 63.18, 61.55, -47.21

 

CMYK 23 / 55 / 0 / 7

HEX #B76CEE

RGB 183 108 238

HSL 274.62, 0.79%, 0.68%

LAB 58.94, 52.67, -54.2

 

CMYK 38 / 55 / 0 / 7

HEX #946CEE

RGB 148 108 238

HSL 258.46, 0.79%, 0.68%

LAB 55.27, 44.24, -60.27

 

CMYK 53 / 55 / 0 / 7

HEX #716CEE

RGB 113 108 238

HSL 242.31, 0.79%, 0.68%

LAB 52.3, 36.74, -65.22

 

CMYK 0 / 55 / 6 / 7

HEX #EE6CDF

RGB 238 108 223

HSL 306.92, 0.79%, 0.68%

LAB 65.14, 64.21, -35.6

 

CMYK 0 / 63 / 7 / 2

HEX #FB5EE9

RGB 251 94 233

HSL 306.88, 0.95%, 0.68%

LAB 65.28, 74.97, -40.82

 

CMYK 0 / 55 / 6 / 7

HEX #EE6CDF

RGB 238 108 223

HSL 306.92, 0.79%, 0.68%

LAB 65.14, 64.21, -35.6

 

CMYK 0 / 46 / 5 / 12

HEX #E179D5

RGB 225 121 213

HSL 306.92, 0.63%, 0.68%

LAB 65.35, 52.72, -29.84

 

CMYK 0 / 37 / 4 / 17

HEX #D486CB

RGB 212 134 203

HSL 306.92, 0.48%, 0.68%

LAB 66.03, 40.29, -23.34

 

CMYK 0 / 26 / 3 / 22

HEX #C793C1

RGB 199 147 193

HSL 306.92, 0.32%, 0.68%

LAB 67.17, 27.15, -16.14

 

CMYK 0 / 14 / 2 / 27

HEX #B9A0B6

RGB 185 160 182

HSL 307.2, 0.15%, 0.68%

LAB 68.63, 13.07, -7.96

 

CMYK 24 / 55 / 0 / 7

HEX #B66CEE

RGB 182 108 238

HSL 274.15, 0.79%, 0.68%

LAB 58.83, 52.43, -54.38

 

CMYK 9 / 55 / 0 / 7

HEX #D86CEE

RGB 216 108 238

HSL 289.85, 0.79%, 0.68%

LAB 62.93, 61.04, -47.63

 

CMYK 0 / 55 / 5 / 7

HEX #EE6CE1

RGB 238 108 225

HSL 306, 0.79%, 0.68%

LAB 65.23, 64.53, -36.58

 

CMYK 0 / 55 / 20 / 7

HEX #EE6CBE

RGB 238 108 190

HSL 322.15, 0.79%, 0.68%

LAB 63.85, 59.21, -19.04

 

CMYK 0 / 55 / 35 / 7

HEX #EE6C9B

RGB 238 108 155

HSL 338.31, 0.79%, 0.68%

LAB 62.73, 54.72, -0.72

 

CMYK 0 / 86 / 10 / 10

HEX #E621CF

RGB 230 33 207

HSL 307.01, 0.8%, 0.52%

LAB 54.47, 84.34, -43.4

 

CMYK 0 / 70 / 8 / 8

HEX #EA46D7

RGB 234 70 215

HSL 306.95, 0.8%, 0.6%

LAB 58.77, 76.96, -41.12

 

CMYK 0 / 55 / 6 / 7

HEX #EE6CDF

RGB 238 108 223

HSL 306.92, 0.79%, 0.68%

LAB 65.14, 64.21, -35.6

 

CMYK 0 / 40 / 5 / 5

HEX #F291E7

RGB 242 145 231

HSL 306.8, 0.79%, 0.76%

LAB 72.82, 48.82, -28.11

 

CMYK 0 / 26 / 3 / 4

HEX #F6B6EF

RGB 246 182 239

HSL 306.56, 0.78%, 0.84%

LAB 81.45, 32.18, -19.27

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 0 / 38 / 55 / 7

HEX #EE936C

RGB 238 147 108

HSL 18, 0.79%, 0.68%

LAB 69.56, 30.48, 35.01

 

CMYK 55 / 0 / 16 / 7

HEX #6CEEC7

RGB 108 238 199

HSL 162, 0.79%, 0.68%

LAB 86.24, -45.1, 8.07

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 5 / 0 / 55 / 7

HEX #E1EE6C

RGB 225 238 108

HSL 66, 0.79%, 0.68%

LAB 90.89, -21.73, 60.37

 

CMYK 55 / 5 / 0 / 7

HEX #6CE1EE

RGB 108 225 238

HSL 186, 0.79%, 0.68%

LAB 83.55, -29.44, -16.42

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 0 / 38 / 55 / 7

HEX #EE936C

RGB 238 147 108

HSL 18, 0.79%, 0.68%

LAB 69.56, 30.48, 35.01

 

CMYK 55 / 0 / 49 / 7

HEX #6CEE79

RGB 108 238 121

HSL 126, 0.79%, 0.68%

LAB 84.85, -59.36, 45.72

 

CMYK 55 / 16 / 0 / 7

HEX #6CC7EE

RGB 108 199 238

HSL 198, 0.79%, 0.68%

LAB 76.2, -16.44, -27.59

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 0 / 22 / 55 / 7

HEX #EEBA6C

RGB 238 186 108

HSL 36, 0.79%, 0.68%

LAB 78.68, 9.87, 46.32

 

CMYK 55 / 0 / 49 / 7

HEX #6CEE79

RGB 108 238 121

HSL 126, 0.79%, 0.68%

LAB 84.85, -59.36, 45.72

 

CMYK 55 / 33 / 0 / 7

HEX #6CA0EE

RGB 108 160 238

HSL 216, 0.79%, 0.68%

LAB 65.36, 4.9, -44.42

 

Description

Color code: HEX #EF6EE0 | qconv.com Color code: HEX #EF6EE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 110 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 110 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 6 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 6% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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