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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7148 it is the complementary color #108EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7148 shade: #F47143, #FF8356, #FF9569, #FFA77C and #FFB98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7148 shade: #EF7148, #DE5F35, #CD4D22, #BC3B0F and #AB2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7148 shade: #EF7148 and #EF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7148 shade: #EF7148, #EF9E48, #EFCB48, #E5EF48 and #B8EF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7148 shade matches the following richer shades: #EF7148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7148 shade: #EF7148, #DE7958, #CE8168, #BE8978 and #AE9188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7148 shade: #EF487A, #EF484D, #EF6E48, #EF9B48 and #EFC848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7148 shade: #D24112, #EB5322, #EF7148, #F28E6D and #F5AB93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7148 shade: #EF7148, #A6EF48 and #4863EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7148 shade: #EF7148, #48EF6E and #6E48EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7148 shade: #EF7148, #A6EF48, #48C8EF and #9048EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7148 shade: #EF7148, #74EF48, #48C8EF and #C248EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

Complementary color

CMYK 91 / 22 / 0 / 28

HEX #108EB7

RGB 16 142 183

HSL 194.73, 0.84%, 0.39%

LAB 54.94, -16.37, -30.16

 

CMYK 0 / 54 / 73 / 4

HEX #F47143

RGB 244 113 67

HSL 15.59, 0.89%, 0.61%

LAB 62.88, 47.43, 48.73

 

CMYK 0 / 49 / 66 / 0

HEX #FF8356

RGB 255 131 86

HSL 15.98, 1%, 0.67%

LAB 68.14, 43.72, 45.39

 

CMYK 0 / 42 / 59 / 0

HEX #FF9569

RGB 255 149 105

HSL 17.6, 1%, 0.71%

LAB 72.08, 35.84, 40.21

 

CMYK 0 / 35 / 51 / 0

HEX #FFA77C

RGB 255 167 124

HSL 19.69, 1%, 0.74%

LAB 76.29, 28.01, 35.52

 

CMYK 0 / 27 / 44 / 0

HEX #FFB98F

RGB 255 185 143

HSL 22.5, 1%, 0.78%

LAB 80.71, 20.37, 31.29

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 57 / 76 / 13

HEX #DE5F35

RGB 222 95 53

HSL 14.91, 0.72%, 0.54%

LAB 56.06, 47.3, 47.47

 

CMYK 0 / 62 / 83 / 20

HEX #CD4D22

RGB 205 77 34

HSL 15.09, 0.72%, 0.47%

LAB 49.98, 48.77, 49.67

 

CMYK 0 / 69 / 92 / 26

HEX #BC3B0F

RGB 188 59 15

HSL 15.26, 0.85%, 0.4%

LAB 44.02, 50.08, 51.2

 

CMYK 0 / 76 / 100 / 33

HEX #AB2900

RGB 171 41 0

HSL 14.39, 1%, 0.34%

LAB 38.28, 50.97, 51.01

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 70 / 70 / 6

HEX #EF4848

RGB 239 72 72

HSL 0, 0.84%, 0.61%

LAB 55.54, 63.47, 37.53

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 34 / 70 / 6

HEX #EF9E48

RGB 239 158 72

HSL 30.9, 0.84%, 0.61%

LAB 71.74, 22.71, 55.65

 

CMYK 0 / 15 / 70 / 6

HEX #EFCB48

RGB 239 203 72

HSL 47.07, 0.84%, 0.61%

LAB 82.66, -0.88, 66.94

 

CMYK 4 / 0 / 70 / 6

HEX #E5EF48

RGB 229 239 72

HSL 63.59, 0.84%, 0.61%

LAB 91.17, -22.9, 75.09

 

CMYK 23 / 0 / 70 / 6

HEX #B8EF48

RGB 184 239 72

HSL 79.76, 0.84%, 0.61%

LAB 88.16, -40.53, 71.1

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 45 / 60 / 13

HEX #DE7958

RGB 222 121 88

HSL 14.78, 0.67%, 0.61%

LAB 61.58, 36.29, 35.36

 

CMYK 0 / 37 / 50 / 19

HEX #CE8168

RGB 206 129 104

HSL 14.71, 0.51%, 0.61%

LAB 61.5, 27.05, 26

 

CMYK 0 / 28 / 37 / 25

HEX #BE8978

RGB 190 137 120

HSL 14.57, 0.35%, 0.61%

LAB 61.82, 18, 17.12

 

CMYK 0 / 17 / 22 / 32

HEX #AE9188

RGB 174 145 136

HSL 14.21, 0.19%, 0.61%

LAB 62.53, 9.43, 8.83

 

CMYK 0 / 70 / 49 / 6

HEX #EF487A

RGB 239 72 122

HSL 342.04, 0.84%, 0.61%

LAB 56.48, 66.7, 9.52

 

CMYK 0 / 70 / 68 / 6

HEX #EF484D

RGB 239 72 77

HSL 358.2, 0.84%, 0.61%

LAB 55.61, 63.71, 34.78

 

CMYK 0 / 54 / 70 / 6

HEX #EF6E48

RGB 239 110 72

HSL 13.65, 0.84%, 0.61%

LAB 61.63, 47.26, 44.57

 

CMYK 0 / 35 / 70 / 6

HEX #EF9B48

RGB 239 155 72

HSL 29.82, 0.84%, 0.61%

LAB 71.05, 24.3, 54.92

 

CMYK 0 / 16 / 70 / 6

HEX #EFC848

RGB 239 200 72

HSL 45.99, 0.84%, 0.61%

LAB 81.91, 0.67, 66.18

 

CMYK 0 / 69 / 91 / 18

HEX #D24112

RGB 210 65 18

HSL 14.69, 0.84%, 0.45%

LAB 48.92, 55.16, 55.47

 

CMYK 0 / 65 / 86 / 8

HEX #EB5322

RGB 235 83 34

HSL 14.63, 0.83%, 0.53%

LAB 56.05, 56.62, 56.89

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 0 / 41 / 55 / 5

HEX #F28E6D

RGB 242 142 109

HSL 14.89, 0.84%, 0.69%

LAB 68.99, 34.73, 33.85

 

CMYK 0 / 30 / 40 / 4

HEX #F5AB93

RGB 245 171 147

HSL 14.69, 0.83%, 0.77%

LAB 76.46, 24.29, 23.27

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 31 / 0 / 70 / 6

HEX #A6EF48

RGB 166 239 72

HSL 86.23, 0.84%, 0.61%

LAB 87.15, -47.09, 69.76

 

CMYK 70 / 59 / 0 / 6

HEX #4863EF

RGB 72 99 239

HSL 230.3, 0.84%, 0.61%

LAB 47.67, 35.86, -73.41

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 70 / 0 / 54 / 6

HEX #48EF6E

RGB 72 239 110

HSL 133.65, 0.84%, 0.61%

LAB 84.09, -68.47, 49.72

 

CMYK 54 / 70 / 0 / 6

HEX #6E48EF

RGB 110 72 239

HSL 253.65, 0.84%, 0.61%

LAB 44.49, 56.72, -78.49

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 31 / 0 / 70 / 6

HEX #A6EF48

RGB 166 239 72

HSL 86.23, 0.84%, 0.61%

LAB 87.15, -47.09, 69.76

 

CMYK 70 / 16 / 0 / 6

HEX #48C8EF

RGB 72 200 239

HSL 194.01, 0.84%, 0.61%

LAB 75.4, -22.72, -29.45

 

CMYK 40 / 70 / 0 / 6

HEX #9048EF

RGB 144 72 239

HSL 265.87, 0.84%, 0.61%

LAB 48, 62.27, -72.61

 

CMYK 0 / 53 / 70 / 6

HEX #EF7148

RGB 239 113 72

HSL 14.73, 0.84%, 0.61%

LAB 62.19, 45.82, 45.2

 

CMYK 51 / 0 / 70 / 6

HEX #74EF48

RGB 116 239 72

HSL 104.19, 0.84%, 0.61%

LAB 84.95, -62.84, 66.82

 

CMYK 70 / 16 / 0 / 6

HEX #48C8EF

RGB 72 200 239

HSL 194.01, 0.84%, 0.61%

LAB 75.4, -22.72, -29.45

 

CMYK 19 / 70 / 0 / 6

HEX #C248EF

RGB 194 72 239

HSL 283.83, 0.84%, 0.61%

LAB 54.38, 71.78, -61.98

 

Description

Color code: HEX #EF7148 | qconv.com Color code: HEX #EF7148 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 113 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 113 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 70% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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