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Color name
HEX #EF7CD7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7CD7 it is the complementary color #108328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7CD7 shade: #F47CD2, #FF8EE5, #FFA0F8, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7CD7 shade: #EF7CD7, #DE6AC4, #CD58B1, #BC469E and #AB348B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7CD7 shade: #EE7BD6, #EE7BB7, #EE7B98 and #EE7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7CD7 shade: #EE7BD6, #E77BEE, #C87BEE, #A97BEE and #8A7BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7CD7 shade matches the following richer shades: #EE7BD6 and #FA6FDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7CD7 shade: #EE7BD6, #E287CF, #D693C8, #CA9FC1 and #BEABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7CD7 shade: #C87BEE, #E77BEE, #EE7BD7, #EE7BB8 and #EE7B9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7CD7 shade: #E531C0, #EA56CB, #EE7BD6, #F3A0E1 and #F7C4ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7CD7 shade: #EF7CD7, #EEA97B and #7BEED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7CD7 shade: #EF7CD7, #D7EE7B and #7BD7EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7CD7 shade: #EF7CD7, #EEA97B, #7BEE92 and #7BC0EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7CD7 shade: #EF7CD7, #EECC7B, #7BEE92 and #7B9DEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

Complementary color

CMYK 88 / 0 / 69 / 49

HEX #108328

RGB 16 131 40

HSL 132.52, 0.78%, 0.29%

LAB 47.62, -48.77, 39.37

 

CMYK 0 / 49 / 14 / 4

HEX #F47CD2

RGB 244 124 210

HSL 317, 0.85%, 0.72%

LAB 68.24, 56.42, -23.51

 

CMYK 0 / 44 / 10 / 0

HEX #FF8EE5

RGB 255 142 229

HSL 313.81, 1%, 0.78%

LAB 73.72, 53.94, -25.51

 

CMYK 0 / 37 / 3 / 0

HEX #FFA0F8

RGB 255 160 248

HSL 304.42, 1%, 0.81%

LAB 77.98, 48.06, -29.3

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

CMYK 0 / 52 / 12 / 13

HEX #DE6AC4

RGB 222 106 196

HSL 313.45, 0.64%, 0.64%

LAB 61.5, 56.34, -26.23

 

CMYK 0 / 57 / 14 / 20

HEX #CD58B1

RGB 205 88 177

HSL 314.36, 0.54%, 0.57%

LAB 55.21, 56.83, -25.24

 

CMYK 0 / 63 / 16 / 26

HEX #BC469E

RGB 188 70 158

HSL 315.25, 0.47%, 0.51%

LAB 48.93, 57.11, -24

 

CMYK 0 / 70 / 19 / 33

HEX #AB348B

RGB 171 52 139

HSL 316.13, 0.53%, 0.44%

LAB 42.73, 56.99, -22.4

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD6

RGB 238 123 214

HSL 312.52, 0.77%, 0.71%

LAB 67.43, 55.75, -27.06

 

CMYK 0 / 48 / 23 / 7

HEX #EE7BB7

RGB 238 123 183

HSL 328.7, 0.77%, 0.71%

LAB 66.34, 51.1, -11.32

 

CMYK 0 / 48 / 36 / 7

HEX #EE7B98

RGB 238 123 152

HSL 344.87, 0.77%, 0.71%

LAB 65.44, 47.15, 4.93

 

CMYK 0 / 48 / 48 / 7

HEX #EE7B7B

RGB 238 123 123

HSL 0, 0.77%, 0.71%

LAB 64.78, 44.13, 20.45

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD6

RGB 238 123 214

HSL 312.52, 0.77%, 0.71%

LAB 67.43, 55.75, -27.06

 

CMYK 3 / 48 / 0 / 7

HEX #E77BEE

RGB 231 123 238

HSL 296.35, 0.77%, 0.71%

LAB 67.52, 57.83, -40.27

 

CMYK 16 / 48 / 0 / 7

HEX #C87BEE

RGB 200 123 238

HSL 280.17, 0.77%, 0.71%

LAB 63.85, 49.33, -46.3

 

CMYK 29 / 48 / 0 / 7

HEX #A97BEE

RGB 169 123 238

HSL 264, 0.77%, 0.71%

LAB 60.58, 41.06, -51.68

 

CMYK 42 / 48 / 0 / 7

HEX #8A7BEE

RGB 138 123 238

HSL 247.83, 0.77%, 0.71%

LAB 57.79, 33.34, -56.29

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD6

RGB 238 123 214

HSL 312.52, 0.77%, 0.71%

LAB 67.43, 55.75, -27.06

 

CMYK 0 / 56 / 12 / 2

HEX #FA6FDD

RGB 250 111 221

HSL 312.52, 0.93%, 0.71%

LAB 67.21, 65.82, -31.15

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD6

RGB 238 123 214

HSL 312.52, 0.77%, 0.71%

LAB 67.43, 55.75, -27.06

 

CMYK 0 / 40 / 8 / 11

HEX #E287CF

RGB 226 135 207

HSL 312.53, 0.61%, 0.71%

LAB 68.02, 44.91, -22.37

 

CMYK 0 / 31 / 7 / 16

HEX #D693C8

RGB 214 147 200

HSL 312.54, 0.45%, 0.71%

LAB 68.99, 33.45, -17.13

 

CMYK 0 / 21 / 4 / 21

HEX #CA9FC1

RGB 202 159 193

HSL 312.56, 0.29%, 0.71%

LAB 70.32, 21.58, -11.38

 

CMYK 0 / 10 / 2 / 25

HEX #BEABBA

RGB 190 171 186

HSL 312.63, 0.13%, 0.71%

LAB 71.97, 9.53, -5.17

 

CMYK 16 / 48 / 0 / 7

HEX #C87BEE

RGB 200 123 238

HSL 280.17, 0.77%, 0.71%

LAB 63.85, 49.33, -46.3

 

CMYK 3 / 48 / 0 / 7

HEX #E77BEE

RGB 231 123 238

HSL 296.35, 0.77%, 0.71%

LAB 67.52, 57.83, -40.27

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD7

RGB 238 123 215

HSL 312, 0.77%, 0.71%

LAB 67.46, 55.91, -27.55

 

CMYK 0 / 48 / 23 / 7

HEX #EE7BB8

RGB 238 123 184

HSL 328.17, 0.77%, 0.71%

LAB 66.37, 51.24, -11.84

 

CMYK 0 / 48 / 35 / 7

HEX #EE7B9A

RGB 238 123 154

HSL 343.83, 0.77%, 0.71%

LAB 65.5, 47.38, 3.86

 

CMYK 0 / 79 / 16 / 10

HEX #E531C0

RGB 229 49 192

HSL 312.33, 0.78%, 0.55%

LAB 54.72, 78.78, -34.38

 

CMYK 0 / 63 / 13 / 8

HEX #EA56CB

RGB 234 86 203

HSL 312.57, 0.78%, 0.63%

LAB 60.3, 69.39, -31.92

 

CMYK 0 / 48 / 10 / 7

HEX #EE7BD6

RGB 238 123 214

HSL 312.52, 0.77%, 0.71%

LAB 67.43, 55.75, -27.06

 

CMYK 0 / 34 / 7 / 5

HEX #F3A0E1

RGB 243 160 225

HSL 313.01, 0.78%, 0.79%

LAB 75.84, 40.36, -20.21

 

CMYK 0 / 21 / 4 / 3

HEX #F7C4ED

RGB 247 196 237

HSL 311.76, 0.76%, 0.87%

LAB 84.67, 24.76, -13.33

 

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

CMYK 0 / 29 / 48 / 7

HEX #EEA97B

RGB 238 169 123

HSL 24, 0.77%, 0.71%

LAB 74.81, 20.16, 33.77

 

CMYK 48 / 0 / 10 / 7

HEX #7BEED7

RGB 123 238 215

HSL 168, 0.77%, 0.71%

LAB 87.13, -38.19, 1.05

 

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

CMYK 10 / 0 / 48 / 7

HEX #D7EE7B

RGB 215 238 123

HSL 72, 0.77%, 0.71%

LAB 90.33, -24.3, 52.72

 

CMYK 48 / 10 / 0 / 7

HEX #7BD7EE

RGB 123 215 238

HSL 192, 0.77%, 0.71%

LAB 81.28, -21.43, -19.79

 

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

CMYK 0 / 29 / 48 / 7

HEX #EEA97B

RGB 238 169 123

HSL 24, 0.77%, 0.71%

LAB 74.81, 20.16, 33.77

 

CMYK 48 / 0 / 39 / 7

HEX #7BEE92

RGB 123 238 146

HSL 132, 0.77%, 0.71%

LAB 85.72, -51.87, 34.7

 

CMYK 48 / 19 / 0 / 7

HEX #7BC0EE

RGB 123 192 238

HSL 204, 0.77%, 0.71%

LAB 74.88, -9.52, -29.56

 

CMYK 0 / 48 / 10 / 6

HEX #EF7CD7

RGB 239 124 215

HSL 312.52, 0.78%, 0.71%

LAB 67.78, 55.72, -27.06

 

CMYK 0 / 14 / 48 / 7

HEX #EECC7B

RGB 238 204 123

HSL 42.26, 0.77%, 0.71%

LAB 83.33, 1.77, 44.58

 

CMYK 48 / 0 / 39 / 7

HEX #7BEE92

RGB 123 238 146

HSL 132, 0.77%, 0.71%

LAB 85.72, -51.87, 34.7

 

CMYK 48 / 34 / 0 / 7

HEX #7B9DEE

RGB 123 157 238

HSL 222.26, 0.77%, 0.71%

LAB 65.36, 9.94, -44.37

 

Description

Color code: HEX #EF7CD7 | qconv.com Color code: HEX #EF7CD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 124 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 124 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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