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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7EFB it is the complementary color #108104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7EFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7EFB shade: #F47EF6, #FF90FF, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7EFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7EFB shade: #EF7EFB, #DE6CE8, #CD5AD5, #BC48C2 and #AB36AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7EFB shade: #EF7EFB, #FB7EE5, #FB7EC3, #FB7EA2 and #FB7E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7EFB shade: #EF7EFB, #CD7EFB, #AB7EFB, #8A7EFB and #7E7EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7EFB shade matches the following richer shades: #EF7EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7EFB shade: #EF7EFB, #E689F0, #DD93E5, #D59EDA and #CCA9D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7EFB shade: #AC7EFB, #CD7EFB, #EE7EFB, #FB7EE6 and #FB7EC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7EFB shade: #E52EF8, #EA56F9, #EF7EFB, #F4A6FC and #F8CEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7EFB shade: #EF7EFB, #FB8A7E and #7EFBBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7EFB shade: #EF7EFB, #FBEE7E and #7EFBEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7EFB shade: #EF7EFB, #FB8A7E, #8AFB7E and #7EEEFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7EFB shade: #EF7EFB, #FBB07E, #8AFB7E and #7EC9FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

Complementary color

CMYK 88 / 0 / 97 / 49

HEX #108104

RGB 16 129 4

HSL 114.24, 0.94%, 0.26%

LAB 46.74, -50.51, 49.54

 

CMYK 1 / 49 / 0 / 4

HEX #F47EF6

RGB 244 126 246

HSL 299, 0.87%, 0.73%

LAB 70.04, 61.37, -40.61

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 4 / 53 / 0 / 9

HEX #DE6CE8

RGB 222 108 232

HSL 295.16, 0.73%, 0.67%

LAB 63.41, 61.48, -43.48

 

CMYK 4 / 58 / 0 / 16

HEX #CD5AD5

RGB 205 90 213

HSL 296.1, 0.59%, 0.59%

LAB 57.17, 61.93, -42.8

 

CMYK 3 / 63 / 0 / 24

HEX #BC48C2

RGB 188 72 194

HSL 297.05, 0.5%, 0.52%

LAB 50.94, 62.13, -41.92

 

CMYK 2 / 69 / 0 / 31

HEX #AB36AF

RGB 171 54 175

HSL 298.02, 0.53%, 0.45%

LAB 44.79, 61.93, -40.75

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 0 / 50 / 9 / 2

HEX #FB7EE5

RGB 251 126 229

HSL 310.56, 0.94%, 0.74%

LAB 70.24, 60.49, -30.9

 

CMYK 0 / 50 / 22 / 2

HEX #FB7EC3

RGB 251 126 195

HSL 326.88, 0.94%, 0.74%

LAB 69.02, 55.42, -13.87

 

CMYK 0 / 50 / 35 / 2

HEX #FB7EA2

RGB 251 126 162

HSL 342.72, 0.94%, 0.74%

LAB 68.05, 51.23, 3.25

 

CMYK 0 / 50 / 49 / 2

HEX #FB7E80

RGB 251 126 128

HSL 359.04, 0.94%, 0.74%

LAB 67.27, 47.76, 21.32

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 18 / 50 / 0 / 2

HEX #CD7EFB

RGB 205 126 251

HSL 277.92, 0.94%, 0.74%

LAB 65.64, 51.85, -50.58

 

CMYK 32 / 50 / 0 / 2

HEX #AB7EFB

RGB 171 126 251

HSL 261.6, 0.94%, 0.74%

LAB 62.12, 43.1, -56.4

 

CMYK 45 / 50 / 0 / 2

HEX #8A7EFB

RGB 138 126 251

HSL 245.76, 0.94%, 0.74%

LAB 59.24, 35.27, -61.16

 

CMYK 50 / 50 / 0 / 2

HEX #7E7EFB

RGB 126 126 251

HSL 240, 0.94%, 0.74%

LAB 58.34, 32.67, -62.65

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 4 / 43 / 0 / 6

HEX #E689F0

RGB 230 137 240

HSL 294.17, 0.77%, 0.74%

LAB 70.18, 50.94, -37.24

 

CMYK 3 / 36 / 0 / 10

HEX #DD93E5

RGB 221 147 229

HSL 294.15, 0.61%, 0.74%

LAB 70.8, 40.99, -30.32

 

CMYK 2 / 28 / 0 / 15

HEX #D59EDA

RGB 213 158 218

HSL 295, 0.45%, 0.74%

LAB 72, 30.46, -22.51

 

CMYK 2 / 19 / 0 / 18

HEX #CCA9D0

RGB 204 169 208

HSL 293.85, 0.29%, 0.74%

LAB 73.39, 19.58, -15

 

CMYK 31 / 50 / 0 / 2

HEX #AC7EFB

RGB 172 126 251

HSL 262.08, 0.94%, 0.74%

LAB 62.22, 43.35, -56.24

 

CMYK 18 / 50 / 0 / 2

HEX #CD7EFB

RGB 205 126 251

HSL 277.92, 0.94%, 0.74%

LAB 65.64, 51.85, -50.58

 

CMYK 5 / 50 / 0 / 2

HEX #EE7EFB

RGB 238 126 251

HSL 293.76, 0.94%, 0.74%

LAB 69.52, 60.64, -44.23

 

CMYK 0 / 50 / 8 / 2

HEX #FB7EE6

RGB 251 126 230

HSL 310.08, 0.94%, 0.74%

LAB 70.28, 60.64, -31.39

 

CMYK 0 / 50 / 22 / 2

HEX #FB7EC5

RGB 251 126 197

HSL 325.92, 0.94%, 0.74%

LAB 69.08, 55.7, -14.89

 

CMYK 8 / 81 / 0 / 3

HEX #E52EF8

RGB 229 46 248

HSL 294.36, 0.94%, 0.58%

LAB 57.45, 87.65, -61.79

 

CMYK 6 / 65 / 0 / 2

HEX #EA56F9

RGB 234 86 249

HSL 294.48, 0.93%, 0.66%

LAB 62.5, 76.68, -54.24

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 3 / 34 / 0 / 1

HEX #F4A6FC

RGB 244 166 252

HSL 294.42, 0.93%, 0.82%

LAB 78.19, 42.33, -31.24

 

CMYK 2 / 19 / 0 / 1

HEX #F8CEFD

RGB 248 206 253

HSL 293.62, 0.92%, 0.9%

LAB 87.58, 22.69, -17.45

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 0 / 45 / 50 / 2

HEX #FB8A7E

RGB 251 138 126

HSL 5.76, 0.94%, 0.74%

LAB 69.61, 41.61, 25.58

 

CMYK 50 / 0 / 25 / 2

HEX #7EFBBC

RGB 126 251 188

HSL 149.76, 0.94%, 0.74%

LAB 90.35, -49, 19.67

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 0 / 5 / 50 / 2

HEX #FBEE7E

RGB 251 238 126

HSL 53.76, 0.94%, 0.74%

LAB 93.09, -9.97, 55.27

 

CMYK 50 / 0 / 5 / 2

HEX #7EFBEE

RGB 126 251 238

HSL 173.76, 0.94%, 0.74%

LAB 91.51, -37.99, -4.52

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 0 / 45 / 50 / 2

HEX #FB8A7E

RGB 251 138 126

HSL 5.76, 0.94%, 0.74%

LAB 69.61, 41.61, 25.58

 

CMYK 45 / 0 / 50 / 2

HEX #8AFB7E

RGB 138 251 126

HSL 114.24, 0.94%, 0.74%

LAB 89.81, -55.88, 49.72

 

CMYK 50 / 5 / 0 / 2

HEX #7EEEFB

RGB 126 238 251

HSL 186.24, 0.94%, 0.74%

LAB 88.23, -28.64, -16.17

 

CMYK 5 / 50 / 0 / 2

HEX #EF7EFB

RGB 239 126 251

HSL 294.24, 0.94%, 0.74%

LAB 69.64, 60.9, -44.02

 

CMYK 0 / 30 / 50 / 2

HEX #FBB07E

RGB 251 176 126

HSL 24, 0.94%, 0.74%

LAB 77.91, 21.9, 36.48

 

CMYK 45 / 0 / 50 / 2

HEX #8AFB7E

RGB 138 251 126

HSL 114.24, 0.94%, 0.74%

LAB 89.81, -55.88, 49.72

 

CMYK 50 / 20 / 0 / 2

HEX #7EC9FB

RGB 126 201 251

HSL 204, 0.94%, 0.74%

LAB 77.98, -9.96, -31.76

 

Description

Color code: HEX #EF7EFB | qconv.com Color code: HEX #EF7EFB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 126 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 126 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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