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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7FB5 it is the complementary color #10804A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7FB5 shade: #F47FB0, #FF91C3, #FFA3D6, #FFB5E9 and #FFC7FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7FB5 shade: #EF7FB5, #DE6DA2, #CD5B8F, #BC497C and #AB3769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7FB5 shade: #EF7FB5, #EF7F97 and #EF7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7FB5 shade: #EF7FB5, #EF7FD3, #EC7FEF, #CE7FEF and #B07FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7FB5 shade matches the following richer shades: #EF7FB5 and #FA74B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7FB5 shade: #EF7FB5, #E38BB6, #D897B6, #CCA2B6 and #C1AEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7FB5 shade: #ED7FEF, #EF7FD3, #EF7FB5, #EF7F98 and #EF857F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7FB5 shade: #E6368B, #EA5BA0, #EF7FB5, #F3A4CA and #F8C9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7FB5 shade: #EF7FB5, #EFCF7F and #7FE2EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7FB5 shade: #EF7FB5, #B5EF7F and #7FB5EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7FB5 shade: #EF7FB5, #EFCF7F, #7FEFB9 and #7F9FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7FB5 shade: #EF7FB5, #EDEF7F, #7FEFB9 and #817FEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

Complementary color

CMYK 88 / 0 / 42 / 50

HEX #10804A

RGB 16 128 74

HSL 151.07, 0.78%, 0.28%

LAB 47.03, -42.37, 21.26

 

CMYK 0 / 48 / 28 / 4

HEX #F47FB0

RGB 244 127 176

HSL 334.87, 0.84%, 0.73%

LAB 67.68, 50.14, -5.29

 

CMYK 0 / 43 / 24 / 0

HEX #FF91C3

RGB 255 145 195

HSL 332.73, 1%, 0.78%

LAB 73.19, 47.37, -7.58

 

CMYK 0 / 36 / 16 / 0

HEX #FFA3D6

RGB 255 163 214

HSL 326.74, 1%, 0.82%

LAB 77.47, 40.95, -11.64

 

CMYK 0 / 29 / 9 / 0

HEX #FFB5E9

RGB 255 181 233

HSL 317.84, 1%, 0.85%

LAB 81.94, 34.62, -15.21

 

CMYK 0 / 22 / 1 / 0

HEX #FFC7FC

RGB 255 199 252

HSL 303.21, 1%, 0.89%

LAB 86.57, 28.46, -18.38

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 51 / 27 / 13

HEX #DE6DA2

RGB 222 109 162

HSL 331.86, 0.63%, 0.65%

LAB 60.85, 49.94, -7.79

 

CMYK 0 / 56 / 30 / 20

HEX #CD5B8F

RGB 205 91 143

HSL 332.63, 0.53%, 0.58%

LAB 54.5, 50.64, -6.44

 

CMYK 0 / 61 / 34 / 26

HEX #BC497C

RGB 188 73 124

HSL 333.39, 0.46%, 0.51%

LAB 48.15, 51.2, -4.81

 

CMYK 0 / 68 / 39 / 33

HEX #AB3769

RGB 171 55 105

HSL 334.14, 0.51%, 0.44%

LAB 41.86, 51.48, -2.77

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 47 / 37 / 6

HEX #EF7F97

RGB 239 127 151

HSL 347.14, 0.78%, 0.72%

LAB 66.34, 45.39, 6.8

 

CMYK 0 / 47 / 47 / 6

HEX #EF7F7F

RGB 239 127 127

HSL 0, 0.78%, 0.72%

LAB 65.8, 42.86, 19.6

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 47 / 12 / 6

HEX #EF7FD3

RGB 239 127 211

HSL 315, 0.78%, 0.72%

LAB 68.19, 53.62, -24.2

 

CMYK 1 / 47 / 0 / 6

HEX #EC7FEF

RGB 236 127 239

HSL 298.39, 0.78%, 0.72%

LAB 68.93, 57.45, -38.58

 

CMYK 14 / 47 / 0 / 6

HEX #CE7FEF

RGB 206 127 239

HSL 282.32, 0.78%, 0.72%

LAB 65.38, 49.1, -44.39

 

CMYK 26 / 47 / 0 / 6

HEX #B07FEF

RGB 176 127 239

HSL 266.25, 0.78%, 0.72%

LAB 62.2, 40.93, -49.62

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 54 / 28 / 2

HEX #FA74B5

RGB 250 116 181

HSL 330.9, 0.93%, 0.72%

LAB 66.64, 57.96, -9.58

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 39 / 20 / 11

HEX #E38BB6

RGB 227 139 182

HSL 330.68, 0.61%, 0.72%

LAB 68.15, 39.18, -8.21

 

CMYK 0 / 30 / 16 / 15

HEX #D897B6

RGB 216 151 182

HSL 331.38, 0.45%, 0.72%

LAB 69.55, 28.96, -6.26

 

CMYK 0 / 21 / 11 / 20

HEX #CCA2B6

RGB 204 162 182

HSL 331.43, 0.29%, 0.72%

LAB 70.91, 18.71, -4.39

 

CMYK 0 / 10 / 5 / 24

HEX #C1AEB7

RGB 193 174 183

HSL 331.58, 0.13%, 0.72%

LAB 72.91, 8.4, -2.11

 

CMYK 1 / 47 / 0 / 6

HEX #ED7FEF

RGB 237 127 239

HSL 298.93, 0.78%, 0.72%

LAB 69.05, 57.73, -38.38

 

CMYK 0 / 47 / 12 / 6

HEX #EF7FD3

RGB 239 127 211

HSL 315, 0.78%, 0.72%

LAB 68.19, 53.62, -24.2

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 47 / 36 / 6

HEX #EF7F98

RGB 239 127 152

HSL 346.61, 0.78%, 0.72%

LAB 66.36, 45.5, 6.27

 

CMYK 0 / 44 / 47 / 6

HEX #EF857F

RGB 239 133 127

HSL 3.21, 0.78%, 0.72%

LAB 67.02, 39.82, 21.27

 

CMYK 0 / 77 / 40 / 10

HEX #E6368B

RGB 230 54 139

HSL 331.02, 0.78%, 0.56%

LAB 53.3, 71.59, -5.39

 

CMYK 0 / 61 / 32 / 8

HEX #EA5BA0

RGB 234 91 160

HSL 331.05, 0.77%, 0.64%

LAB 59.45, 61.64, -8.53

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 33 / 17 / 5

HEX #F3A4CA

RGB 243 164 202

HSL 331.14, 0.77%, 0.8%

LAB 75.99, 34.54, -7.43

 

CMYK 0 / 19 / 10 / 3

HEX #F8C9E0

RGB 248 201 224

HSL 330.64, 0.77%, 0.88%

LAB 85.56, 20.24, -5.08

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 13 / 47 / 6

HEX #EFCF7F

RGB 239 207 127

HSL 42.86, 0.78%, 0.72%

LAB 84.23, 1, 43.72

 

CMYK 47 / 5 / 0 / 6

HEX #7FE2EF

RGB 127 226 239

HSL 186.96, 0.78%, 0.72%

LAB 84.55, -25.72, -15.38

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 24 / 0 / 47 / 6

HEX #B5EF7F

RGB 181 239 127

HSL 91.07, 0.78%, 0.72%

LAB 88.49, -36.9, 48.09

 

CMYK 47 / 24 / 0 / 6

HEX #7FB5EF

RGB 127 181 239

HSL 211.07, 0.78%, 0.72%

LAB 72.09, -2.35, -34.39

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 0 / 13 / 47 / 6

HEX #EFCF7F

RGB 239 207 127

HSL 42.86, 0.78%, 0.72%

LAB 84.23, 1, 43.72

 

CMYK 47 / 0 / 23 / 6

HEX #7FEFB9

RGB 127 239 185

HSL 151.07, 0.78%, 0.72%

LAB 86.87, -44.21, 16.36

 

CMYK 47 / 33 / 0 / 6

HEX #7F9FEF

RGB 127 159 239

HSL 222.86, 0.78%, 0.72%

LAB 66.17, 10.03, -43.63

 

CMYK 0 / 47 / 24 / 6

HEX #EF7FB5

RGB 239 127 181

HSL 331.07, 0.78%, 0.72%

LAB 67.18, 49.18, -8.93

 

CMYK 1 / 0 / 47 / 6

HEX #EDEF7F

RGB 237 239 127

HSL 61.07, 0.78%, 0.72%

LAB 92.25, -15.88, 53.54

 

CMYK 47 / 0 / 23 / 6

HEX #7FEFB9

RGB 127 239 185

HSL 151.07, 0.78%, 0.72%

LAB 86.87, -44.21, 16.36

 

CMYK 46 / 47 / 0 / 6

HEX #817FEF

RGB 129 127 239

HSL 241.07, 0.78%, 0.72%

LAB 58.11, 29.2, -56.37

 

Description

Color code: HEX #EF7FB5 | qconv.com Color code: HEX #EF7FB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 127 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 127 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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