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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF8912 it is the complementary color #1076ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF8912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF8912 shade: #F4890D, #FF9B20, #FFAD33, #FFBF46 and #FFD159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF8912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF8912 shade: #EF8912, #DE7700, #CD6500, #BC5300 and #AB4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF8912 shade: #EE8810, #EE4C10 and #EE1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF8912 shade: #EE8810, #EEC310, #DDEE10, #A1EE10 and #65EE10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF8912 shade matches the following richer shades: #EE8810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF8912 shade: #EE8810, #D98625, #C58439, #B0834E and #9B8163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF8912 shade: #EE1010, #EE4B10, #EE8610, #EEC210 and #DFEE10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF8912 shade: #A15C0B, #C7720D, #EE8810, #F19B37 and #F3AE5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF8912 shade: #EF8912, #4BEE10 and #2E10EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF8912 shade: #EF8912, #10EE86 and #8610EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF8912 shade: #EF8912, #4BEE10, #1078EE and #B310EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF8912 shade: #EF8912, #10EE17, #1078EE and #EE10E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

Complementary color

CMYK 93 / 50 / 0 / 7

HEX #1076ED

RGB 16 118 237

HSL 212.31, 0.87%, 0.5%

LAB 50.9, 18.54, -67.11

 

CMYK 0 / 44 / 95 / 4

HEX #F4890D

RGB 244 137 13

HSL 32.21, 0.91%, 0.5%

LAB 67.39, 34.04, 71.64

 

CMYK 0 / 39 / 87 / 0

HEX #FF9B20

RGB 255 155 32

HSL 33.09, 1%, 0.56%

LAB 72.76, 29.51, 72.13

 

CMYK 0 / 32 / 80 / 0

HEX #FFAD33

RGB 255 173 51

HSL 35.88, 1%, 0.6%

LAB 76.91, 20.62, 69.78

 

CMYK 0 / 25 / 73 / 0

HEX #FFBF46

RGB 255 191 70

HSL 39.24, 1%, 0.64%

LAB 81.27, 11.96, 66.86

 

CMYK 0 / 18 / 65 / 0

HEX #FFD159

RGB 255 209 89

HSL 43.37, 1%, 0.67%

LAB 85.8, 3.63, 63.7

 

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

CMYK 0 / 46 / 100 / 13

HEX #DE7700

RGB 222 119 0

HSL 32.16, 1%, 0.44%

LAB 60.54, 34.26, 67.72

 

CMYK 0 / 51 / 100 / 20

HEX #CD6500

RGB 205 101 0

HSL 29.56, 1%, 0.4%

LAB 54.33, 36.65, 62.72

 

CMYK 0 / 56 / 100 / 26

HEX #BC5300

RGB 188 83 0

HSL 26.49, 1%, 0.37%

LAB 48.11, 38.97, 57.74

 

CMYK 0 / 62 / 100 / 33

HEX #AB4100

RGB 171 65 0

HSL 22.81, 1%, 0.34%

LAB 41.9, 41.14, 52.8

 

CMYK 0 / 43 / 93 / 7

HEX #EE8810

RGB 238 136 16

HSL 32.43, 0.87%, 0.5%

LAB 66.38, 32.15, 70.05

 

CMYK 0 / 68 / 93 / 7

HEX #EE4C10

RGB 238 76 16

HSL 16.22, 0.87%, 0.5%

LAB 55.47, 60.1, 62.78

 

CMYK 0 / 93 / 93 / 7

HEX #EE1010

RGB 238 16 16

HSL 0, 0.87%, 0.5%

LAB 50.2, 74.87, 59.63

 

CMYK 0 / 43 / 93 / 7

HEX #EE8810

RGB 238 136 16

HSL 32.43, 0.87%, 0.5%

LAB 66.38, 32.15, 70.05

 

CMYK 0 / 18 / 93 / 7

HEX #EEC310

RGB 238 195 16

HSL 48.38, 0.87%, 0.5%

LAB 80.32, 1.16, 80.09

 

CMYK 7 / 0 / 93 / 7

HEX #DDEE10

RGB 221 238 16

HSL 64.59, 0.87%, 0.5%

LAB 90.12, -27.33, 86.86

 

CMYK 32 / 0 / 93 / 7

HEX #A1EE10

RGB 161 238 16

HSL 80.81, 0.87%, 0.5%

LAB 86.39, -50.57, 82.34

 

CMYK 58 / 0 / 93 / 7

HEX #65EE10

RGB 101 238 16

HSL 97.03, 0.87%, 0.5%

LAB 83.94, -68.9, 79.35

 

CMYK 0 / 43 / 93 / 7

HEX #EE8810

RGB 238 136 16

HSL 32.43, 0.87%, 0.5%

LAB 66.38, 32.15, 70.05

 

CMYK 0 / 43 / 93 / 7

HEX #EE8810

RGB 238 136 16

HSL 32.43, 0.87%, 0.5%

LAB 66.38, 32.15, 70.05

 

CMYK 0 / 38 / 83 / 15

HEX #D98625

RGB 217 134 37

HSL 32.33, 0.71%, 0.5%

LAB 63.29, 24.87, 60.86

 

CMYK 0 / 33 / 71 / 23

HEX #C58439

RGB 197 132 57

HSL 32.14, 0.55%, 0.5%

LAB 60.49, 18.2, 49.11

 

CMYK 0 / 26 / 56 / 31

HEX #B0834E

RGB 176 131 78

HSL 32.45, 0.39%, 0.5%

LAB 58.05, 11.11, 35.13

 

CMYK 0 / 17 / 36 / 39

HEX #9B8163

RGB 155 129 99

HSL 32.14, 0.22%, 0.5%

LAB 55.65, 5.5, 20

 

CMYK 0 / 93 / 93 / 7

HEX #EE1010

RGB 238 16 16

HSL 0, 0.87%, 0.5%

LAB 50.2, 74.87, 59.63

 

CMYK 0 / 68 / 93 / 7

HEX #EE4B10

RGB 238 75 16

HSL 15.95, 0.87%, 0.5%

LAB 55.33, 60.48, 62.69

 

CMYK 0 / 44 / 93 / 7

HEX #EE8610

RGB 238 134 16

HSL 31.89, 0.87%, 0.5%

LAB 65.95, 33.18, 69.76

 

CMYK 0 / 18 / 93 / 7

HEX #EEC210

RGB 238 194 16

HSL 48.11, 0.87%, 0.5%

LAB 80.07, 1.68, 79.91

 

CMYK 6 / 0 / 93 / 7

HEX #DFEE10

RGB 223 238 16

HSL 64.05, 0.87%, 0.5%

LAB 90.26, -26.51, 87.04

 

CMYK 0 / 43 / 93 / 37

HEX #A15C0B

RGB 161 92 11

HSL 32.4, 0.87%, 0.34%

LAB 45.98, 23.05, 51.73

 

CMYK 0 / 43 / 93 / 22

HEX #C7720D

RGB 199 114 13

HSL 32.58, 0.88%, 0.42%

LAB 56.29, 27.47, 61.11

 

CMYK 0 / 43 / 93 / 7

HEX #EE8810

RGB 238 136 16

HSL 32.43, 0.87%, 0.5%

LAB 66.38, 32.15, 70.05

 

CMYK 0 / 36 / 77 / 5

HEX #F19B37

RGB 241 155 55

HSL 32.26, 0.87%, 0.58%

LAB 71.16, 24.38, 62.4

 

CMYK 0 / 28 / 62 / 5

HEX #F3AE5D

RGB 243 174 93

HSL 32.4, 0.86%, 0.66%

LAB 76.14, 17.14, 50.79

 

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

CMYK 68 / 0 / 93 / 7

HEX #4BEE10

RGB 75 238 16

HSL 104.05, 0.87%, 0.5%

LAB 83.27, -74.48, 78.53

 

CMYK 81 / 93 / 0 / 7

HEX #2E10EE

RGB 46 16 238

HSL 248.11, 0.87%, 0.5%

LAB 32.09, 73.02, -98.59

 

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

CMYK 93 / 0 / 44 / 7

HEX #10EE86

RGB 16 238 134

HSL 151.89, 0.87%, 0.5%

LAB 83.43, -69.89, 37.28

 

CMYK 44 / 93 / 0 / 7

HEX #8610EE

RGB 134 16 238

HSL 271.89, 0.87%, 0.5%

LAB 40.59, 78.33, -84.23

 

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

CMYK 68 / 0 / 93 / 7

HEX #4BEE10

RGB 75 238 16

HSL 104.05, 0.87%, 0.5%

LAB 83.27, -74.48, 78.53

 

CMYK 93 / 50 / 0 / 7

HEX #1078EE

RGB 16 120 238

HSL 211.89, 0.87%, 0.5%

LAB 51.51, 17.66, -66.67

 

CMYK 25 / 93 / 0 / 7

HEX #B310EE

RGB 179 16 238

HSL 284.05, 0.87%, 0.5%

LAB 47.14, 83.5, -73.25

 

CMYK 0 / 43 / 92 / 6

HEX #EF8912

RGB 239 137 18

HSL 32.31, 0.87%, 0.5%

LAB 66.74, 32.06, 69.98

 

CMYK 93 / 0 / 90 / 7

HEX #10EE17

RGB 16 238 23

HSL 121.89, 0.87%, 0.5%

LAB 82.55, -80.83, 76.72

 

CMYK 93 / 50 / 0 / 7

HEX #1078EE

RGB 16 120 238

HSL 211.89, 0.87%, 0.5%

LAB 51.51, 17.66, -66.67

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

Description

Color code: HEX #EF8912 | qconv.com Color code: HEX #EF8912 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 137 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 137 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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