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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF82CD it is the complementary color #107D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF82CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF82CD shade: #F482C8, #FF94DB, #FFA6EE, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF82CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF82CD shade: #EF82CD, #DE70BA, #CD5EA7, #BC4C94 and #AB3A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF82CD shade: #EE80CC, #EE80AE, #EE8090 and #EE8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF82CD shade: #EE80CC, #EE80E9, #D580EE, #B780EE and #9A80EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF82CD shade matches the following richer shades: #EE80CC and #FA75D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF82CD shade: #EE80CC, #E38CC7, #D797C3, #CBA3BF and #C0AEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF82CD shade: #D480EE, #EE80EA, #EE80CD, #EE80B0 and #EE8092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF82CD shade: #E537AE, #E95CBD, #EE80CC, #F3A5DA and #F8C9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF82CD shade: #EF82CD, #EEB780 and #80EEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF82CD shade: #EF82CD, #CDEE80 and #80CDEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF82CD shade: #EF82CD, #EEB780, #80EEA1 and #80B7EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF82CD shade: #EF82CD, #EED880, #80EEA1 and #8096EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

Complementary color

CMYK 87 / 0 / 60 / 51

HEX #107D32

RGB 16 125 50

HSL 138.72, 0.77%, 0.28%

LAB 45.64, -45.47, 32.41

 

CMYK 0 / 47 / 18 / 4

HEX #F482C8

RGB 244 130 200

HSL 323.16, 0.84%, 0.73%

LAB 69.02, 52, -16.75

 

CMYK 0 / 42 / 14 / 0

HEX #FF94DB

RGB 255 148 219

HSL 320.19, 1%, 0.79%

LAB 74.54, 49.38, -18.77

 

CMYK 0 / 35 / 7 / 0

HEX #FFA6EE

RGB 255 166 238

HSL 311.46, 1%, 0.83%

LAB 78.87, 43.27, -22.54

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

CMYK 0 / 50 / 16 / 13

HEX #DE70BA

RGB 222 112 186

HSL 319.64, 0.63%, 0.65%

LAB 62.22, 51.9, -19.45

 

CMYK 0 / 54 / 19 / 20

HEX #CD5EA7

RGB 205 94 167

HSL 320.54, 0.53%, 0.59%

LAB 55.86, 52.53, -18.43

 

CMYK 0 / 60 / 21 / 26

HEX #BC4C94

RGB 188 76 148

HSL 321.43, 0.46%, 0.52%

LAB 49.49, 53.02, -17.19

 

CMYK 0 / 66 / 25 / 33

HEX #AB3A81

RGB 171 58 129

HSL 322.3, 0.49%, 0.45%

LAB 43.17, 53.22, -15.63

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CC

RGB 238 128 204

HSL 318.55, 0.76%, 0.72%

LAB 68, 51.73, -20.6

 

CMYK 0 / 46 / 27 / 7

HEX #EE80AE

RGB 238 128 174

HSL 334.91, 0.76%, 0.72%

LAB 67.03, 47.4, -5.22

 

CMYK 0 / 46 / 39 / 7

HEX #EE8090

RGB 238 128 144

HSL 351.27, 0.76%, 0.72%

LAB 66.24, 43.74, 10.59

 

CMYK 0 / 46 / 46 / 7

HEX #EE8080

RGB 238 128 128

HSL 0, 0.76%, 0.72%

LAB 65.88, 42.09, 19.14

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CC

RGB 238 128 204

HSL 318.55, 0.76%, 0.72%

LAB 68, 51.73, -20.6

 

CMYK 0 / 46 / 2 / 7

HEX #EE80E9

RGB 238 128 233

HSL 302.73, 0.76%, 0.72%

LAB 69.11, 56.48, -34.98

 

CMYK 11 / 46 / 0 / 7

HEX #D580EE

RGB 213 128 238

HSL 286.36, 0.76%, 0.72%

LAB 66.33, 50.33, -42.29

 

CMYK 23 / 46 / 0 / 7

HEX #B780EE

RGB 183 128 238

HSL 270, 0.76%, 0.72%

LAB 63.08, 42.04, -47.64

 

CMYK 35 / 46 / 0 / 7

HEX #9A80EE

RGB 154 128 238

HSL 254.18, 0.76%, 0.72%

LAB 60.32, 34.39, -52.18

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CC

RGB 238 128 204

HSL 318.55, 0.76%, 0.72%

LAB 68, 51.73, -20.6

 

CMYK 0 / 53 / 17 / 2

HEX #FA75D0

RGB 250 117 208

HSL 318.95, 0.93%, 0.72%

LAB 67.73, 61.18, -23.11

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CC

RGB 238 128 204

HSL 318.55, 0.76%, 0.72%

LAB 68, 51.73, -20.6

 

CMYK 0 / 38 / 12 / 11

HEX #E38CC7

RGB 227 140 199

HSL 319.31, 0.61%, 0.72%

LAB 68.9, 41.31, -16.57

 

CMYK 0 / 30 / 9 / 16

HEX #D797C3

RGB 215 151 195

HSL 318.75, 0.44%, 0.72%

LAB 69.84, 30.76, -13.07

 

CMYK 0 / 20 / 6 / 20

HEX #CBA3BF

RGB 203 163 191

HSL 318, 0.28%, 0.72%

LAB 71.32, 19.38, -8.77

 

CMYK 0 / 9 / 3 / 25

HEX #C0AEBA

RGB 192 174 186

HSL 320, 0.13%, 0.72%

LAB 72.91, 8.59, -3.77

 

CMYK 11 / 46 / 0 / 7

HEX #D480EE

RGB 212 128 238

HSL 285.82, 0.76%, 0.72%

LAB 66.22, 50.05, -42.48

 

CMYK 0 / 46 / 2 / 7

HEX #EE80EA

RGB 238 128 234

HSL 302.18, 0.76%, 0.72%

LAB 69.15, 56.65, -35.46

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CD

RGB 238 128 205

HSL 318, 0.76%, 0.72%

LAB 68.04, 51.88, -21.1

 

CMYK 0 / 46 / 26 / 7

HEX #EE80B0

RGB 238 128 176

HSL 333.82, 0.76%, 0.72%

LAB 67.09, 47.67, -6.26

 

CMYK 0 / 46 / 39 / 7

HEX #EE8092

RGB 238 128 146

HSL 350.18, 0.76%, 0.72%

LAB 66.28, 43.97, 9.53

 

CMYK 0 / 76 / 24 / 10

HEX #E537AE

RGB 229 55 174

HSL 318.97, 0.77%, 0.56%

LAB 54.5, 74.9, -24.27

 

CMYK 0 / 61 / 19 / 9

HEX #E95CBD

RGB 233 92 189

HSL 318.72, 0.76%, 0.64%

LAB 60.47, 64.68, -23.69

 

CMYK 0 / 46 / 14 / 7

HEX #EE80CC

RGB 238 128 204

HSL 318.55, 0.76%, 0.72%

LAB 68, 51.73, -20.6

 

CMYK 0 / 32 / 10 / 5

HEX #F3A5DA

RGB 243 165 218

HSL 319.23, 0.76%, 0.8%

LAB 76.7, 36.57, -15.11

 

CMYK 0 / 19 / 6 / 3

HEX #F8C9E9

RGB 248 201 233

HSL 319.15, 0.77%, 0.88%

LAB 85.81, 21.76, -9.5

 

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

CMYK 0 / 23 / 46 / 7

HEX #EEB780

RGB 238 183 128

HSL 30, 0.76%, 0.72%

LAB 78.23, 13.23, 35.57

 

CMYK 46 / 0 / 5 / 7

HEX #80EEE3

RGB 128 238 227

HSL 174, 0.76%, 0.72%

LAB 87.62, -34.22, -4.49

 

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

CMYK 14 / 0 / 46 / 7

HEX #CDEE80

RGB 205 238 128

HSL 78, 0.76%, 0.72%

LAB 89.71, -27.59, 49.45

 

CMYK 46 / 14 / 0 / 7

HEX #80CDEE

RGB 128 205 238

HSL 198, 0.76%, 0.72%

LAB 78.71, -15.19, -23.68

 

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

CMYK 0 / 23 / 46 / 7

HEX #EEB780

RGB 238 183 128

HSL 30, 0.76%, 0.72%

LAB 78.23, 13.23, 35.57

 

CMYK 46 / 0 / 32 / 7

HEX #80EEA1

RGB 128 238 161

HSL 138, 0.76%, 0.72%

LAB 86.16, -48.05, 27.74

 

CMYK 46 / 23 / 0 / 7

HEX #80B7EE

RGB 128 183 238

HSL 210, 0.76%, 0.72%

LAB 72.65, -3.49, -32.98

 

CMYK 0 / 46 / 14 / 6

HEX #EF82CD

RGB 239 130 205

HSL 318.72, 0.77%, 0.72%

LAB 68.55, 51.2, -20.31

 

CMYK 0 / 9 / 46 / 7

HEX #EED880

RGB 238 216 128

HSL 48, 0.76%, 0.72%

LAB 86.43, -3.91, 45.95

 

CMYK 46 / 0 / 32 / 7

HEX #80EEA1

RGB 128 238 161

HSL 138, 0.76%, 0.72%

LAB 86.16, -48.05, 27.74

 

CMYK 46 / 37 / 0 / 7

HEX #8096EE

RGB 128 150 238

HSL 228, 0.76%, 0.72%

LAB 63.82, 15.17, -46.77

 

Description

Color code: HEX #EF82CD | qconv.com Color code: HEX #EF82CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 130 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 130 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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