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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF8B72 it is the complementary color #10748D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF8B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF8B72 shade: #F48B6D, #FF9D80, #FFAF93, #FFC1A6 and #FFD3B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF8B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF8B72 shade: #EF8B72, #DE795F, #CD674C, #BC5539 and #AB4326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF8B72 shade: #EF8A70 and #EF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF8B72 shade: #EF8A70, #EFAC70, #EFCE70, #EEEF70 and #CBEF70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF8B72 shade matches the following richer shades: #EF8A70 and #FB8263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF8B72 shade: #EF8A70, #E2917D, #D5998A, #C8A197 and #BCA8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF8B72 shade: #EF709A, #EF7079, #EF8A70, #EFAB70 and #EFCD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF8B72 shade: #E64C26, #EB6B4B, #EF8A70, #F3A895 and #F7C7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF8B72 shade: #EF8B72, #BCEF70 and #708AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF8B72 shade: #EF8B72, #70EF8A and #8A70EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF8B72 shade: #EF8B72, #BCEF70, #70D5EF and #A370EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF8B72 shade: #EF8B72, #96EF70, #70D5EF and #C970EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

Complementary color

CMYK 89 / 18 / 0 / 45

HEX #10748D

RGB 16 116 141

HSL 192, 0.8%, 0.31%

LAB 44.98, -17.21, -21.15

 

CMYK 0 / 43 / 55 / 4

HEX #F48B6D

RGB 244 139 109

HSL 13.33, 0.86%, 0.69%

LAB 68.61, 37.05, 33.41

 

CMYK 0 / 38 / 50 / 0

HEX #FF9D80

RGB 255 157 128

HSL 13.7, 1%, 0.75%

LAB 74.15, 33.56, 30.61

 

CMYK 0 / 31 / 42 / 0

HEX #FFAF93

RGB 255 175 147

HSL 15.56, 1%, 0.79%

LAB 78.48, 26.02, 26.19

 

CMYK 0 / 24 / 35 / 0

HEX #FFC1A6

RGB 255 193 166

HSL 18.2, 1%, 0.83%

LAB 82.99, 18.71, 22.22

 

CMYK 0 / 17 / 27 / 0

HEX #FFD3B9

RGB 255 211 185

HSL 22.29, 1%, 0.86%

LAB 87.66, 11.71, 18.66

 

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

CMYK 0 / 45 / 57 / 13

HEX #DE795F

RGB 222 121 95

HSL 12.28, 0.66%, 0.62%

LAB 61.68, 36.8, 31.64

 

CMYK 0 / 50 / 63 / 20

HEX #CD674C

RGB 205 103 76

HSL 12.56, 0.56%, 0.55%

LAB 55.28, 38.16, 33.68

 

CMYK 0 / 55 / 70 / 26

HEX #BC5539

RGB 188 85 57

HSL 12.82, 0.53%, 0.48%

LAB 48.86, 39.6, 35.97

 

CMYK 0 / 61 / 78 / 33

HEX #AB4326

RGB 171 67 38

HSL 13.08, 0.64%, 0.41%

LAB 42.48, 41.06, 38.49

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 28 / 53 / 6

HEX #EFAC70

RGB 239 172 112

HSL 28.35, 0.8%, 0.69%

LAB 75.47, 18, 40.37

 

CMYK 0 / 14 / 53 / 6

HEX #EFCE70

RGB 239 206 112

HSL 44.41, 0.8%, 0.69%

LAB 83.79, 0.2, 50.53

 

CMYK 0 / 0 / 53 / 6

HEX #EEEF70

RGB 238 239 112

HSL 60.47, 0.8%, 0.69%

LAB 92.17, -16.75, 60.32

 

CMYK 15 / 0 / 53 / 6

HEX #CBEF70

RGB 203 239 112

HSL 77.01, 0.8%, 0.69%

LAB 89.67, -30.37, 56.79

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 48 / 61 / 2

HEX #FB8263

RGB 251 130 99

HSL 12.24, 0.95%, 0.69%

LAB 67.56, 43.51, 37.69

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 36 / 45 / 11

HEX #E2917D

RGB 226 145 125

HSL 11.88, 0.64%, 0.69%

LAB 67.95, 28.41, 23.36

 

CMYK 0 / 28 / 35 / 16

HEX #D5998A

RGB 213 153 138

HSL 12, 0.47%, 0.69%

LAB 68.58, 20.51, 16.8

 

CMYK 0 / 20 / 25 / 22

HEX #C8A197

RGB 200 161 151

HSL 12.24, 0.31%, 0.69%

LAB 69.47, 12.88, 10.65

 

CMYK 0 / 11 / 13 / 26

HEX #BCA8A3

RGB 188 168 163

HSL 12, 0.16%, 0.69%

LAB 70.41, 6.4, 5.21

 

CMYK 0 / 53 / 36 / 6

HEX #EF709A

RGB 239 112 154

HSL 340.16, 0.8%, 0.69%

LAB 63.57, 53.05, 1.08

 

CMYK 0 / 53 / 49 / 6

HEX #EF7079

RGB 239 112 121

HSL 355.75, 0.8%, 0.69%

LAB 62.78, 49.69, 18.87

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 28 / 53 / 6

HEX #EFAB70

RGB 239 171 112

HSL 27.87, 0.8%, 0.69%

LAB 75.23, 18.52, 40.08

 

CMYK 0 / 14 / 53 / 6

HEX #EFCD70

RGB 239 205 112

HSL 43.94, 0.8%, 0.69%

LAB 83.54, 0.71, 50.23

 

CMYK 0 / 67 / 83 / 10

HEX #E64C26

RGB 230 76 38

HSL 11.88, 0.79%, 0.53%

LAB 54.17, 57.87, 53.24

 

CMYK 0 / 54 / 68 / 8

HEX #EB6B4B

RGB 235 107 75

HSL 12, 0.8%, 0.61%

LAB 60.5, 47.39, 41.54

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 31 / 39 / 5

HEX #F3A895

RGB 243 168 149

HSL 12.13, 0.8%, 0.77%

LAB 75.59, 25.33, 20.96

 

CMYK 0 / 19 / 25 / 3

HEX #F7C7BA

RGB 247 199 186

HSL 12.79, 0.79%, 0.85%

LAB 84.05, 15.15, 12.96

 

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

CMYK 21 / 0 / 53 / 6

HEX #BCEF70

RGB 188 239 112

HSL 84.09, 0.8%, 0.69%

LAB 88.73, -35.96, 55.45

 

CMYK 53 / 42 / 0 / 6

HEX #708AEF

RGB 112 138 239

HSL 227.72, 0.8%, 0.69%

LAB 59.76, 18.93, -53.82

 

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

CMYK 53 / 0 / 42 / 6

HEX #70EF8A

RGB 112 239 138

HSL 132.28, 0.8%, 0.69%

LAB 85.51, -56.3, 38.33

 

CMYK 42 / 53 / 0 / 6

HEX #8A70EF

RGB 138 112 239

HSL 252.28, 0.8%, 0.69%

LAB 55.3, 39.97, -60.83

 

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

CMYK 21 / 0 / 53 / 6

HEX #BCEF70

RGB 188 239 112

HSL 84.09, 0.8%, 0.69%

LAB 88.73, -35.96, 55.45

 

CMYK 53 / 11 / 0 / 6

HEX #70D5EF

RGB 112 213 239

HSL 192.28, 0.8%, 0.69%

LAB 80.33, -22.49, -21.81

 

CMYK 32 / 53 / 0 / 6

HEX #A370EF

RGB 163 112 239

HSL 264.09, 0.8%, 0.69%

LAB 57.66, 45.85, -56.92

 

CMYK 0 / 42 / 52 / 6

HEX #EF8B72

RGB 239 139 114

HSL 12, 0.8%, 0.69%

LAB 68.04, 35.55, 29.83

 

CMYK 37 / 0 / 53 / 6

HEX #96EF70

RGB 150 239 112

HSL 102.05, 0.8%, 0.69%

LAB 86.7, -49.04, 52.54

 

CMYK 53 / 11 / 0 / 6

HEX #70D5EF

RGB 112 213 239

HSL 192.28, 0.8%, 0.69%

LAB 80.33, -22.49, -21.81

 

CMYK 16 / 53 / 0 / 6

HEX #C970EF

RGB 201 112 239

HSL 282.05, 0.8%, 0.69%

LAB 61.86, 55.43, -49.99

 

Description

Color code: HEX #EF8B72 | qconv.com Color code: HEX #EF8B72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 139 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 139 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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