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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9B6B it is the complementary color #106494. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9B6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9B6B shade: #F49B66, #FFAD79, #FFBF8C, #FFD19F and #FFE3B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9B6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9B6B shade: #EF9B6B, #DE8958, #CD7745, #BC6532 and #AB531F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9B6B shade: #EE9B6C, #EE786C and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9B6B shade: #EE9B6C, #EEBE6C, #EEE26C, #D8EE6C and #B4EE6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9B6B shade matches the following richer shades: #EE9B6C and #FB985E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9B6B shade: #EE9B6C, #E19F79, #D4A286, #C7A693 and #B9AAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9B6B shade: #EE6C84, #EE776C, #EE996C, #EEBC6C and #EEDF6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9B6B shade: #E66921, #EA8246, #EE9B6C, #F2B491 and #F6CDB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9B6B shade: #EF9B6B, #A6EE6C and #6C72EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9B6B shade: #EF9B6B, #6CEE99 and #996CEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9B6B shade: #EF9B6B, #A6EE6C, #6CC0EE and #B36CEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9B6B shade: #EF9B6B, #7FEE6C, #6CC0EE and #DB6CEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

Complementary color

CMYK 89 / 32 / 0 / 42

HEX #106494

RGB 16 100 148

HSL 201.82, 0.8%, 0.32%

LAB 40.18, -5.22, -32.8

 

CMYK 0 / 36 / 58 / 4

HEX #F49B66

RGB 244 155 102

HSL 22.39, 0.87%, 0.68%

LAB 71.98, 28.19, 41.36

 

CMYK 0 / 32 / 53 / 0

HEX #FFAD79

RGB 255 173 121

HSL 23.28, 1%, 0.74%

LAB 77.6, 24.62, 38.76

 

CMYK 0 / 25 / 45 / 0

HEX #FFBF8C

RGB 255 191 140

HSL 26.61, 1%, 0.77%

LAB 82.06, 16.93, 34.64

 

CMYK 0 / 18 / 38 / 0

HEX #FFD19F

RGB 255 209 159

HSL 31.25, 1%, 0.81%

LAB 86.68, 9.57, 30.9

 

CMYK 0 / 11 / 30 / 0

HEX #FFE3B2

RGB 255 227 178

HSL 38.18, 1%, 0.85%

LAB 91.42, 2.57, 27.48

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 0 / 38 / 60 / 13

HEX #DE8958

RGB 222 137 88

HSL 21.94, 0.67%, 0.61%

LAB 65.06, 27.87, 39.62

 

CMYK 0 / 42 / 66 / 20

HEX #CD7745

RGB 205 119 69

HSL 22.06, 0.58%, 0.54%

LAB 58.6, 29.31, 41.4

 

CMYK 0 / 46 / 73 / 26

HEX #BC6532

RGB 188 101 50

HSL 22.17, 0.58%, 0.47%

LAB 52.1, 30.93, 43.23

 

CMYK 0 / 51 / 82 / 33

HEX #AB531F

RGB 171 83 31

HSL 22.29, 0.69%, 0.4%

LAB 45.56, 32.73, 44.93

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 50 / 55 / 7

HEX #EE786C

RGB 238 120 108

HSL 5.54, 0.79%, 0.68%

LAB 63.91, 44.34, 27.72

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 20 / 55 / 7

HEX #EEBE6C

RGB 238 190 108

HSL 37.85, 0.79%, 0.68%

LAB 79.66, 7.77, 47.5

 

CMYK 0 / 5 / 55 / 7

HEX #EEE26C

RGB 238 226 108

HSL 54.46, 0.79%, 0.68%

LAB 88.76, -10.66, 58.2

 

CMYK 9 / 0 / 55 / 7

HEX #D8EE6C

RGB 216 238 108

HSL 70.15, 0.79%, 0.68%

LAB 90.24, -25.25, 59.47

 

CMYK 24 / 0 / 55 / 7

HEX #B4EE6C

RGB 180 238 108

HSL 86.77, 0.79%, 0.68%

LAB 87.94, -38.8, 56.2

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 39 / 63 / 2

HEX #FB985E

RGB 251 152 94

HSL 22.17, 0.95%, 0.68%

LAB 72.08, 31.98, 45.78

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 29 / 46 / 12

HEX #E19F79

RGB 225 159 121

HSL 21.92, 0.63%, 0.68%

LAB 71, 20.12, 29.59

 

CMYK 0 / 24 / 37 / 17

HEX #D4A286

RGB 212 162 134

HSL 21.54, 0.48%, 0.68%

LAB 70.57, 14.76, 21.71

 

CMYK 0 / 17 / 26 / 22

HEX #C7A693

RGB 199 166 147

HSL 21.92, 0.32%, 0.68%

LAB 70.54, 9.2, 14.35

 

CMYK 0 / 8 / 14 / 27

HEX #B9AAA0

RGB 185 170 160

HSL 24, 0.15%, 0.68%

LAB 70.6, 3.7, 7.1

 

CMYK 0 / 55 / 45 / 7

HEX #EE6C84

RGB 238 108 132

HSL 348.92, 0.79%, 0.68%

LAB 62.14, 52.27, 11.66

 

CMYK 0 / 50 / 55 / 7

HEX #EE776C

RGB 238 119 108

HSL 5.08, 0.79%, 0.68%

LAB 63.72, 44.83, 27.47

 

CMYK 0 / 36 / 55 / 7

HEX #EE996C

RGB 238 153 108

HSL 20.77, 0.79%, 0.68%

LAB 70.9, 27.32, 36.71

 

CMYK 0 / 21 / 55 / 7

HEX #EEBC6C

RGB 238 188 108

HSL 36.92, 0.79%, 0.68%

LAB 79.17, 8.82, 46.91

 

CMYK 0 / 6 / 55 / 7

HEX #EEDF6C

RGB 238 223 108

HSL 53.08, 0.79%, 0.68%

LAB 87.99, -9.16, 57.31

 

CMYK 0 / 54 / 86 / 10

HEX #E66921

RGB 230 105 33

HSL 21.93, 0.8%, 0.52%

LAB 59.01, 44.9, 59.38

 

CMYK 0 / 44 / 70 / 8

HEX #EA8246

RGB 234 130 70

HSL 21.95, 0.8%, 0.6%

LAB 64.88, 35.26, 49.01

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 26 / 40 / 5

HEX #F2B491

RGB 242 180 145

HSL 21.65, 0.79%, 0.76%

LAB 78.21, 18.16, 26.65

 

CMYK 0 / 17 / 26 / 4

HEX #F6CDB6

RGB 246 205 182

HSL 21.56, 0.78%, 0.84%

LAB 85.32, 11.09, 16.85

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 30 / 0 / 55 / 7

HEX #A6EE6C

RGB 166 238 108

HSL 93.23, 0.79%, 0.68%

LAB 87.16, -43.73, 55.1

 

CMYK 55 / 52 / 0 / 7

HEX #6C72EE

RGB 108 114 238

HSL 237.23, 0.79%, 0.68%

LAB 53.38, 32.19, -63.49

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 55 / 0 / 36 / 7

HEX #6CEE99

RGB 108 238 153

HSL 140.77, 0.79%, 0.68%

LAB 85.32, -54.36, 30.55

 

CMYK 36 / 55 / 0 / 7

HEX #996CEE

RGB 153 108 238

HSL 260.77, 0.79%, 0.68%

LAB 55.76, 45.4, -59.47

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 30 / 0 / 55 / 7

HEX #A6EE6C

RGB 166 238 108

HSL 93.23, 0.79%, 0.68%

LAB 87.16, -43.73, 55.1

 

CMYK 55 / 19 / 0 / 7

HEX #6CC0EE

RGB 108 192 238

HSL 201.23, 0.79%, 0.68%

LAB 74.23, -12.77, -30.62

 

CMYK 25 / 55 / 0 / 7

HEX #B36CEE

RGB 179 108 238

HSL 272.77, 0.79%, 0.68%

LAB 58.49, 51.68, -54.94

 

CMYK 0 / 35 / 55 / 6

HEX #EF9B6B

RGB 239 155 107

HSL 21.82, 0.8%, 0.68%

LAB 71.46, 26.58, 37.96

 

CMYK 47 / 0 / 55 / 7

HEX #7FEE6C

RGB 127 238 108

HSL 111.23, 0.79%, 0.68%

LAB 85.37, -56.02, 52.55

 

CMYK 55 / 19 / 0 / 7

HEX #6CC0EE

RGB 108 192 238

HSL 201.23, 0.79%, 0.68%

LAB 74.23, -12.77, -30.62

 

CMYK 8 / 55 / 0 / 7

HEX #DB6CEE

RGB 219 108 238

HSL 291.23, 0.79%, 0.68%

LAB 63.31, 61.8, -47

 

Description

Color code: HEX #EF9B6B | qconv.com Color code: HEX #EF9B6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 155 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 155 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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