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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA5BF it is the complementary color #105A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA5BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA5BF shade: #F4A5BA, #FFB7CD, #FFC9E0, #FFDBF3 and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA5BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA5BF shade: #EFA5BF, #DE93AC, #CD8199, #BC6F86 and #AB5D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA5BF shade: #EEA3BE, #EEA3AA and #EEA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA5BF shade: #EEA3BE, #EEA3D2, #EEA3E6, #E2A3EE and #CEA3EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA5BF shade matches the following richer shades: #EEA3BE and #F79BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA5BF shade: #EEA3BE, #E6ACC0, #DDB5C3, #D4BDC6 and #CCC6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA5BF shade: #EEA3E7, #EEA3D3, #EEA3BF, #EEA3AB and #EEB0A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA5BF shade: #E25D8C, #E880A5, #EEA3BE, #F5C7D7 and #FBEAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA5BF shade: #EFA5BF, #EEE2A3 and #A3DDEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA5BF shade: #EFA5BF, #BFEEA3 and #A3BFEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA5BF shade: #EFA5BF, #EEE2A3, #A3EED3 and #A3B0EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA5BF shade: #EFA5BF, #E4EEA3, #A3EED3 and #ADA3EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

Complementary color

CMYK 82 / 0 / 29 / 65

HEX #105A40

RGB 16 90 64

HSL 158.92, 0.7%, 0.21%

LAB 33.55, -28.81, 8.89

 

CMYK 0 / 32 / 24 / 4

HEX #F4A5BA

RGB 244 165 186

HSL 344.05, 0.78%, 0.8%

LAB 75.88, 32, 1.18

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CD

RGB 255 183 205

HSL 341.67, 1%, 0.86%

LAB 81.58, 29.17, -0.67

 

CMYK 0 / 21 / 12 / 0

HEX #FFC9E0

RGB 255 201 224

HSL 334.44, 1%, 0.89%

LAB 86.21, 22.65, -4.05

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF3

RGB 255 219 243

HSL 320, 1%, 0.93%

LAB 90.96, 16.4, -7.08

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

CMYK 0 / 34 / 23 / 13

HEX #DE93AC

RGB 222 147 172

HSL 340, 0.53%, 0.72%

LAB 69.02, 31.71, -1.38

 

CMYK 0 / 37 / 25 / 20

HEX #CD8199

RGB 205 129 153

HSL 341.05, 0.43%, 0.65%

LAB 62.49, 32.52, -0.46

 

CMYK 0 / 41 / 29 / 26

HEX #BC6F86

RGB 188 111 134

HSL 342.08, 0.36%, 0.59%

LAB 55.87, 33.38, 0.59

 

CMYK 0 / 46 / 33 / 33

HEX #AB5D73

RGB 171 93 115

HSL 343.08, 0.32%, 0.52%

LAB 49.16, 34.3, 1.8

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BE

RGB 238 163 190

HSL 338.4, 0.69%, 0.79%

LAB 74.88, 31.52, -2.55

 

CMYK 0 / 32 / 29 / 7

HEX #EEA3AA

RGB 238 163 170

HSL 354.4, 0.69%, 0.79%

LAB 74.36, 28.7, 7.69

 

CMYK 0 / 32 / 32 / 7

HEX #EEA3A3

RGB 238 163 163

HSL 0, 0.69%, 0.79%

LAB 74.2, 27.78, 11.3

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BE

RGB 238 163 190

HSL 338.4, 0.69%, 0.79%

LAB 74.88, 31.52, -2.55

 

CMYK 0 / 32 / 12 / 7

HEX #EEA3D2

RGB 238 163 210

HSL 322.4, 0.69%, 0.79%

LAB 75.47, 34.64, -12.64

 

CMYK 0 / 32 / 3 / 7

HEX #EEA3E6

RGB 238 163 230

HSL 306.4, 0.69%, 0.79%

LAB 76.12, 38.04, -22.56

 

CMYK 5 / 32 / 0 / 7

HEX #E2A3EE

RGB 226 163 238

HSL 290.4, 0.69%, 0.79%

LAB 75.16, 35.73, -28.48

 

CMYK 13 / 32 / 0 / 7

HEX #CEA3EE

RGB 206 163 238

HSL 274.4, 0.69%, 0.79%

LAB 73.21, 29.54, -31.65

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BE

RGB 238 163 190

HSL 338.4, 0.69%, 0.79%

LAB 74.88, 31.52, -2.55

 

CMYK 0 / 37 / 24 / 3

HEX #F79BBB

RGB 247 155 187

HSL 339.13, 0.85%, 0.79%

LAB 74.06, 38.43, -1.98

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BE

RGB 238 163 190

HSL 338.4, 0.69%, 0.79%

LAB 74.88, 31.52, -2.55

 

CMYK 0 / 25 / 17 / 10

HEX #E6ACC0

RGB 230 172 192

HSL 339.31, 0.54%, 0.79%

LAB 76.15, 24.2, -1.88

 

CMYK 0 / 18 / 12 / 13

HEX #DDB5C3

RGB 221 181 195

HSL 339, 0.37%, 0.79%

LAB 77.5, 16.65, -1.65

 

CMYK 0 / 11 / 7 / 17

HEX #D4BDC6

RGB 212 189 198

HSL 336.52, 0.21%, 0.79%

LAB 78.73, 9.68, -1.55

 

CMYK 0 / 3 / 2 / 20

HEX #CCC6C8

RGB 204 198 200

HSL 340, 0.06%, 0.79%

LAB 80.4, 2.44, -0.27

 

CMYK 0 / 32 / 3 / 7

HEX #EEA3E7

RGB 238 163 231

HSL 305.6, 0.69%, 0.79%

LAB 76.16, 38.22, -23.05

 

CMYK 0 / 32 / 11 / 7

HEX #EEA3D3

RGB 238 163 211

HSL 321.6, 0.69%, 0.79%

LAB 75.5, 34.8, -13.14

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BF

RGB 238 163 191

HSL 337.6, 0.69%, 0.79%

LAB 74.91, 31.67, -3.06

 

CMYK 0 / 32 / 28 / 7

HEX #EEA3AB

RGB 238 163 171

HSL 353.6, 0.69%, 0.79%

LAB 74.39, 28.83, 7.17

 

CMYK 0 / 26 / 32 / 7

HEX #EEB0A3

RGB 238 176 163

HSL 10.4, 0.69%, 0.79%

LAB 77.2, 20.88, 15.53

 

CMYK 0 / 59 / 38 / 11

HEX #E25D8C

RGB 226 93 140

HSL 338.8, 0.7%, 0.63%

LAB 57.93, 56.05, 0.74

 

CMYK 0 / 45 / 29 / 9

HEX #E880A5

RGB 232 128 165

HSL 338.65, 0.69%, 0.71%

LAB 65.99, 44.18, -1.75

 

CMYK 0 / 32 / 20 / 7

HEX #EEA3BE

RGB 238 163 190

HSL 338.4, 0.69%, 0.79%

LAB 74.88, 31.52, -2.55

 

CMYK 0 / 19 / 12 / 4

HEX #F5C7D7

RGB 245 199 215

HSL 339.13, 0.7%, 0.87%

LAB 84.57, 18.79, -1.78

 

CMYK 0 / 7 / 4 / 2

HEX #FBEAF0

RGB 251 234 240

HSL 338.82, 0.68%, 0.95%

LAB 94.16, 6.77, -0.84

 

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

CMYK 0 / 5 / 32 / 7

HEX #EEE2A3

RGB 238 226 163

HSL 50.4, 0.69%, 0.79%

LAB 89.49, -5.19, 32.33

 

CMYK 32 / 7 / 0 / 7

HEX #A3DDEE

RGB 163 221 238

HSL 193.6, 0.69%, 0.79%

LAB 84.83, -14.46, -14.26

 

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

CMYK 20 / 0 / 32 / 7

HEX #BFEEA3

RGB 191 238 163

HSL 97.6, 0.69%, 0.79%

LAB 89.33, -28.29, 31.53

 

CMYK 32 / 20 / 0 / 7

HEX #A3BFEE

RGB 163 191 238

HSL 217.6, 0.69%, 0.79%

LAB 76.81, 1.32, -26.4

 

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

CMYK 0 / 5 / 32 / 7

HEX #EEE2A3

RGB 238 226 163

HSL 50.4, 0.69%, 0.79%

LAB 89.49, -5.19, 32.33

 

CMYK 32 / 0 / 11 / 7

HEX #A3EED3

RGB 163 238 211

HSL 158.4, 0.69%, 0.79%

LAB 88.75, -28.79, 5.71

 

CMYK 32 / 26 / 0 / 7

HEX #A3B0EE

RGB 163 176 238

HSL 229.6, 0.69%, 0.79%

LAB 72.9, 9.56, -32.42

 

CMYK 0 / 31 / 20 / 6

HEX #EFA5BF

RGB 239 165 191

HSL 338.92, 0.7%, 0.79%

LAB 75.47, 30.96, -2.23

 

CMYK 4 / 0 / 32 / 7

HEX #E4EEA3

RGB 228 238 163

HSL 68, 0.69%, 0.79%

LAB 91.81, -14.95, 35.27

 

CMYK 32 / 0 / 11 / 7

HEX #A3EED3

RGB 163 238 211

HSL 158.4, 0.69%, 0.79%

LAB 88.75, -28.79, 5.71

 

CMYK 27 / 32 / 0 / 7

HEX #ADA3EE

RGB 173 163 238

HSL 248, 0.69%, 0.79%

LAB 70.35, 19.68, -36.31

 

Description

Color code: HEX #EFA5BF | qconv.com Color code: HEX #EFA5BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 165 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 165 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 20% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Valentinstag-Geschen...
Link: http://www.valentinstag-geschenke.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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