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Color name
HEX #EFA019

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA019 it is the complementary color #105FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA019 shade: #F4A014, #FFB227, #FFC43A, #FFD64D and #FFE860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA019 shade: #EFA019, #DE8E06, #CD7C00, #BC6A00 and #AB5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA019 shade: #EFA01A, #EF671A, #EF2D1A and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA019 shade: #EFA01A, #EFD91A, #CAEF1A, #91EF1A and #57EF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA019 shade matches the following richer shades: #EFA01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA019 shade: #EFA01A, #DB9B2D, #C79641, #B39055 and #9F8B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA019 shade: #EF2B1A, #EF641A, #EF9D1A, #EFD61A and #CFEF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA019 shade: #AA700B, #D1890E, #EFA01A, #F1B040 and #F4C067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA019 shade: #EFA019, #41EF1A and #481AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA019 shade: #EFA019, #1AEF9D and #9D1AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA019 shade: #EFA019, #41EF1A, #1A6BEF and #C81AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA019 shade: #EFA019, #1AEF32, #1A6BEF and #EF1AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

Complementary color

CMYK 93 / 59 / 0 / 10

HEX #105FE6

RGB 16 95 230

HSL 217.85, 0.87%, 0.48%

LAB 44.24, 30.56, -74

 

CMYK 0 / 34 / 92 / 4

HEX #F4A014

RGB 244 160 20

HSL 37.5, 0.91%, 0.52%

LAB 72.51, 22.13, 74.04

 

CMYK 0 / 30 / 85 / 0

HEX #FFB227

RGB 255 178 39

HSL 38.61, 1%, 0.58%

LAB 78.02, 17.68, 74.45

 

CMYK 0 / 23 / 77 / 0

HEX #FFC43A

RGB 255 196 58

HSL 42.03, 1%, 0.61%

LAB 82.4, 8.88, 72.38

 

CMYK 0 / 16 / 70 / 0

HEX #FFD64D

RGB 255 214 77

HSL 46.18, 1%, 0.65%

LAB 86.94, 0.44, 69.79

 

CMYK 0 / 9 / 62 / 0

HEX #FFE860

RGB 255 232 96

HSL 51.32, 1%, 0.69%

LAB 91.6, -7.57, 66.99

 

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

CMYK 0 / 36 / 97 / 13

HEX #DE8E06

RGB 222 142 6

HSL 37.78, 0.95%, 0.45%

LAB 65.66, 22.17, 70.11

 

CMYK 0 / 40 / 100 / 20

HEX #CD7C00

RGB 205 124 0

HSL 36.29, 1%, 0.4%

LAB 59.34, 24.49, 65.82

 

CMYK 0 / 44 / 100 / 26

HEX #BC6A00

RGB 188 106 0

HSL 33.83, 1%, 0.37%

LAB 52.95, 26.94, 60.64

 

CMYK 0 / 49 / 100 / 33

HEX #AB5800

RGB 171 88 0

HSL 30.88, 1%, 0.34%

LAB 46.5, 29.42, 55.43

 

CMYK 0 / 33 / 89 / 6

HEX #EFA01A

RGB 239 160 26

HSL 37.75, 0.87%, 0.52%

LAB 71.94, 20.1, 72.12

 

CMYK 0 / 57 / 89 / 6

HEX #EF671A

RGB 239 103 26

HSL 21.69, 0.87%, 0.52%

LAB 60, 49.07, 63.12

 

CMYK 0 / 81 / 89 / 6

HEX #EF2D1A

RGB 239 45 26

HSL 5.35, 0.87%, 0.52%

LAB 52.18, 70.3, 57.41

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 33 / 89 / 6

HEX #EFA01A

RGB 239 160 26

HSL 37.75, 0.87%, 0.52%

LAB 71.94, 20.1, 72.12

 

CMYK 0 / 9 / 89 / 6

HEX #EFD91A

RGB 239 217 26

HSL 53.8, 0.87%, 0.52%

LAB 86.03, -9.46, 83

 

CMYK 15 / 0 / 89 / 6

HEX #CAEF1A

RGB 202 239 26

HSL 70.42, 0.87%, 0.52%

LAB 89.09, -35.3, 84.23

 

CMYK 39 / 0 / 89 / 6

HEX #91EF1A

RGB 145 239 26

HSL 86.48, 0.87%, 0.52%

LAB 85.92, -56.28, 80.32

 

CMYK 64 / 0 / 89 / 6

HEX #57EF1A

RGB 87 239 26

HSL 102.82, 0.87%, 0.52%

LAB 83.88, -72.19, 77.79

 

CMYK 0 / 33 / 89 / 6

HEX #EFA01A

RGB 239 160 26

HSL 37.75, 0.87%, 0.52%

LAB 71.94, 20.1, 72.12

 

CMYK 0 / 33 / 89 / 6

HEX #EFA01A

RGB 239 160 26

HSL 37.75, 0.87%, 0.52%

LAB 71.94, 20.1, 72.12

 

CMYK 0 / 29 / 79 / 14

HEX #DB9B2D

RGB 219 155 45

HSL 37.93, 0.71%, 0.52%

LAB 68.53, 14.7, 62.79

 

CMYK 0 / 25 / 67 / 22

HEX #C79641

RGB 199 150 65

HSL 38.06, 0.54%, 0.52%

LAB 65.23, 9.66, 50.54

 

CMYK 0 / 20 / 53 / 30

HEX #B39055

RGB 179 144 85

HSL 37.66, 0.38%, 0.52%

LAB 61.81, 5.79, 36.11

 

CMYK 0 / 13 / 34 / 38

HEX #9F8B69

RGB 159 139 105

HSL 37.78, 0.22%, 0.52%

LAB 58.84, 2.32, 20.98

 

CMYK 0 / 82 / 89 / 6

HEX #EF2B1A

RGB 239 43 26

HSL 4.79, 0.87%, 0.52%

LAB 52.01, 70.77, 57.29

 

CMYK 0 / 58 / 89 / 6

HEX #EF641A

RGB 239 100 26

HSL 20.85, 0.87%, 0.52%

LAB 59.47, 50.45, 62.72

 

CMYK 0 / 34 / 89 / 6

HEX #EF9D1A

RGB 239 157 26

HSL 36.9, 0.87%, 0.52%

LAB 71.24, 21.69, 71.59

 

CMYK 0 / 10 / 89 / 6

HEX #EFD61A

RGB 239 214 26

HSL 52.96, 0.87%, 0.52%

LAB 85.26, -7.95, 82.4

 

CMYK 13 / 0 / 89 / 6

HEX #CFEF1A

RGB 207 239 26

HSL 69.01, 0.87%, 0.52%

LAB 89.43, -33.31, 84.63

 

CMYK 0 / 34 / 94 / 33

HEX #AA700B

RGB 170 112 11

HSL 38.11, 0.88%, 0.35%

LAB 52.02, 15.82, 56.69

 

CMYK 0 / 34 / 93 / 18

HEX #D1890E

RGB 209 137 14

HSL 37.85, 0.87%, 0.44%

LAB 62.91, 19.34, 66.24

 

CMYK 0 / 33 / 89 / 6

HEX #EFA01A

RGB 239 160 26

HSL 37.75, 0.87%, 0.52%

LAB 71.94, 20.1, 72.12

 

CMYK 0 / 27 / 73 / 5

HEX #F1B040

RGB 241 176 64

HSL 37.97, 0.86%, 0.6%

LAB 76.14, 13.66, 63.66

 

CMYK 0 / 21 / 58 / 4

HEX #F4C067

RGB 244 192 103

HSL 37.87, 0.87%, 0.68%

LAB 80.69, 8.8, 51.3

 

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

CMYK 73 / 0 / 89 / 6

HEX #41EF1A

RGB 65 239 26

HSL 109.01, 0.87%, 0.52%

LAB 83.41, -76.23, 77.2

 

CMYK 70 / 89 / 0 / 6

HEX #481AEF

RGB 72 26 239

HSL 252.96, 0.87%, 0.52%

LAB 34.7, 71.87, -94.77

 

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

CMYK 89 / 0 / 34 / 6

HEX #1AEF9D

RGB 26 239 157

HSL 156.9, 0.87%, 0.52%

LAB 84.17, -65.43, 26.7

 

CMYK 34 / 89 / 0 / 6

HEX #9D1AEF

RGB 157 26 239

HSL 276.9, 0.87%, 0.52%

LAB 44.43, 79.4, -78.37

 

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

CMYK 73 / 0 / 89 / 6

HEX #41EF1A

RGB 65 239 26

HSL 109.01, 0.87%, 0.52%

LAB 83.41, -76.23, 77.2

 

CMYK 89 / 55 / 0 / 6

HEX #1A6BEF

RGB 26 107 239

HSL 217.18, 0.87%, 0.52%

LAB 48.22, 26.73, -72.57

 

CMYK 16 / 89 / 0 / 6

HEX #C81AEF

RGB 200 26 239

HSL 289.01, 0.87%, 0.52%

LAB 50.98, 85.27, -67.42

 

CMYK 0 / 33 / 90 / 6

HEX #EFA019

RGB 239 160 25

HSL 37.85, 0.87%, 0.52%

LAB 71.94, 20.09, 72.34

 

CMYK 89 / 0 / 79 / 6

HEX #1AEF32

RGB 26 239 50

HSL 126.76, 0.87%, 0.52%

LAB 83.01, -79.41, 71.37

 

CMYK 89 / 55 / 0 / 6

HEX #1A6BEF

RGB 26 107 239

HSL 217.18, 0.87%, 0.52%

LAB 48.22, 26.73, -72.57

 

CMYK 0 / 89 / 10 / 6

HEX #EF1AD6

RGB 239 26 214

HSL 307.04, 0.87%, 0.52%

LAB 56.03, 87.97, -44.82

 

Description

Color code: HEX #EFA019 | qconv.com Color code: HEX #EFA019 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 160 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 160 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 90% 6% C M Y K

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