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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFAA1E it is the complementary color #1055E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFAA1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFAA1E shade: #F4AA19, #FFBC2C, #FFCE3F, #FFE052 and #FFF265

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFAA1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFAA1E shade: #EFAA1E, #DE980B, #CD8600, #BC7400 and #AB6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFAA1E shade: #EFAA1E, #EF721E, #EF3A1E and #EF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFAA1E shade: #EFAA1E, #EFE21E, #C3EF1E, #8BEF1E and #53EF1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFAA1E shade matches the following richer shades: #EFAA1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFAA1E shade: #EFAA1E, #DCA332, #C89D45, #B59659 and #A1906C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFAA1E shade: #EF3A1E, #EF721E, #EFA91E, #EFE11E and #C5EF1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFAA1E shade: #AF790C, #D6940E, #EFAA1E, #F2B945 and #F4C76C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFAA1E shade: #EFAA1E, #3AEF1E and #561EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFAA1E shade: #EFAA1E, #1EEFA9 and #A91EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFAA1E shade: #EFAA1E, #3AEF1E, #1E64EF and #D31EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFAA1E shade: #EFAA1E, #1EEF41, #1E64EF and #EF1ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

Complementary color

CMYK 93 / 62 / 0 / 12

HEX #1055E1

RGB 16 85 225

HSL 220.19, 0.87%, 0.47%

LAB 41.29, 35.09, -76.01

 

CMYK 0 / 30 / 90 / 4

HEX #F4AA19

RGB 244 170 25

HSL 39.73, 0.91%, 0.53%

LAB 74.86, 16.94, 74.81

 

CMYK 0 / 26 / 83 / 0

HEX #FFBC2C

RGB 255 188 44

HSL 40.95, 1%, 0.59%

LAB 80.41, 12.59, 75.04

 

CMYK 0 / 19 / 75 / 0

HEX #FFCE3F

RGB 255 206 63

HSL 44.69, 1%, 0.62%

LAB 84.87, 3.92, 72.95

 

CMYK 0 / 12 / 68 / 0

HEX #FFE052

RGB 255 224 82

HSL 49.25, 1%, 0.66%

LAB 89.48, -4.36, 70.42

 

CMYK 0 / 5 / 60 / 0

HEX #FFF265

RGB 255 242 101

HSL 54.94, 1%, 0.7%

LAB 94.19, -12.2, 67.7

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 32 / 95 / 13

HEX #DE980B

RGB 222 152 11

HSL 40.09, 0.91%, 0.46%

LAB 68.03, 16.86, 71.08

 

CMYK 0 / 35 / 100 / 20

HEX #CD8600

RGB 205 134 0

HSL 39.22, 1%, 0.4%

LAB 61.68, 19.07, 67.33

 

CMYK 0 / 38 / 100 / 26

HEX #BC7400

RGB 188 116 0

HSL 37.02, 1%, 0.37%

LAB 55.26, 21.47, 62.11

 

CMYK 0 / 43 / 100 / 33

HEX #AB6200

RGB 171 98 0

HSL 34.39, 1%, 0.34%

LAB 48.75, 23.95, 56.82

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 52 / 87 / 6

HEX #EF721E

RGB 239 114 30

HSL 24.11, 0.87%, 0.53%

LAB 62.07, 43.89, 63.43

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1E

RGB 239 58 30

HSL 8.04, 0.87%, 0.53%

LAB 53.46, 66.81, 56.75

 

CMYK 0 / 87 / 87 / 6

HEX #EF1E1E

RGB 239 30 30

HSL 0, 0.87%, 0.53%

LAB 51.12, 73.44, 54.95

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 5 / 87 / 6

HEX #EFE21E

RGB 239 226 30

HSL 56.27, 0.87%, 0.53%

LAB 88.37, -13.86, 84.15

 

CMYK 18 / 0 / 87 / 6

HEX #C3EF1E

RGB 195 239 30

HSL 72.63, 0.87%, 0.53%

LAB 88.65, -37.98, 83.03

 

CMYK 42 / 0 / 87 / 6

HEX #8BEF1E

RGB 139 239 30

HSL 88.71, 0.87%, 0.53%

LAB 85.66, -58.13, 79.34

 

CMYK 65 / 0 / 87 / 6

HEX #53EF1E

RGB 83 239 30

HSL 104.78, 0.87%, 0.53%

LAB 83.79, -72.89, 77

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 26 / 77 / 14

HEX #DCA332

RGB 220 163 50

HSL 39.88, 0.71%, 0.53%

LAB 70.62, 11.02, 62.95

 

CMYK 0 / 22 / 66 / 22

HEX #C89D45

RGB 200 157 69

HSL 40.31, 0.54%, 0.53%

LAB 67.14, 6.54, 50.8

 

CMYK 0 / 17 / 51 / 29

HEX #B59659

RGB 181 150 89

HSL 39.78, 0.38%, 0.53%

LAB 63.64, 3.72, 36.31

 

CMYK 0 / 11 / 33 / 37

HEX #A1906C

RGB 161 144 108

HSL 40.75, 0.22%, 0.53%

LAB 60.43, 0.76, 21.48

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1E

RGB 239 58 30

HSL 8.04, 0.87%, 0.53%

LAB 53.46, 66.81, 56.75

 

CMYK 0 / 52 / 87 / 6

HEX #EF721E

RGB 239 114 30

HSL 24.11, 0.87%, 0.53%

LAB 62.07, 43.89, 63.43

 

CMYK 0 / 29 / 87 / 6

HEX #EFA91E

RGB 239 169 30

HSL 39.9, 0.87%, 0.53%

LAB 74.07, 15.43, 72.85

 

CMYK 0 / 6 / 87 / 6

HEX #EFE11E

RGB 239 225 30

HSL 55.98, 0.87%, 0.53%

LAB 88.11, -13.36, 83.95

 

CMYK 18 / 0 / 87 / 6

HEX #C5EF1E

RGB 197 239 30

HSL 72.06, 0.87%, 0.53%

LAB 88.78, -37.19, 83.19

 

CMYK 0 / 31 / 93 / 31

HEX #AF790C

RGB 175 121 12

HSL 40.12, 0.87%, 0.37%

LAB 54.88, 13.04, 58.89

 

CMYK 0 / 31 / 93 / 16

HEX #D6940E

RGB 214 148 14

HSL 40.2, 0.88%, 0.45%

LAB 66.14, 15.57, 68.85

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 24 / 71 / 5

HEX #F2B945

RGB 242 185 69

HSL 40.23, 0.87%, 0.61%

LAB 78.46, 9.59, 64

 

CMYK 0 / 18 / 56 / 4

HEX #F4C76C

RGB 244 199 108

HSL 40.15, 0.86%, 0.69%

LAB 82.47, 5.54, 50.99

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 76 / 0 / 87 / 6

HEX #3AEF1E

RGB 58 239 30

HSL 111.96, 0.87%, 0.53%

LAB 83.3, -77.14, 76.38

 

CMYK 64 / 87 / 0 / 6

HEX #561EEF

RGB 86 30 239

HSL 256.08, 0.87%, 0.53%

LAB 36.25, 71.59, -92.15

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 87 / 0 / 29 / 6

HEX #1EEFA9

RGB 30 239 169

HSL 159.9, 0.87%, 0.53%

LAB 84.42, -62.68, 20.89

 

CMYK 29 / 87 / 0 / 6

HEX #A91EEF

RGB 169 30 239

HSL 279.9, 0.87%, 0.53%

LAB 46.44, 80.17, -75.02

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 76 / 0 / 87 / 6

HEX #3AEF1E

RGB 58 239 30

HSL 111.96, 0.87%, 0.53%

LAB 83.3, -77.14, 76.38

 

CMYK 87 / 58 / 0 / 6

HEX #1E64EF

RGB 30 100 239

HSL 219.9, 0.87%, 0.53%

LAB 46.48, 31.4, -75.41

 

CMYK 12 / 87 / 0 / 6

HEX #D31EEF

RGB 211 30 239

HSL 291.96, 0.87%, 0.53%

LAB 52.96, 86.32, -64.14

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 87 / 0 / 73 / 6

HEX #1EEF41

RGB 30 239 65

HSL 130.05, 0.87%, 0.53%

LAB 83.12, -78.12, 66.83

 

CMYK 87 / 58 / 0 / 6

HEX #1E64EF

RGB 30 100 239

HSL 219.9, 0.87%, 0.53%

LAB 46.48, 31.4, -75.41

 

CMYK 0 / 87 / 15 / 6

HEX #EF1ECC

RGB 239 30 204

HSL 310.05, 0.87%, 0.53%

LAB 55.72, 86.12, -39.59

 

Description

Color code: HEX #EFAA1E | qconv.com Color code: HEX #EFAA1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 170 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 170 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 87 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 87% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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