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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFAA66 it is the complementary color #105599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFAA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFAA66 shade: #F4AA61, #FFBC74, #FFCE87, #FFE09A and #FFF2AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFAA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFAA66 shade: #EFAA66, #DE9853, #CD8640, #BC742D and #AB621A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFAA66 shade: #EFAA66, #EF8566 and #EF6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFAA66 shade: #EFAA66, #EFCF66, #EAEF66, #C5EF66 and #A0EF66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFAA66 shade matches the following richer shades: #EFAA66 and #FCAA59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFAA66 shade: #EFAA66, #E1AA74, #D3AA81, #C6AA8F and #B8AA9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFAA66 shade: #EF666D, #EF8466, #EFA866, #EFCC66 and #ECEF66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFAA66 shade: #E7801C, #EB9541, #EFAA66, #F2BF8C and #F6D3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFAA66 shade: #EFAA66, #91EF66 and #7266EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFAA66 shade: #EFAA66, #66EFA8 and #A866EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFAA66 shade: #EFAA66, #91EF66, #66ADEF and #C366EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFAA66 shade: #EFAA66, #68EF66, #66ADEF and #EC66EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

Complementary color

CMYK 90 / 44 / 0 / 40

HEX #105599

RGB 16 85 153

HSL 209.78, 0.81%, 0.33%

LAB 35.8, 6.38, -42.78

 

CMYK 0 / 30 / 60 / 4

HEX #F4AA61

RGB 244 170 97

HSL 29.8, 0.87%, 0.67%

LAB 75.36, 19.94, 47.95

 

CMYK 0 / 26 / 55 / 0

HEX #FFBC74

RGB 255 188 116

HSL 31.08, 1%, 0.73%

LAB 81.01, 16.36, 45.57

 

CMYK 0 / 19 / 47 / 0

HEX #FFCE87

RGB 255 206 135

HSL 35.5, 1%, 0.76%

LAB 85.58, 8.65, 41.73

 

CMYK 0 / 12 / 40 / 0

HEX #FFE09A

RGB 255 224 154

HSL 41.58, 1%, 0.8%

LAB 90.28, 1.32, 38.19

 

CMYK 0 / 5 / 32 / 0

HEX #FFF2AD

RGB 255 242 173

HSL 50.49, 1%, 0.84%

LAB 95.07, -5.61, 34.93

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 32 / 63 / 13

HEX #DE9853

RGB 222 152 83

HSL 29.78, 0.68%, 0.6%

LAB 68.47, 19.49, 46.22

 

CMYK 0 / 35 / 69 / 20

HEX #CD8640

RGB 205 134 64

HSL 29.79, 0.59%, 0.53%

LAB 62, 20.91, 47.7

 

CMYK 0 / 38 / 76 / 26

HEX #BC742D

RGB 188 116 45

HSL 29.79, 0.61%, 0.46%

LAB 55.45, 22.54, 49.06

 

CMYK 0 / 43 / 85 / 33

HEX #AB621A

RGB 171 98 26

HSL 29.79, 0.74%, 0.39%

LAB 48.84, 24.43, 49.93

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 44 / 57 / 6

HEX #EF8566

RGB 239 133 102

HSL 13.58, 0.81%, 0.67%

LAB 66.58, 37.68, 34.5

 

CMYK 0 / 57 / 57 / 6

HEX #EF6666

RGB 239 102 102

HSL 0, 0.81%, 0.67%

LAB 60.62, 52.84, 26.82

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 13 / 57 / 6

HEX #EFCF66

RGB 239 207 102

HSL 45.99, 0.81%, 0.67%

LAB 83.93, -1.09, 55.42

 

CMYK 2 / 0 / 57 / 6

HEX #EAEF66

RGB 234 239 102

HSL 62.19, 0.81%, 0.67%

LAB 91.77, -19.09, 64.15

 

CMYK 18 / 0 / 57 / 6

HEX #C5EF66

RGB 197 239 102

HSL 78.39, 0.81%, 0.67%

LAB 89.19, -33.5, 60.55

 

CMYK 33 / 0 / 57 / 6

HEX #A0EF66

RGB 160 239 102

HSL 94.6, 0.81%, 0.67%

LAB 87.08, -46.79, 57.59

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 33 / 65 / 1

HEX #FCAA59

RGB 252 170 89

HSL 29.82, 0.96%, 0.67%

LAB 76.17, 22.68, 53.01

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 24 / 48 / 12

HEX #E1AA74

RGB 225 170 116

HSL 29.72, 0.64%, 0.67%

LAB 73.56, 13.74, 35.57

 

CMYK 0 / 19 / 39 / 17

HEX #D3AA81

RGB 211 170 129

HSL 30, 0.48%, 0.67%

LAB 72.35, 9.45, 26.81

 

CMYK 0 / 14 / 28 / 22

HEX #C6AA8F

RGB 198 170 143

HSL 29.45, 0.33%, 0.67%

LAB 71.38, 6.08, 17.69

 

CMYK 0 / 8 / 15 / 28

HEX #B8AA9D

RGB 184 170 157

HSL 28.89, 0.16%, 0.67%

LAB 70.44, 2.83, 8.51

 

CMYK 0 / 57 / 54 / 6

HEX #EF666D

RGB 239 102 109

HSL 356.93, 0.81%, 0.67%

LAB 60.74, 53.36, 22.99

 

CMYK 0 / 45 / 57 / 6

HEX #EF8466

RGB 239 132 102

HSL 13.14, 0.81%, 0.67%

LAB 66.38, 38.19, 34.24

 

CMYK 0 / 30 / 57 / 6

HEX #EFA866

RGB 239 168 102

HSL 28.91, 0.81%, 0.67%

LAB 74.39, 19.32, 44.16

 

CMYK 0 / 15 / 57 / 6

HEX #EFCC66

RGB 239 204 102

HSL 44.67, 0.81%, 0.67%

LAB 83.18, 0.45, 54.54

 

CMYK 1 / 0 / 57 / 6

HEX #ECEF66

RGB 236 239 102

HSL 61.31, 0.81%, 0.67%

LAB 91.92, -18.29, 64.36

 

CMYK 0 / 45 / 88 / 9

HEX #E7801C

RGB 231 128 28

HSL 29.56, 0.81%, 0.51%

LAB 63.76, 33.63, 64.87

 

CMYK 0 / 37 / 72 / 8

HEX #EB9541

RGB 235 149 65

HSL 29.65, 0.81%, 0.59%

LAB 69.14, 25.48, 55.93

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 0 / 21 / 42 / 5

HEX #F2BF8C

RGB 242 191 140

HSL 30, 0.8%, 0.75%

LAB 80.76, 11.82, 32.68

 

CMYK 0 / 14 / 28 / 4

HEX #F6D3B1

RGB 246 211 177

HSL 29.57, 0.79%, 0.83%

LAB 86.68, 7.3, 21.37

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 39 / 0 / 57 / 6

HEX #91EF66

RGB 145 239 102

HSL 101.17, 0.81%, 0.67%

LAB 86.36, -51.68, 56.58

 

CMYK 52 / 57 / 0 / 6

HEX #7266EF

RGB 114 102 239

HSL 245.26, 0.81%, 0.67%

LAB 51.05, 40.77, -67.79

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 57 / 0 / 30 / 6

HEX #66EFA8

RGB 102 239 168

HSL 148.91, 0.81%, 0.67%

LAB 85.7, -53.29, 23.38

 

CMYK 30 / 57 / 0 / 6

HEX #A866EF

RGB 168 102 239

HSL 268.91, 0.81%, 0.67%

LAB 56.15, 52.38, -59.32

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 39 / 0 / 57 / 6

HEX #91EF66

RGB 145 239 102

HSL 101.17, 0.81%, 0.67%

LAB 86.36, -51.68, 56.58

 

CMYK 57 / 28 / 0 / 6

HEX #66ADEF

RGB 102 173 239

HSL 208.91, 0.81%, 0.67%

LAB 68.71, -3.36, -39.73

 

CMYK 18 / 57 / 0 / 6

HEX #C366EF

RGB 195 102 239

HSL 280.73, 0.81%, 0.67%

LAB 59.28, 58.85, -54.12

 

CMYK 0 / 29 / 57 / 6

HEX #EFAA66

RGB 239 170 102

HSL 29.78, 0.81%, 0.67%

LAB 74.86, 18.26, 44.73

 

CMYK 56 / 0 / 57 / 6

HEX #68EF66

RGB 104 239 102

HSL 119.12, 0.81%, 0.67%

LAB 84.81, -63.06, 54.38

 

CMYK 57 / 28 / 0 / 6

HEX #66ADEF

RGB 102 173 239

HSL 208.91, 0.81%, 0.67%

LAB 68.71, -3.36, -39.73

 

CMYK 1 / 57 / 0 / 6

HEX #EC66EF

RGB 236 102 239

HSL 298.69, 0.81%, 0.67%

LAB 64.62, 68.97, -45.34

 

Description

Color code: HEX #EFAA66 | qconv.com Color code: HEX #EFAA66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 170 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 170 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 57 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 57% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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