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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFAB94 it is the complementary color #10546B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFAB94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFAB94 shade: #F4AB8F, #FFBDA2, #FFCFB5, #FFE1C8 and #FFF3DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFAB94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFAB94 shade: #EFAB94, #DE9981, #CD876E, #BC755B and #AB6348

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFAB94 shade: #EFAB94 and #EF9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFAB94 shade: #EFAB94, #EFC394, #EFDC94, #E9EF94 and #D1EF94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFAB94 shade matches the following richer shades: #EFAB94 and #F8A68A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFAB94 shade: #EFAB94, #E5B09E, #DBB5A8, #D1BAB2 and #C7BEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFAB94 shade: #EF94AE, #EF9496, #EFAB94, #EFC394 and #EFDB94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFAB94 shade: #E4734C, #E98F70, #EFAB94, #F4C7B8 and #F9E3DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFAB94 shade: #EFAB94, #C6EF94 and #94A2EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFAB94 shade: #EFAB94, #94EFAB and #AB94EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFAB94 shade: #EFAB94, #C6EF94, #94D8EF and #BD94EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFAB94 shade: #EFAB94, #ABEF94, #94D8EF and #D894EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

Complementary color

CMYK 85 / 21 / 0 / 58

HEX #10546B

RGB 16 84 107

HSL 195.16, 0.74%, 0.24%

LAB 32.95, -11.47, -19

 

CMYK 0 / 30 / 41 / 4

HEX #F4AB8F

RGB 244 171 143

HSL 16.63, 0.82%, 0.76%

LAB 76.28, 23.47, 25.16

 

CMYK 0 / 26 / 36 / 0

HEX #FFBDA2

RGB 255 189 162

HSL 17.42, 1%, 0.82%

LAB 81.98, 20.34, 22.96

 

CMYK 0 / 19 / 29 / 0

HEX #FFCFB5

RGB 255 207 181

HSL 21.08, 1%, 0.85%

LAB 86.61, 13.27, 19.31

 

CMYK 0 / 12 / 22 / 0

HEX #FFE1C8

RGB 255 225 200

HSL 27.27, 1%, 0.89%

LAB 91.36, 6.53, 16.01

 

CMYK 0 / 5 / 14 / 0

HEX #FFF3DB

RGB 255 243 219

HSL 40, 1%, 0.93%

LAB 96.19, 0.15, 13.01

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 31 / 42 / 13

HEX #DE9981

RGB 222 153 129

HSL 15.48, 0.58%, 0.69%

LAB 69.4, 22.99, 23.04

 

CMYK 0 / 34 / 46 / 20

HEX #CD876E

RGB 205 135 110

HSL 15.79, 0.49%, 0.62%

LAB 62.87, 23.98, 24.44

 

CMYK 0 / 38 / 52 / 26

HEX #BC755B

RGB 188 117 91

HSL 16.08, 0.42%, 0.55%

LAB 56.26, 25.11, 26.01

 

CMYK 0 / 42 / 58 / 33

HEX #AB6348

RGB 171 99 72

HSL 16.36, 0.41%, 0.48%

LAB 49.56, 26.4, 27.78

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 38 / 38 / 6

HEX #EF9494

RGB 239 148 148

HSL 0, 0.74%, 0.76%

LAB 70.64, 34.25, 14.57

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 18 / 38 / 6

HEX #EFC394

RGB 239 195 148

HSL 30.99, 0.74%, 0.76%

LAB 81.58, 9.42, 29.53

 

CMYK 0 / 8 / 38 / 6

HEX #EFDC94

RGB 239 220 148

HSL 47.47, 0.74%, 0.76%

LAB 87.81, -3.51, 37.75

 

CMYK 3 / 0 / 38 / 6

HEX #E9EF94

RGB 233 239 148

HSL 63.96, 0.74%, 0.76%

LAB 92.22, -15.32, 43.33

 

CMYK 13 / 0 / 38 / 6

HEX #D1EF94

RGB 209 239 148

HSL 79.78, 0.74%, 0.76%

LAB 90.52, -24.32, 40.81

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 33 / 44 / 3

HEX #F8A68A

RGB 248 166 138

HSL 15.27, 0.89%, 0.76%

LAB 75.49, 27.13, 26.86

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 23 / 31 / 10

HEX #E5B09E

RGB 229 176 158

HSL 15.21, 0.58%, 0.76%

LAB 76.18, 16.82, 16.67

 

CMYK 0 / 17 / 23 / 14

HEX #DBB5A8

RGB 219 181 168

HSL 15.29, 0.41%, 0.76%

LAB 76.64, 11.73, 11.75

 

CMYK 0 / 11 / 15 / 18

HEX #D1BAB2

RGB 209 186 178

HSL 15.48, 0.25%, 0.76%

LAB 77.21, 6.87, 7.03

 

CMYK 0 / 5 / 6 / 22

HEX #C7BEBC

RGB 199 190 188

HSL 10.91, 0.09%, 0.76%

LAB 77.64, 2.8, 2.13

 

CMYK 0 / 38 / 27 / 6

HEX #EF94AE

RGB 239 148 174

HSL 342.86, 0.74%, 0.76%

LAB 71.27, 37.49, 1.03

 

CMYK 0 / 38 / 37 / 6

HEX #EF9496

RGB 239 148 150

HSL 358.68, 0.74%, 0.76%

LAB 70.69, 34.48, 13.53

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 18 / 38 / 6

HEX #EFC394

RGB 239 195 148

HSL 30.99, 0.74%, 0.76%

LAB 81.58, 9.42, 29.53

 

CMYK 0 / 8 / 38 / 6

HEX #EFDB94

RGB 239 219 148

HSL 46.81, 0.74%, 0.76%

LAB 87.56, -3, 37.42

 

CMYK 0 / 50 / 67 / 11

HEX #E4734C

RGB 228 115 76

HSL 15.39, 0.74%, 0.6%

LAB 61.03, 40.9, 41.35

 

CMYK 0 / 39 / 52 / 9

HEX #E98F70

RGB 233 143 112

HSL 15.37, 0.73%, 0.68%

LAB 68.12, 30.96, 30.88

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 0 / 18 / 25 / 4

HEX #F4C7B8

RGB 244 199 184

HSL 15, 0.73%, 0.84%

LAB 83.73, 13.77, 13.52

 

CMYK 0 / 9 / 12 / 2

HEX #F9E3DC

RGB 249 227 220

HSL 14.48, 0.71%, 0.92%

LAB 91.79, 6.38, 6.13

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 17 / 0 / 38 / 6

HEX #C6EF94

RGB 198 239 148

HSL 87.03, 0.74%, 0.76%

LAB 89.8, -28.32, 39.75

 

CMYK 38 / 32 / 0 / 6

HEX #94A2EF

RGB 148 162 239

HSL 230.77, 0.74%, 0.76%

LAB 68.29, 13.58, -40.2

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 38 / 0 / 28 / 6

HEX #94EFAB

RGB 148 239 171

HSL 135.16, 0.74%, 0.76%

LAB 87.47, -41.21, 24.54

 

CMYK 28 / 38 / 0 / 6

HEX #AB94EF

RGB 171 148 239

HSL 255.16, 0.74%, 0.76%

LAB 66.57, 27.81, -42.76

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 17 / 0 / 38 / 6

HEX #C6EF94

RGB 198 239 148

HSL 87.03, 0.74%, 0.76%

LAB 89.8, -28.32, 39.75

 

CMYK 38 / 10 / 0 / 6

HEX #94D8EF

RGB 148 216 239

HSL 195.16, 0.74%, 0.76%

LAB 82.72, -15.67, -18.04

 

CMYK 21 / 38 / 0 / 6

HEX #BD94EF

RGB 189 148 239

HSL 267.03, 0.74%, 0.76%

LAB 68.19, 32.94, -40.12

 

CMYK 0 / 28 / 38 / 6

HEX #EFAB94

RGB 239 171 148

HSL 15.16, 0.74%, 0.76%

LAB 75.83, 22.1, 21.76

 

CMYK 28 / 0 / 38 / 6

HEX #ABEF94

RGB 171 239 148

HSL 104.84, 0.74%, 0.76%

LAB 88.22, -37.68, 37.39

 

CMYK 38 / 10 / 0 / 6

HEX #94D8EF

RGB 148 216 239

HSL 195.16, 0.74%, 0.76%

LAB 82.72, -15.67, -18.04

 

CMYK 10 / 38 / 0 / 6

HEX #D894EF

RGB 216 148 239

HSL 284.84, 0.74%, 0.76%

LAB 70.88, 40.89, -35.73

 

Description

Color code: HEX #EFAB94 | qconv.com Color code: HEX #EFAB94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 171 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 171 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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