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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB406 it is the complementary color #104BF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB406. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB406 shade: #F4B401, #FFC614, #FFD827, #FFEA3A and #FFFC4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB406. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB406 shade: #EFB406, #DEA200, #CD9000, #BC7E00 and #AB6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB406 shade: #EEB306, #EE7506, #EE3606 and #EE0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB406 shade: #EEB306, #EAEE06, #ACEE06, #6DEE06 and #2EEE06

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB406 shade matches the following richer shades: #EEB306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB406 shade: #EEB306, #DAAA19, #C7A02D, #B39641 and #9F8C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB406 shade: #EE3406, #EE7206, #EEB006, #EEEE06 and #B0EE06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB406 shade: #9E7704, #C69505, #EEB306, #F9C324 and #FACE4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB406 shade: #EFB406, #15EE06 and #5306EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB406 shade: #EFB406, #06EEB0 and #B006EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB406 shade: #EFB406, #15EE06, #0644EE and #DF06EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB406 shade: #EFB406, #06EE3C, #0644EE and #EE06B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

Complementary color

CMYK 94 / 70 / 0 / 2

HEX #104BF9

RGB 16 75 249

HSL 224.81, 0.95%, 0.52%

LAB 41.19, 50.05, -89.72

 

CMYK 0 / 26 / 100 / 4

HEX #F4B401

RGB 244 180 1

HSL 44.2, 0.99%, 0.48%

LAB 77.21, 11.42, 79.77

 

CMYK 0 / 22 / 92 / 0

HEX #FFC614

RGB 255 198 20

HSL 45.45, 1%, 0.54%

LAB 82.75, 6.95, 82.1

 

CMYK 0 / 15 / 85 / 0

HEX #FFD827

RGB 255 216 39

HSL 49.17, 1%, 0.58%

LAB 87.25, -1.92, 82.01

 

CMYK 0 / 8 / 77 / 0

HEX #FFEA3A

RGB 255 234 58

HSL 53.6, 1%, 0.61%

LAB 91.87, -10.37, 80.97

 

CMYK 0 / 1 / 70 / 0

HEX #FFFC4D

RGB 255 252 77

HSL 58.99, 1%, 0.65%

LAB 96.58, -18.37, 79.31

 

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

CMYK 0 / 27 / 100 / 13

HEX #DEA200

RGB 222 162 0

HSL 43.78, 1%, 0.44%

LAB 70.43, 11.41, 74.14

 

CMYK 0 / 30 / 100 / 20

HEX #CD9000

RGB 205 144 0

HSL 42.15, 1%, 0.4%

LAB 64.1, 13.63, 68.94

 

CMYK 0 / 33 / 100 / 26

HEX #BC7E00

RGB 188 126 0

HSL 40.21, 1%, 0.37%

LAB 57.67, 15.95, 63.68

 

CMYK 0 / 37 / 100 / 33

HEX #AB6C00

RGB 171 108 0

HSL 37.89, 1%, 0.34%

LAB 51.13, 18.36, 58.35

 

CMYK 0 / 25 / 97 / 7

HEX #EEB306

RGB 238 179 6

HSL 44.74, 0.95%, 0.48%

LAB 76.33, 9.41, 78.33

 

CMYK 0 / 51 / 97 / 7

HEX #EE7506

RGB 238 117 6

HSL 28.71, 0.95%, 0.48%

LAB 62.43, 41.71, 69.06

 

CMYK 0 / 77 / 97 / 7

HEX #EE3606

RGB 238 54 6

HSL 12.41, 0.95%, 0.48%

LAB 52.76, 67.42, 63.57

 

CMYK 0 / 97 / 97 / 7

HEX #EE0606

RGB 238 6 6

HSL 0, 0.95%, 0.48%

LAB 49.88, 75.62, 62.22

 

CMYK 0 / 25 / 97 / 7

HEX #EEB306

RGB 238 179 6

HSL 44.74, 0.95%, 0.48%

LAB 76.33, 9.41, 78.33

 

CMYK 2 / 0 / 97 / 7

HEX #EAEE06

RGB 234 238 6

HSL 61.03, 0.95%, 0.48%

LAB 91.08, -22.07, 88.85

 

CMYK 28 / 0 / 97 / 7

HEX #ACEE06

RGB 172 238 6

HSL 77.07, 0.95%, 0.48%

LAB 86.96, -46.69, 83.92

 

CMYK 54 / 0 / 97 / 7

HEX #6DEE06

RGB 109 238 6

HSL 93.36, 0.95%, 0.48%

LAB 84.18, -67.01, 80.55

 

CMYK 81 / 0 / 97 / 7

HEX #2EEE06

RGB 46 238 6

HSL 109.66, 0.95%, 0.48%

LAB 82.78, -78.89, 78.83

 

CMYK 0 / 25 / 97 / 7

HEX #EEB306

RGB 238 179 6

HSL 44.74, 0.95%, 0.48%

LAB 76.33, 9.41, 78.33

 

CMYK 0 / 25 / 97 / 7

HEX #EEB306

RGB 238 179 6

HSL 44.74, 0.95%, 0.48%

LAB 76.33, 9.41, 78.33

 

CMYK 0 / 22 / 89 / 15

HEX #DAAA19

RGB 218 170 25

HSL 45.08, 0.79%, 0.48%

LAB 72.04, 5.71, 71.42

 

CMYK 0 / 20 / 77 / 22

HEX #C7A02D

RGB 199 160 45

HSL 44.81, 0.63%, 0.48%

LAB 67.63, 3.28, 61.17

 

CMYK 0 / 16 / 64 / 30

HEX #B39641

RGB 179 150 65

HSL 44.74, 0.47%, 0.48%

LAB 63.16, 0.93, 47.68

 

CMYK 0 / 12 / 47 / 38

HEX #9F8C55

RGB 159 140 85

HSL 44.59, 0.3%, 0.48%

LAB 58.77, -0.59, 31.9

 

CMYK 0 / 78 / 97 / 7

HEX #EE3406

RGB 238 52 6

HSL 11.9, 0.95%, 0.48%

LAB 52.56, 67.98, 63.47

 

CMYK 0 / 52 / 97 / 7

HEX #EE7206

RGB 238 114 6

HSL 27.93, 0.95%, 0.48%

LAB 61.85, 43.19, 68.7

 

CMYK 0 / 26 / 97 / 7

HEX #EEB006

RGB 238 176 6

HSL 43.97, 0.95%, 0.48%

LAB 75.6, 10.98, 77.82

 

CMYK 0 / 0 / 97 / 7

HEX #EEEE06

RGB 238 238 6

HSL 60, 0.95%, 0.48%

LAB 91.39, -20.41, 89.22

 

CMYK 26 / 0 / 97 / 7

HEX #B0EE06

RGB 176 238 6

HSL 76.03, 0.95%, 0.48%

LAB 87.19, -45.2, 84.2

 

CMYK 0 / 25 / 97 / 38

HEX #9E7704

RGB 158 119 4

HSL 44.81, 0.95%, 0.32%

LAB 52.37, 6.24, 57.64

 

CMYK 0 / 25 / 97 / 22

HEX #C69505

RGB 198 149 5

HSL 44.77, 0.95%, 0.4%

LAB 64.57, 7.86, 68.19

 

CMYK 0 / 25 / 97 / 7

HEX #EEB306

RGB 238 179 6

HSL 44.74, 0.95%, 0.48%

LAB 76.33, 9.41, 78.33

 

CMYK 0 / 22 / 86 / 2

HEX #F9C324

RGB 249 195 36

HSL 44.79, 0.95%, 0.56%

LAB 81.45, 6.22, 77.76

 

CMYK 0 / 18 / 70 / 2

HEX #FACE4C

RGB 250 206 76

HSL 44.83, 0.95%, 0.64%

LAB 84.48, 2.4, 67.54

 

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

CMYK 91 / 0 / 97 / 7

HEX #15EE06

RGB 21 238 6

HSL 116.12, 0.95%, 0.48%

LAB 82.55, -80.93, 78.55

 

CMYK 65 / 97 / 0 / 7

HEX #5306EE

RGB 83 6 238

HSL 259.91, 0.95%, 0.48%

LAB 34.28, 75.97, -94.87

 

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

CMYK 97 / 0 / 26 / 7

HEX #06EEB0

RGB 6 238 176

HSL 163.97, 0.95%, 0.48%

LAB 84.13, -61.7, 16.85

 

CMYK 26 / 97 / 0 / 7

HEX #B006EE

RGB 176 6 238

HSL 283.97, 0.95%, 0.48%

LAB 46.36, 84.07, -74.55

 

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

CMYK 91 / 0 / 97 / 7

HEX #15EE06

RGB 21 238 6

HSL 116.12, 0.95%, 0.48%

LAB 82.55, -80.93, 78.55

 

CMYK 97 / 71 / 0 / 7

HEX #0644EE

RGB 6 68 238

HSL 223.97, 0.95%, 0.48%

LAB 38.46, 50.13, -88.04

 

CMYK 6 / 97 / 0 / 7

HEX #DF06EE

RGB 223 6 238

HSL 296.12, 0.95%, 0.48%

LAB 54.02, 90.56, -61.77

 

CMYK 0 / 25 / 97 / 6

HEX #EFB406

RGB 239 180 6

HSL 44.81, 0.95%, 0.48%

LAB 76.68, 9.31, 78.63

 

CMYK 97 / 0 / 75 / 7

HEX #06EE3C

RGB 6 238 60

HSL 133.97, 0.95%, 0.48%

LAB 82.65, -79.35, 67.98

 

CMYK 97 / 71 / 0 / 7

HEX #0644EE

RGB 6 68 238

HSL 223.97, 0.95%, 0.48%

LAB 38.46, 50.13, -88.04

 

CMYK 0 / 97 / 23 / 7

HEX #EE06B8

RGB 238 6 184

HSL 313.97, 0.95%, 0.48%

LAB 53.78, 85.95, -31.09

 

Description

Color code: HEX #EFB406 | qconv.com Color code: HEX #EFB406 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 180 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 180 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 97 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 97% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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