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Color name
HEX #EFB447

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB447 it is the complementary color #104BB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB447. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB447 shade: #F4B442, #FFC655, #FFD868, #FFEA7B and #FFFC8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB447. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB447 shade: #EFB447, #DEA234, #CD9021, #BC7E0E and #AB6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB447 shade: #EFB448, #EF8748, #EF5A48 and #EF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB447 shade: #EFB448, #EFE148, #CFEF48, #A2EF48 and #75EF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB447 shade matches the following richer shades: #EFB448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB447 shade: #EFB448, #DEAF58, #CEAA68, #BEA678 and #AEA188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB447 shade: #EF5848, #EF8548, #EFB148, #EFDE48 and #D3EF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB447 shade: #D28E12, #EBA422, #EFB448, #F2C36D and #F5D393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB447 shade: #EFB447, #63EF48 and #6E48EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB447 shade: #EFB447, #48EFB1 and #B148EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB447 shade: #EFB447, #63EF48, #4885EF and #D348EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB447 shade: #EFB447, #48EF5E, #4885EF and #EF48D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

Complementary color

CMYK 91 / 59 / 0 / 28

HEX #104BB8

RGB 16 75 184

HSL 218.93, 0.84%, 0.39%

LAB 35.21, 25.72, -62.22

 

CMYK 0 / 26 / 73 / 4

HEX #F4B442

RGB 244 180 66

HSL 38.43, 0.89%, 0.61%

LAB 77.44, 12.91, 64.25

 

CMYK 0 / 22 / 67 / 0

HEX #FFC655

RGB 255 198 85

HSL 39.88, 1%, 0.67%

LAB 83.07, 9.07, 62.5

 

CMYK 0 / 15 / 59 / 0

HEX #FFD868

RGB 255 216 104

HSL 44.5, 1%, 0.7%

LAB 87.67, 1, 59.15

 

CMYK 0 / 8 / 52 / 0

HEX #FFEA7B

RGB 255 234 123

HSL 50.45, 1%, 0.74%

LAB 92.37, -6.64, 55.89

 

CMYK 0 / 1 / 44 / 0

HEX #FFFC8E

RGB 255 252 142

HSL 58.41, 1%, 0.78%

LAB 97.16, -13.85, 52.77

 

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

CMYK 0 / 27 / 77 / 13

HEX #DEA234

RGB 222 162 52

HSL 38.82, 0.72%, 0.54%

LAB 70.61, 12.5, 62.26

 

CMYK 0 / 30 / 84 / 20

HEX #CD9021

RGB 205 144 33

HSL 38.72, 0.72%, 0.47%

LAB 64.19, 14.18, 62.37

 

CMYK 0 / 33 / 93 / 26

HEX #BC7E0E

RGB 188 126 14

HSL 38.62, 0.86%, 0.4%

LAB 57.7, 16.13, 61.28

 

CMYK 0 / 37 / 100 / 33

HEX #AB6C00

RGB 171 108 0

HSL 37.89, 1%, 0.34%

LAB 51.13, 18.36, 58.35

 

CMYK 0 / 25 / 70 / 6

HEX #EFB448

RGB 239 180 72

HSL 38.8, 0.84%, 0.61%

LAB 76.96, 11.09, 61.12

 

CMYK 0 / 44 / 70 / 6

HEX #EF8748

RGB 239 135 72

HSL 22.63, 0.84%, 0.61%

LAB 66.63, 34.76, 50.14

 

CMYK 0 / 62 / 70 / 6

HEX #EF5A48

RGB 239 90 72

HSL 6.47, 0.84%, 0.61%

LAB 58.16, 56.35, 40.6

 

CMYK 0 / 70 / 70 / 6

HEX #EF4848

RGB 239 72 72

HSL 0, 0.84%, 0.61%

LAB 55.54, 63.47, 37.53

 

CMYK 0 / 25 / 70 / 6

HEX #EFB448

RGB 239 180 72

HSL 38.8, 0.84%, 0.61%

LAB 76.96, 11.09, 61.12

 

CMYK 0 / 6 / 70 / 6

HEX #EFE148

RGB 239 225 72

HSL 54.97, 0.84%, 0.61%

LAB 88.29, -11.98, 72.54

 

CMYK 13 / 0 / 70 / 6

HEX #CFEF48

RGB 207 239 72

HSL 71.5, 0.84%, 0.61%

LAB 89.61, -31.69, 73.03

 

CMYK 32 / 0 / 70 / 6

HEX #A2EF48

RGB 162 239 72

HSL 87.66, 0.84%, 0.61%

LAB 86.94, -48.49, 69.48

 

CMYK 51 / 0 / 70 / 6

HEX #75EF48

RGB 117 239 72

HSL 103.83, 0.84%, 0.61%

LAB 84.99, -62.57, 66.86

 

CMYK 0 / 25 / 70 / 6

HEX #EFB448

RGB 239 180 72

HSL 38.8, 0.84%, 0.61%

LAB 76.96, 11.09, 61.12

 

CMYK 0 / 25 / 70 / 6

HEX #EFB448

RGB 239 180 72

HSL 38.8, 0.84%, 0.61%

LAB 76.96, 11.09, 61.12

 

CMYK 0 / 21 / 60 / 13

HEX #DEAF58

RGB 222 175 88

HSL 38.96, 0.67%, 0.61%

LAB 74.12, 7.53, 50.29

 

CMYK 0 / 17 / 50 / 19

HEX #CEAA68

RGB 206 170 104

HSL 38.82, 0.51%, 0.61%

LAB 71.47, 4.81, 38.77

 

CMYK 0 / 13 / 37 / 25

HEX #BEA678

RGB 190 166 120

HSL 39.43, 0.35%, 0.61%

LAB 69.17, 2.09, 27.05

 

CMYK 0 / 7 / 22 / 32

HEX #AEA188

RGB 174 161 136

HSL 39.47, 0.19%, 0.61%

LAB 66.72, 0.6, 14.74

 

CMYK 0 / 63 / 70 / 6

HEX #EF5848

RGB 239 88 72

HSL 5.75, 0.84%, 0.61%

LAB 57.84, 57.2, 40.23

 

CMYK 0 / 44 / 70 / 6

HEX #EF8548

RGB 239 133 72

HSL 21.92, 0.84%, 0.61%

LAB 66.21, 35.8, 49.67

 

CMYK 0 / 26 / 70 / 6

HEX #EFB148

RGB 239 177 72

HSL 37.72, 0.84%, 0.61%

LAB 76.23, 12.67, 60.37

 

CMYK 0 / 7 / 70 / 6

HEX #EFDE48

RGB 239 222 72

HSL 53.89, 0.84%, 0.61%

LAB 87.51, -10.49, 71.78

 

CMYK 12 / 0 / 70 / 6

HEX #D3EF48

RGB 211 239 72

HSL 70.06, 0.84%, 0.61%

LAB 89.88, -30.11, 73.39

 

CMYK 0 / 32 / 91 / 18

HEX #D28E12

RGB 210 142 18

HSL 38.75, 0.84%, 0.45%

LAB 64.23, 17.13, 66.51

 

CMYK 0 / 30 / 86 / 8

HEX #EBA422

RGB 235 164 34

HSL 38.81, 0.83%, 0.53%

LAB 72.45, 16.45, 70.33

 

CMYK 0 / 25 / 70 / 6

HEX #EFB448

RGB 239 180 72

HSL 38.8, 0.84%, 0.61%

LAB 76.96, 11.09, 61.12

 

CMYK 0 / 19 / 55 / 5

HEX #F2C36D

RGB 242 195 109

HSL 38.8, 0.84%, 0.69%

LAB 81.3, 6.88, 49.07

 

CMYK 0 / 14 / 40 / 4

HEX #F5D393

RGB 245 211 147

HSL 39.18, 0.83%, 0.77%

LAB 86.06, 3.33, 36.07

 

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

CMYK 59 / 0 / 70 / 6

HEX #63EF48

RGB 99 239 72

HSL 110.3, 0.84%, 0.61%

LAB 84.41, -67.11, 66.08

 

CMYK 54 / 70 / 0 / 6

HEX #6E48EF

RGB 110 72 239

HSL 253.65, 0.84%, 0.61%

LAB 44.49, 56.72, -78.49

 

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

CMYK 70 / 0 / 26 / 6

HEX #48EFB1

RGB 72 239 177

HSL 157.72, 0.84%, 0.61%

LAB 85.14, -56.71, 17.85

 

CMYK 26 / 70 / 0 / 6

HEX #B148EF

RGB 177 72 239

HSL 277.72, 0.84%, 0.61%

LAB 52.08, 68.42, -65.81

 

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

CMYK 59 / 0 / 70 / 6

HEX #63EF48

RGB 99 239 72

HSL 110.3, 0.84%, 0.61%

LAB 84.41, -67.11, 66.08

 

CMYK 70 / 44 / 0 / 6

HEX #4885EF

RGB 72 133 239

HSL 218.08, 0.84%, 0.61%

LAB 56.47, 14.84, -59.18

 

CMYK 12 / 70 / 0 / 6

HEX #D348EF

RGB 211 72 239

HSL 289.94, 0.84%, 0.61%

LAB 56.8, 75.23, -57.97

 

CMYK 0 / 25 / 70 / 6

HEX #EFB447

RGB 239 180 71

HSL 38.93, 0.84%, 0.61%

LAB 76.95, 11.04, 61.54

 

CMYK 70 / 0 / 61 / 6

HEX #48EF5E

RGB 72 239 94

HSL 127.9, 0.84%, 0.61%

LAB 83.92, -70.42, 56.63

 

CMYK 70 / 44 / 0 / 6

HEX #4885EF

RGB 72 133 239

HSL 218.08, 0.84%, 0.61%

LAB 56.47, 14.84, -59.18

 

CMYK 0 / 70 / 10 / 6

HEX #EF48D8

RGB 239 72 216

HSL 308.26, 0.84%, 0.61%

LAB 59.84, 77.57, -39.95

 

Description

Color code: HEX #EFB447 | qconv.com Color code: HEX #EFB447 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 180 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 180 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 70% 6% C M Y K

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Provide designers and agencies with accurate color values.

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