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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB961 it is the complementary color #10469E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB961. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB961 shade: #F4B95C, #FFCB6F, #FFDD82, #FFEF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB961. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB961 shade: #EFB961, #DEA74E, #CD953B, #BC8328 and #AB7115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB961 shade: #EFB961, #EF9261, #EF6C61 and #EF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB961 shade: #EFB961, #EFDF61, #D8EF61, #B2EF61 and #8CEF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB961 shade matches the following richer shades: #EFB961 and #FDBC53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB961 shade: #EFB961, #E1B56F, #D3B27D, #C5AF8B and #B7AB99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB961 shade: #EF6D61, #EF9261, #EFB861, #EFDE61 and #DAEF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB961 shade: #E79716, #EBA83B, #EFB961, #F3C986 and #F6DAAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB961 shade: #EFB961, #7BEF61 and #8061EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB961 shade: #EFB961, #61EFB8 and #B861EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB961 shade: #EFB961, #7BEF61, #6197EF and #D561EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB961 shade: #EFB961, #61EF71, #6197EF and #EF61DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

Complementary color

CMYK 90 / 56 / 0 / 38

HEX #10469E

RGB 16 70 158

HSL 217.18, 0.82%, 0.34%

LAB 31.71, 18.59, -52.4

 

CMYK 0 / 24 / 62 / 4

HEX #F4B95C

RGB 244 185 92

HSL 36.71, 0.87%, 0.66%

LAB 78.87, 11.71, 54.41

 

CMYK 0 / 20 / 56 / 0

HEX #FFCB6F

RGB 255 203 111

HSL 38.33, 1%, 0.72%

LAB 84.55, 8.18, 52.28

 

CMYK 0 / 13 / 49 / 0

HEX #FFDD82

RGB 255 221 130

HSL 43.68, 1%, 0.75%

LAB 89.2, 0.5, 48.73

 

CMYK 0 / 6 / 42 / 0

HEX #FFEF95

RGB 255 239 149

HSL 50.94, 1%, 0.79%

LAB 93.95, -6.76, 45.4

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 25 / 65 / 13

HEX #DEA74E

RGB 222 167 78

HSL 37.08, 0.69%, 0.59%

LAB 72.04, 11.14, 52.66

 

CMYK 0 / 27 / 71 / 20

HEX #CD953B

RGB 205 149 59

HSL 36.99, 0.59%, 0.52%

LAB 65.58, 12.48, 53.81

 

CMYK 0 / 30 / 79 / 26

HEX #BC8328

RGB 188 131 40

HSL 36.89, 0.65%, 0.45%

LAB 59.05, 14.05, 54.6

 

CMYK 0 / 34 / 88 / 33

HEX #AB7115

RGB 171 113 21

HSL 36.8, 0.78%, 0.38%

LAB 52.42, 15.91, 54.58

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 39 / 59 / 6

HEX #EF9261

RGB 239 146 97

HSL 20.7, 0.82%, 0.66%

LAB 69.31, 30.56, 40.55

 

CMYK 0 / 55 / 59 / 6

HEX #EF6C61

RGB 239 108 97

HSL 4.65, 0.82%, 0.66%

LAB 61.6, 49.7, 30.93

 

CMYK 0 / 59 / 59 / 6

HEX #EF6161

RGB 239 97 97

HSL 0, 0.82%, 0.66%

LAB 59.67, 54.74, 28.45

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 7 / 59 / 6

HEX #EFDF61

RGB 239 223 97

HSL 53.24, 0.82%, 0.66%

LAB 87.96, -9.55, 62.2

 

CMYK 10 / 0 / 59 / 6

HEX #D8EF61

RGB 216 239 97

HSL 69.72, 0.82%, 0.66%

LAB 90.41, -26.57, 64.4

 

CMYK 26 / 0 / 59 / 6

HEX #B2EF61

RGB 178 239 97

HSL 85.77, 0.82%, 0.66%

LAB 88, -40.95, 61.05

 

CMYK 41 / 0 / 59 / 6

HEX #8CEF61

RGB 140 239 97

HSL 101.83, 0.82%, 0.66%

LAB 86.09, -53.73, 58.38

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 26 / 67 / 1

HEX #FDBC53

RGB 253 188 83

HSL 37.06, 0.98%, 0.66%

LAB 80.45, 13.33, 60.5

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 20 / 51 / 12

HEX #E1B56F

RGB 225 181 111

HSL 36.84, 0.66%, 0.66%

LAB 76.19, 7.43, 41.47

 

CMYK 0 / 16 / 41 / 17

HEX #D3B27D

RGB 211 178 125

HSL 36.98, 0.49%, 0.66%

LAB 74.3, 4.72, 31.52

 

CMYK 0 / 11 / 29 / 23

HEX #C5AF8B

RGB 197 175 139

HSL 37.24, 0.33%, 0.66%

LAB 72.49, 2.46, 21.39

 

CMYK 0 / 7 / 16 / 28

HEX #B7AB99

RGB 183 171 153

HSL 36, 0.17%, 0.66%

LAB 70.52, 1.27, 10.82

 

CMYK 0 / 54 / 59 / 6

HEX #EF6D61

RGB 239 109 97

HSL 5.07, 0.82%, 0.66%

LAB 61.78, 49.22, 31.16

 

CMYK 0 / 39 / 59 / 6

HEX #EF9261

RGB 239 146 97

HSL 20.7, 0.82%, 0.66%

LAB 69.31, 30.56, 40.55

 

CMYK 0 / 23 / 59 / 6

HEX #EFB861

RGB 239 184 97

HSL 36.76, 0.82%, 0.66%

LAB 78.17, 10.5, 51.1

 

CMYK 0 / 7 / 59 / 6

HEX #EFDE61

RGB 239 222 97

HSL 52.82, 0.82%, 0.66%

LAB 87.71, -9.05, 61.92

 

CMYK 9 / 0 / 59 / 6

HEX #DAEF61

RGB 218 239 97

HSL 68.87, 0.82%, 0.66%

LAB 90.55, -25.79, 64.59

 

CMYK 0 / 35 / 90 / 9

HEX #E79716

RGB 231 151 22

HSL 37.03, 0.83%, 0.5%

LAB 68.88, 21.41, 70.27

 

CMYK 0 / 29 / 75 / 8

HEX #EBA83B

RGB 235 168 59

HSL 37.16, 0.81%, 0.58%

LAB 73.53, 15.14, 62.87

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 0 / 17 / 45 / 5

HEX #F3C986

RGB 243 201 134

HSL 36.88, 0.82%, 0.74%

LAB 83.2, 6.38, 38.97

 

CMYK 0 / 11 / 30 / 4

HEX #F6DAAC

RGB 246 218 172

HSL 37.3, 0.8%, 0.82%

LAB 88.31, 3.04, 26.22

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 49 / 0 / 59 / 6

HEX #7BEF61

RGB 123 239 97

HSL 109.01, 0.82%, 0.66%

LAB 85.41, -58.71, 57.42

 

CMYK 46 / 59 / 0 / 6

HEX #8061EF

RGB 128 97 239

HSL 253.1, 0.82%, 0.66%

LAB 51.12, 46.36, -67.63

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 59 / 0 / 23 / 6

HEX #61EFB8

RGB 97 239 184

HSL 156.76, 0.82%, 0.66%

LAB 85.87, -51.01, 15.33

 

CMYK 23 / 59 / 0 / 6

HEX #B861EF

RGB 184 97 239

HSL 276.76, 0.82%, 0.66%

LAB 57.05, 58.65, -57.77

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 49 / 0 / 59 / 6

HEX #7BEF61

RGB 123 239 97

HSL 109.01, 0.82%, 0.66%

LAB 85.41, -58.71, 57.42

 

CMYK 59 / 37 / 0 / 6

HEX #6197EF

RGB 97 151 239

HSL 217.18, 0.82%, 0.66%

LAB 62.43, 8.24, -49.63

 

CMYK 11 / 59 / 0 / 6

HEX #D561EF

RGB 213 97 239

HSL 289.01, 0.82%, 0.66%

LAB 60.72, 65.53, -51.7

 

CMYK 0 / 23 / 59 / 6

HEX #EFB961

RGB 239 185 97

HSL 37.18, 0.82%, 0.66%

LAB 78.41, 9.98, 51.39

 

CMYK 59 / 0 / 53 / 6

HEX #61EF71

RGB 97 239 113

HSL 126.76, 0.82%, 0.66%

LAB 84.72, -63.32, 49.24

 

CMYK 59 / 37 / 0 / 6

HEX #6197EF

RGB 97 151 239

HSL 217.18, 0.82%, 0.66%

LAB 62.43, 8.24, -49.63

 

CMYK 0 / 59 / 7 / 6

HEX #EF61DE

RGB 239 97 222

HSL 307.18, 0.82%, 0.66%

LAB 63.49, 69.07, -37.62

 

Description

Color code: HEX #EFB961 | qconv.com Color code: HEX #EFB961 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 185 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 185 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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