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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB9F2 it is the complementary color #10460D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB9F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB9F2 shade: #F4B9ED, #FFCBFF, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB9F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB9F2 shade: #EFB9F2, #DEA7DF, #CD95CC, #BC83B9 and #AB71A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB9F2 shade: #EFBAF2, #F2BAE6, #F2BAD6, #F2BAC7 and #F2BABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB9F2 shade: #EFBAF2, #E0BAF2, #D1BAF2, #C1BAF2 and #BABAF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB9F2 shade matches the following richer shades: #EFBAF2 and #F5B3F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB9F2 shade: #EFBAF2, #E9C0EB, #E3C7E5, #DDCDDE and #D7D4D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB9F2 shade: #D0BAF2, #DFBAF2, #EEBAF2, #F2BAE7 and #F2BAD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB9F2 shade: #DF74E5, #E797EB, #EFBAF2 and #F7DCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB9F2 shade: #EFB9F2, #F2C1BA and #BAF2D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB9F2 shade: #EFB9F2, #F2EEBA and #BAF2EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB9F2 shade: #EFB9F2, #F2C1BA, #BDF2BA and #BAEAF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB9F2 shade: #EFB9F2, #F2D2BA, #BDF2BA and #BAD9F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

Complementary color

CMYK 77 / 0 / 81 / 73

HEX #10460D

RGB 16 70 13

HSL 116.84, 0.69%, 0.16%

LAB 25.32, -29.87, 27.71

 

CMYK 0 / 24 / 3 / 4

HEX #F4B9ED

RGB 244 185 237

HSL 307.12, 0.73%, 0.84%

LAB 81.86, 29.59, -17.58

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

CMYK 0 / 25 / 0 / 13

HEX #DEA7DF

RGB 222 167 223

HSL 298.93, 0.47%, 0.76%

LAB 75.14, 29.47, -20.4

 

CMYK 0 / 27 / 0 / 20

HEX #CD95CC

RGB 205 149 204

HSL 301.07, 0.36%, 0.69%

LAB 68.63, 30.1, -19.99

 

CMYK 0 / 30 / 2 / 26

HEX #BC83B9

RGB 188 131 185

HSL 303.16, 0.3%, 0.63%

LAB 62.02, 30.79, -19.56

 

CMYK 0 / 34 / 3 / 33

HEX #AB71A6

RGB 171 113 166

HSL 305.17, 0.26%, 0.56%

LAB 55.3, 31.52, -19.1

 

CMYK 1 / 23 / 0 / 5

HEX #EFBAF2

RGB 239 186 242

HSL 296.79, 0.68%, 0.84%

LAB 81.77, 28.34, -20.45

 

CMYK 0 / 23 / 5 / 5

HEX #F2BAE6

RGB 242 186 230

HSL 312.86, 0.68%, 0.84%

LAB 81.68, 27.17, -14.12

 

CMYK 0 / 23 / 12 / 5

HEX #F2BAD6

RGB 242 186 214

HSL 330, 0.68%, 0.84%

LAB 81.21, 24.46, -6.22

 

CMYK 0 / 23 / 18 / 5

HEX #F2BAC7

RGB 242 186 199

HSL 346.07, 0.68%, 0.84%

LAB 80.8, 22.09, 1.27

 

CMYK 0 / 23 / 23 / 5

HEX #F2BABA

RGB 242 186 186

HSL 0, 0.68%, 0.84%

LAB 80.48, 20.17, 7.81

 

CMYK 1 / 23 / 0 / 5

HEX #EFBAF2

RGB 239 186 242

HSL 296.79, 0.68%, 0.84%

LAB 81.77, 28.34, -20.45

 

CMYK 7 / 23 / 0 / 5

HEX #E0BAF2

RGB 224 186 242

HSL 280.71, 0.68%, 0.84%

LAB 80.39, 23.51, -22.67

 

CMYK 14 / 23 / 0 / 5

HEX #D1BAF2

RGB 209 186 242

HSL 264.64, 0.68%, 0.84%

LAB 79.09, 18.76, -24.77

 

CMYK 20 / 23 / 0 / 5

HEX #C1BAF2

RGB 193 186 242

HSL 247.5, 0.68%, 0.84%

LAB 77.8, 13.82, -26.87

 

CMYK 23 / 23 / 0 / 5

HEX #BABAF2

RGB 186 186 242

HSL 240, 0.68%, 0.84%

LAB 77.26, 11.71, -27.73

 

CMYK 1 / 23 / 0 / 5

HEX #EFBAF2

RGB 239 186 242

HSL 296.79, 0.68%, 0.84%

LAB 81.77, 28.34, -20.45

 

CMYK 1 / 28 / 0 / 3

HEX #F5B3F8

RGB 245 179 248

HSL 297.39, 0.83%, 0.84%

LAB 80.98, 35.07, -24.81

 

CMYK 1 / 23 / 0 / 5

HEX #EFBAF2

RGB 239 186 242

HSL 296.79, 0.68%, 0.84%

LAB 81.77, 28.34, -20.45

 

CMYK 1 / 18 / 0 / 8

HEX #E9C0EB

RGB 233 192 235

HSL 297.21, 0.52%, 0.84%

LAB 82.39, 21.89, -15.82

 

CMYK 1 / 13 / 0 / 10

HEX #E3C7E5

RGB 227 199 229

HSL 296, 0.37%, 0.84%

LAB 83.36, 15.05, -11.22

 

CMYK 0 / 8 / 0 / 13

HEX #DDCDDE

RGB 221 205 222

HSL 296.47, 0.2%, 0.84%

LAB 84.13, 8.56, -6.4

 

CMYK 0 / 1 / 0 / 16

HEX #D7D4D7

RGB 215 212 215

HSL 300, 0.04%, 0.84%

LAB 85.22, 1.57, -1.12

 

CMYK 14 / 23 / 0 / 5

HEX #D0BAF2

RGB 208 186 242

HSL 263.57, 0.68%, 0.84%

LAB 79.01, 18.45, -24.91

 

CMYK 8 / 23 / 0 / 5

HEX #DFBAF2

RGB 223 186 242

HSL 279.64, 0.68%, 0.84%

LAB 80.3, 23.19, -22.82

 

CMYK 2 / 23 / 0 / 5

HEX #EEBAF2

RGB 238 186 242

HSL 295.71, 0.68%, 0.84%

LAB 81.68, 28.01, -20.6

 

CMYK 0 / 23 / 5 / 5

HEX #F2BAE7

RGB 242 186 231

HSL 311.79, 0.68%, 0.84%

LAB 81.71, 27.34, -14.62

 

CMYK 0 / 23 / 11 / 5

HEX #F2BAD8

RGB 242 186 216

HSL 327.86, 0.68%, 0.84%

LAB 81.27, 24.79, -7.21

 

CMYK 3 / 49 / 0 / 10

HEX #DF74E5

RGB 223 116 229

HSL 296.81, 0.68%, 0.68%

LAB 64.83, 57.41, -39.57

 

CMYK 2 / 36 / 0 / 8

HEX #E797EB

RGB 231 151 235

HSL 297.14, 0.68%, 0.76%

LAB 72.97, 43.07, -30.17

 

CMYK 1 / 23 / 0 / 5

HEX #EFBAF2

RGB 239 186 242

HSL 296.79, 0.68%, 0.84%

LAB 81.77, 28.34, -20.45

 

CMYK 0 / 11 / 0 / 3

HEX #F7DCF8

RGB 247 220 248

HSL 297.86, 0.67%, 0.92%

LAB 90.66, 14.1, -10.22

 

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

CMYK 0 / 20 / 23 / 5

HEX #F2C1BA

RGB 242 193 186

HSL 7.5, 0.68%, 0.84%

LAB 82.14, 16.47, 10.18

 

CMYK 23 / 0 / 11 / 5

HEX #BAF2D8

RGB 186 242 216

HSL 152.14, 0.68%, 0.84%

LAB 91.19, -22.88, 6.78

 

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

CMYK 0 / 2 / 23 / 5

HEX #F2EEBA

RGB 242 238 186

HSL 55.71, 0.68%, 0.84%

LAB 93.26, -6.77, 25.72

 

CMYK 23 / 0 / 2 / 5

HEX #BAF2EE

RGB 186 242 238

HSL 175.71, 0.68%, 0.84%

LAB 91.74, -18.44, -3.87

 

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

CMYK 0 / 20 / 23 / 5

HEX #F2C1BA

RGB 242 193 186

HSL 7.5, 0.68%, 0.84%

LAB 82.14, 16.47, 10.18

 

CMYK 22 / 0 / 23 / 5

HEX #BDF2BA

RGB 189 242 186

HSL 116.79, 0.68%, 0.84%

LAB 90.72, -27.3, 21.65

 

CMYK 23 / 3 / 0 / 5

HEX #BAEAF2

RGB 186 234 242

HSL 188.57, 0.68%, 0.84%

LAB 89.72, -13.59, -8.94

 

CMYK 1 / 24 / 0 / 5

HEX #EFB9F2

RGB 239 185 242

HSL 296.84, 0.69%, 0.84%

LAB 81.54, 28.87, -20.79

 

CMYK 0 / 13 / 23 / 5

HEX #F2D2BA

RGB 242 210 186

HSL 25.71, 0.68%, 0.84%

LAB 86.26, 7.55, 16.01

 

CMYK 22 / 0 / 23 / 5

HEX #BDF2BA

RGB 189 242 186

HSL 116.79, 0.68%, 0.84%

LAB 90.72, -27.3, 21.65

 

CMYK 23 / 10 / 0 / 5

HEX #BAD9F2

RGB 186 217 242

HSL 206.79, 0.68%, 0.84%

LAB 85.24, -4.87, -15.63

 

Description

Color code: HEX #EFB9F2 | qconv.com Color code: HEX #EFB9F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 185 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 185 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 24 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 24% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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