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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFBE9D it is the complementary color #104162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFBE9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFBE9D shade: #F4BE98, #FFD0AB, #FFE2BE, #FFF4D1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFBE9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFBE9D shade: #EFBE9D, #DEAC8A, #CD9A77, #BC8864 and #AB7651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFBE9D shade: #EFBF9E, #EFA99E and #EF9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFBE9D shade: #EFBF9E, #EFD49E, #EFEA9E, #DEEF9E and #C8EF9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFBE9D shade matches the following richer shades: #EFBF9E and #F8BD95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFBE9D shade: #EFBF9E, #E6C0A7, #DDC2B0, #D4C4B9 and #CAC6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFBE9D shade: #EF9EA9, #EFA99E, #EFBE9E, #EFD49E and #EFE99E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFBE9D shade: #E38F57, #E9A77B, #EFBF9E, #F5D6C1 and #FAEEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFBE9D shade: #EFBE9D, #BEEF9E and #9E9EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFBE9D shade: #EFBE9D, #9EEFBE and #BE9EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFBE9D shade: #EFBE9D, #BEEF9E, #9ECEEF and #CE9EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFBE9D shade: #EFBE9D, #A6EF9E, #9ECEEF and #E79EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

Complementary color

CMYK 84 / 34 / 0 / 62

HEX #104162

RGB 16 65 98

HSL 204.15, 0.72%, 0.22%

LAB 26.08, -3.09, -24

 

CMYK 0 / 22 / 38 / 4

HEX #F4BE98

RGB 244 190 152

HSL 24.78, 0.81%, 0.78%

LAB 80.92, 14.44, 26.63

 

CMYK 0 / 18 / 33 / 0

HEX #FFD0AB

RGB 255 208 171

HSL 26.43, 1%, 0.84%

LAB 86.66, 11.49, 24.62

 

CMYK 0 / 11 / 25 / 0

HEX #FFE2BE

RGB 255 226 190

HSL 33.23, 1%, 0.87%

LAB 91.4, 4.64, 21.26

 

CMYK 0 / 4 / 18 / 0

HEX #FFF4D1

RGB 255 244 209

HSL 45.65, 1%, 0.91%

LAB 96.23, -1.84, 18.2

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

CMYK 0 / 23 / 38 / 13

HEX #DEAC8A

RGB 222 172 138

HSL 24.29, 0.56%, 0.71%

LAB 74.11, 13.79, 24.52

 

CMYK 0 / 25 / 42 / 20

HEX #CD9A77

RGB 205 154 119

HSL 24.42, 0.46%, 0.64%

LAB 67.59, 14.58, 25.77

 

CMYK 0 / 28 / 47 / 26

HEX #BC8864

RGB 188 136 100

HSL 24.55, 0.4%, 0.56%

LAB 60.98, 15.48, 27.14

 

CMYK 0 / 31 / 53 / 33

HEX #AB7651

RGB 171 118 81

HSL 24.67, 0.36%, 0.49%

LAB 54.25, 16.53, 28.63

 

CMYK 0 / 20 / 34 / 6

HEX #EFBF9E

RGB 239 191 158

HSL 24.44, 0.72%, 0.78%

LAB 80.78, 12.7, 23.18

 

CMYK 0 / 29 / 34 / 6

HEX #EFA99E

RGB 239 169 158

HSL 8.15, 0.72%, 0.78%

LAB 75.57, 24.35, 15.98

 

CMYK 0 / 34 / 34 / 6

HEX #EF9E9E

RGB 239 158 158

HSL 0, 0.72%, 0.78%

LAB 73.07, 30.17, 12.46

 

CMYK 0 / 20 / 34 / 6

HEX #EFBF9E

RGB 239 191 158

HSL 24.44, 0.72%, 0.78%

LAB 80.78, 12.7, 23.18

 

CMYK 0 / 11 / 34 / 6

HEX #EFD49E

RGB 239 212 158

HSL 40, 0.72%, 0.78%

LAB 85.96, 1.74, 30.19

 

CMYK 0 / 2 / 34 / 6

HEX #EFEA9E

RGB 239 234 158

HSL 56.3, 0.72%, 0.78%

LAB 91.53, -9.43, 37.57

 

CMYK 7 / 0 / 34 / 6

HEX #DEEF9E

RGB 222 239 158

HSL 72.59, 0.72%, 0.78%

LAB 91.56, -18.29, 37.37

 

CMYK 16 / 0 / 34 / 6

HEX #C8EF9E

RGB 200 239 158

HSL 88.89, 0.72%, 0.78%

LAB 90.08, -26.3, 35.15

 

CMYK 0 / 20 / 34 / 6

HEX #EFBF9E

RGB 239 191 158

HSL 24.44, 0.72%, 0.78%

LAB 80.78, 12.7, 23.18

 

CMYK 0 / 24 / 40 / 3

HEX #F8BD95

RGB 248 189 149

HSL 24.24, 0.88%, 0.78%

LAB 81.03, 16.18, 28.43

 

CMYK 0 / 20 / 34 / 6

HEX #EFBF9E

RGB 239 191 158

HSL 24.44, 0.72%, 0.78%

LAB 80.78, 12.7, 23.18

 

CMYK 0 / 17 / 27 / 10

HEX #E6C0A7

RGB 230 192 167

HSL 23.81, 0.56%, 0.78%

LAB 80.35, 9.89, 17.66

 

CMYK 0 / 12 / 20 / 13

HEX #DDC2B0

RGB 221 194 176

HSL 24, 0.4%, 0.78%

LAB 80.23, 6.73, 12.55

 

CMYK 0 / 8 / 13 / 17

HEX #D4C4B9

RGB 212 196 185

HSL 24.44, 0.24%, 0.78%

LAB 80.17, 3.77, 7.53

 

CMYK 0 / 2 / 4 / 21

HEX #CAC6C2

RGB 202 198 194

HSL 30, 0.07%, 0.78%

LAB 80.09, 0.67, 2.48

 

CMYK 0 / 34 / 29 / 6

HEX #EF9EA9

RGB 239 158 169

HSL 351.85, 0.72%, 0.78%

LAB 73.33, 31.57, 6.77

 

CMYK 0 / 29 / 34 / 6

HEX #EFA99E

RGB 239 169 158

HSL 8.15, 0.72%, 0.78%

LAB 75.57, 24.35, 15.98

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9E

RGB 239 190 158

HSL 23.7, 0.72%, 0.78%

LAB 80.54, 13.22, 22.85

 

CMYK 0 / 11 / 34 / 6

HEX #EFD49E

RGB 239 212 158

HSL 40, 0.72%, 0.78%

LAB 85.96, 1.74, 30.19

 

CMYK 0 / 3 / 34 / 6

HEX #EFE99E

RGB 239 233 158

HSL 55.56, 0.72%, 0.78%

LAB 91.28, -8.93, 37.24

 

CMYK 0 / 37 / 62 / 11

HEX #E38F57

RGB 227 143 87

HSL 24, 0.71%, 0.62%

LAB 67.02, 26.63, 42.64

 

CMYK 0 / 28 / 47 / 9

HEX #E9A77B

RGB 233 167 123

HSL 24, 0.71%, 0.7%

LAB 73.8, 19.23, 32.35

 

CMYK 0 / 20 / 34 / 6

HEX #EFBF9E

RGB 239 191 158

HSL 24.44, 0.72%, 0.78%

LAB 80.78, 12.7, 23.18

 

CMYK 0 / 13 / 21 / 4

HEX #F5D6C1

RGB 245 214 193

HSL 24.23, 0.72%, 0.86%

LAB 87.66, 7.57, 14.33

 

CMYK 0 / 5 / 8 / 2

HEX #FAEEE5

RGB 250 238 229

HSL 25.71, 0.68%, 0.94%

LAB 94.79, 2.54, 5.78

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

CMYK 21 / 0 / 34 / 6

HEX #BEEF9E

RGB 190 239 158

HSL 96.3, 0.72%, 0.78%

LAB 89.46, -29.82, 34.21

 

CMYK 34 / 34 / 0 / 6

HEX #9E9EEF

RGB 158 158 239

HSL 240, 0.72%, 0.78%

LAB 67.99, 18.54, -40.62

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

CMYK 34 / 0 / 21 / 6

HEX #9EEFBE

RGB 158 239 190

HSL 143.7, 0.72%, 0.78%

LAB 88.31, -34.85, 15.98

 

CMYK 21 / 34 / 0 / 6

HEX #BE9EEF

RGB 190 158 239

HSL 263.7, 0.72%, 0.78%

LAB 70.62, 27.68, -36.33

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

CMYK 21 / 0 / 34 / 6

HEX #BEEF9E

RGB 190 239 158

HSL 96.3, 0.72%, 0.78%

LAB 89.46, -29.82, 34.21

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEEF

RGB 158 206 239

HSL 204.44, 0.72%, 0.78%

LAB 80.54, -7.83, -21.29

 

CMYK 14 / 34 / 0 / 6

HEX #CE9EEF

RGB 206 158 239

HSL 275.56, 0.72%, 0.78%

LAB 72.1, 32.48, -33.91

 

CMYK 0 / 21 / 34 / 6

HEX #EFBE9D

RGB 239 190 157

HSL 24.15, 0.72%, 0.78%

LAB 80.52, 13.1, 23.36

 

CMYK 31 / 0 / 34 / 6

HEX #A6EF9E

RGB 166 239 158

HSL 114.07, 0.72%, 0.78%

LAB 88.12, -37.85, 32.18

 

CMYK 34 / 14 / 0 / 6

HEX #9ECEEF

RGB 158 206 239

HSL 204.44, 0.72%, 0.78%

LAB 80.54, -7.83, -21.29

 

CMYK 3 / 34 / 0 / 6

HEX #E79EEF

RGB 231 158 239

HSL 294.07, 0.72%, 0.78%

LAB 74.62, 40.13, -29.82

 

Description

Color code: HEX #EFBE9D | qconv.com Color code: HEX #EFBE9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 190 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 190 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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