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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC236 it is the complementary color #103DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC236 shade: #F4C231, #FFD444, #FFE657, #FFF86A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC236 shade: #EFC236, #DEB023, #CD9E10, #BC8C00 and #AB7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC236 shade: #EEC134, #EE8E34, #EE5C34 and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC236 shade: #EEC134, #E9EE34, #B7EE34, #85EE34 and #52EE34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC236 shade matches the following richer shades: #EEC134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC236 shade: #EEC134, #DCB845, #CBAE57, #B9A569 and #A79C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC236 shade: #EE5C34, #EE8E34, #EEBF34, #EBEE34 and #B9EE34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC236 shade: #C0950F, #E6B312, #EEC134, #F1CC5A and #F4D880

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC236 shade: #EFC236, #3DEE34 and #7534EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC236 shade: #EFC236, #34EEBF and #BF34EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC236 shade: #EFC236, #3DEE34, #3462EE and #E534EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC236 shade: #EFC236, #34EE62, #3462EE and #EE34BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

Complementary color

CMYK 92 / 70 / 0 / 21

HEX #103DC9

RGB 16 61 201

HSL 225.41, 0.85%, 0.43%

LAB 33.27, 41.37, -75.36

 

CMYK 0 / 20 / 80 / 4

HEX #F4C231

RGB 244 194 49

HSL 44.62, 0.9%, 0.57%

LAB 80.76, 4.96, 73.41

 

CMYK 0 / 17 / 73 / 0

HEX #FFD444

RGB 255 212 68

HSL 46.2, 1%, 0.63%

LAB 86.39, 1.05, 72.61

 

CMYK 0 / 10 / 66 / 0

HEX #FFE657

RGB 255 230 87

HSL 51.07, 1%, 0.67%

LAB 91.03, -7.1, 70.05

 

CMYK 0 / 3 / 58 / 0

HEX #FFF86A

RGB 255 248 106

HSL 57.18, 1%, 0.71%

LAB 95.76, -14.8, 67.32

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

CMYK 0 / 21 / 84 / 13

HEX #DEB023

RGB 222 176 35

HSL 45.24, 0.74%, 0.5%

LAB 74, 4.5, 70.77

 

CMYK 0 / 23 / 92 / 20

HEX #CD9E10

RGB 205 158 16

HSL 45.08, 0.86%, 0.43%

LAB 67.63, 6.24, 69.17

 

CMYK 0 / 26 / 100 / 26

HEX #BC8C00

RGB 188 140 0

HSL 44.68, 1%, 0.37%

LAB 61.17, 8.23, 66.04

 

CMYK 0 / 29 / 100 / 33

HEX #AB7A00

RGB 171 122 0

HSL 42.81, 1%, 0.34%

LAB 54.63, 10.49, 60.67

 

CMYK 0 / 19 / 78 / 7

HEX #EEC134

RGB 238 193 52

HSL 45.48, 0.85%, 0.57%

LAB 79.93, 3.02, 71.5

 

CMYK 0 / 40 / 78 / 7

HEX #EE8E34

RGB 238 142 52

HSL 29.03, 0.85%, 0.57%

LAB 67.85, 29.86, 60.32

 

CMYK 0 / 61 / 78 / 7

HEX #EE5C34

RGB 238 92 52

HSL 12.9, 0.85%, 0.57%

LAB 58.11, 54.33, 50.88

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 19 / 78 / 7

HEX #EEC134

RGB 238 193 52

HSL 45.48, 0.85%, 0.57%

LAB 79.93, 3.02, 71.5

 

CMYK 2 / 0 / 78 / 7

HEX #E9EE34

RGB 233 238 52

HSL 61.61, 0.85%, 0.57%

LAB 91.11, -21.61, 81.31

 

CMYK 23 / 0 / 78 / 7

HEX #B7EE34

RGB 183 238 52

HSL 77.74, 0.85%, 0.57%

LAB 87.71, -41.46, 76.99

 

CMYK 44 / 0 / 78 / 7

HEX #85EE34

RGB 133 238 52

HSL 93.87, 0.85%, 0.57%

LAB 85.19, -58.79, 73.74

 

CMYK 66 / 0 / 78 / 7

HEX #52EE34

RGB 82 238 52

HSL 110.32, 0.85%, 0.57%

LAB 83.54, -71.8, 71.61

 

CMYK 0 / 19 / 78 / 7

HEX #EEC134

RGB 238 193 52

HSL 45.48, 0.85%, 0.57%

LAB 79.93, 3.02, 71.5

 

CMYK 0 / 19 / 78 / 7

HEX #EEC134

RGB 238 193 52

HSL 45.48, 0.85%, 0.57%

LAB 79.93, 3.02, 71.5

 

CMYK 0 / 16 / 69 / 14

HEX #DCB845

RGB 220 184 69

HSL 45.7, 0.68%, 0.57%

LAB 76.02, 0.77, 60.81

 

CMYK 0 / 14 / 57 / 20

HEX #CBAE57

RGB 203 174 87

HSL 45, 0.53%, 0.57%

LAB 72, -0.03, 47.84

 

CMYK 0 / 11 / 43 / 27

HEX #B9A569

RGB 185 165 105

HSL 45, 0.36%, 0.57%

LAB 68.2, -1.13, 33.71

 

CMYK 0 / 7 / 26 / 35

HEX #A79C7B

RGB 167 156 123

HSL 45, 0.2%, 0.57%

LAB 64.5, -1.34, 18.77

 

CMYK 0 / 61 / 78 / 7

HEX #EE5C34

RGB 238 92 52

HSL 12.9, 0.85%, 0.57%

LAB 58.11, 54.33, 50.88

 

CMYK 0 / 40 / 78 / 7

HEX #EE8E34

RGB 238 142 52

HSL 29.03, 0.85%, 0.57%

LAB 67.85, 29.86, 60.32

 

CMYK 0 / 20 / 78 / 7

HEX #EEBF34

RGB 238 191 52

HSL 44.84, 0.85%, 0.57%

LAB 79.44, 4.06, 71.05

 

CMYK 1 / 0 / 78 / 7

HEX #EBEE34

RGB 235 238 52

HSL 60.97, 0.85%, 0.57%

LAB 91.26, -20.79, 81.5

 

CMYK 22 / 0 / 78 / 7

HEX #B9EE34

RGB 185 238 52

HSL 77.1, 0.85%, 0.57%

LAB 87.83, -40.7, 77.14

 

CMYK 0 / 22 / 92 / 25

HEX #C0950F

RGB 192 149 15

HSL 45.42, 0.86%, 0.41%

LAB 63.95, 5.3, 65.96

 

CMYK 0 / 22 / 92 / 10

HEX #E6B312

RGB 230 179 18

HSL 45.57, 0.85%, 0.49%

LAB 75.52, 6.07, 75.89

 

CMYK 0 / 19 / 78 / 7

HEX #EEC134

RGB 238 193 52

HSL 45.48, 0.85%, 0.57%

LAB 79.93, 3.02, 71.5

 

CMYK 0 / 15 / 63 / 5

HEX #F1CC5A

RGB 241 204 90

HSL 45.3, 0.84%, 0.65%

LAB 83.24, 0.46, 60.11

 

CMYK 0 / 11 / 48 / 4

HEX #F4D880

RGB 244 216 128

HSL 45.52, 0.84%, 0.73%

LAB 86.95, -1.52, 46.71

 

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

CMYK 74 / 0 / 78 / 7

HEX #3DEE34

RGB 61 238 52

HSL 117.1, 0.85%, 0.57%

LAB 83.12, -75.4, 71.06

 

CMYK 51 / 78 / 0 / 7

HEX #7534EE

RGB 117 52 238

HSL 260.97, 0.85%, 0.57%

LAB 41.86, 66.61, -82.21

 

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

CMYK 78 / 0 / 20 / 7

HEX #34EEBF

RGB 52 238 191

HSL 164.84, 0.85%, 0.57%

LAB 84.81, -55.54, 10.05

 

CMYK 20 / 78 / 0 / 7

HEX #BF34EE

RGB 191 52 238

HSL 284.84, 0.85%, 0.57%

LAB 51.5, 77.86, -66.08

 

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

CMYK 74 / 0 / 78 / 7

HEX #3DEE34

RGB 61 238 52

HSL 117.1, 0.85%, 0.57%

LAB 83.12, -75.4, 71.06

 

CMYK 78 / 59 / 0 / 7

HEX #3462EE

RGB 52 98 238

HSL 225.16, 0.85%, 0.57%

LAB 46.5, 33.92, -74.79

 

CMYK 4 / 78 / 0 / 7

HEX #E534EE

RGB 229 52 238

HSL 297.1, 0.85%, 0.57%

LAB 57.35, 84.67, -56.36

 

CMYK 0 / 19 / 77 / 6

HEX #EFC236

RGB 239 194 54

HSL 45.41, 0.85%, 0.57%

LAB 80.29, 3, 71.2

 

CMYK 78 / 0 / 59 / 7

HEX #34EE62

RGB 52 238 98

HSL 134.84, 0.85%, 0.57%

LAB 83.32, -72.47, 54.11

 

CMYK 78 / 59 / 0 / 7

HEX #3462EE

RGB 52 98 238

HSL 225.16, 0.85%, 0.57%

LAB 46.5, 33.92, -74.79

 

CMYK 0 / 78 / 20 / 7

HEX #EE34BF

RGB 238 52 191

HSL 315.16, 0.85%, 0.57%

LAB 56.48, 79.84, -30.94

 

Description

Color code: HEX #EFC236 | qconv.com Color code: HEX #EFC236 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 194 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 194 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 77 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 77% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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