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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFCAAD it is the complementary color #103552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFCAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFCAAD shade: #F4CAA8, #FFDCBB, #FFEECE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFCAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFCAAD shade: #EFCAAD, #DEB89A, #CDA687, #BC9474 and #AB8261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFCAAD shade: #EFCAAE, #EFB9AE and #EFAEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFCAAD shade: #EFCAAE, #EFDCAE, #EFEDAE, #DEEFAE and #CDEFAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFCAAD shade matches the following richer shades: #EFCAAE, #F6C9A6 and #FEC89E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFCAAD shade: #EFCAAE, #E7CBB5, #DFCCBD, #D7CDC5 and #CFCECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFCAAD shade: #EFAEB4, #EFB8AE, #EFCAAE, #EFDBAE and #EFECAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFCAAD shade: #E19D69, #E8B48B, #EFCAAE, #F5E0D0 and #FCF7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFCAAD shade: #EFCAAD, #C5EFAE and #B0AEEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFCAAD shade: #EFCAAD, #AEEFCA and #CAAEEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFCAAD shade: #EFCAAD, #C5EFAE, #AED2EF and #D7AEEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFCAAD shade: #EFCAAD, #B2EFAE, #AED2EF and #EAAEEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

Complementary color

CMYK 80 / 35 / 0 / 68

HEX #103552

RGB 16 53 82

HSL 206.36, 0.67%, 0.19%

LAB 21.08, -1.63, -21.4

 

CMYK 0 / 17 / 31 / 4

HEX #F4CAA8

RGB 244 202 168

HSL 26.84, 0.78%, 0.81%

LAB 84.12, 10.07, 22.55

 

CMYK 0 / 14 / 27 / 0

HEX #FFDCBB

RGB 255 220 187

HSL 29.12, 1%, 0.87%

LAB 89.88, 7.32, 20.7

 

CMYK 0 / 7 / 19 / 0

HEX #FFEECE

RGB 255 238 206

HSL 39.18, 1%, 0.9%

LAB 94.68, 0.75, 17.57

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 0 / 17 / 31 / 13

HEX #DEB89A

RGB 222 184 154

HSL 26.47, 0.51%, 0.74%

LAB 77.37, 9.35, 20.37

 

CMYK 0 / 19 / 34 / 20

HEX #CDA687

RGB 205 166 135

HSL 26.57, 0.41%, 0.67%

LAB 70.87, 9.94, 21.47

 

CMYK 0 / 21 / 38 / 26

HEX #BC9474

RGB 188 148 116

HSL 26.67, 0.35%, 0.6%

LAB 64.27, 10.62, 22.65

 

CMYK 0 / 24 / 43 / 33

HEX #AB8261

RGB 171 130 97

HSL 26.76, 0.31%, 0.53%

LAB 57.55, 11.41, 23.95

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 23 / 27 / 6

HEX #EFB9AE

RGB 239 185 174

HSL 10.15, 0.67%, 0.81%

LAB 79.67, 17.92, 13.08

 

CMYK 0 / 27 / 27 / 6

HEX #EFAEAE

RGB 239 174 174

HSL 0, 0.67%, 0.81%

LAB 77.09, 23.76, 9.41

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 8 / 27 / 6

HEX #EFDCAE

RGB 239 220 174

HSL 42.46, 0.67%, 0.81%

LAB 88.25, -0.36, 25.01

 

CMYK 0 / 1 / 27 / 6

HEX #EFEDAE

RGB 239 237 174

HSL 58.15, 0.67%, 0.81%

LAB 92.56, -8.97, 30.86

 

CMYK 7 / 0 / 27 / 6

HEX #DEEFAE

RGB 222 239 174

HSL 75.69, 0.67%, 0.81%

LAB 91.83, -16.2, 29.65

 

CMYK 14 / 0 / 27 / 6

HEX #CDEFAE

RGB 205 239 174

HSL 91.38, 0.67%, 0.81%

LAB 90.67, -22.28, 27.89

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 18 / 33 / 4

HEX #F6C9A6

RGB 246 201 166

HSL 26.25, 0.82%, 0.81%

LAB 84.03, 11.11, 23.5

 

CMYK 0 / 21 / 38 / 0

HEX #FEC89E

RGB 254 200 158

HSL 26.25, 0.98%, 0.81%

LAB 84.41, 13.75, 28.34

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 12 / 22 / 9

HEX #E7CBB5

RGB 231 203 181

HSL 26.4, 0.51%, 0.81%

LAB 83.46, 6.43, 14.57

 

CMYK 0 / 9 / 15 / 13

HEX #DFCCBD

RGB 223 204 189

HSL 26.47, 0.35%, 0.81%

LAB 83.2, 4.18, 9.86

 

CMYK 0 / 5 / 8 / 16

HEX #D7CDC5

RGB 215 205 197

HSL 26.67, 0.18%, 0.81%

LAB 82.99, 2.09, 5.2

 

CMYK 0 / 0 / 1 / 19

HEX #CFCECD

RGB 207 206 205

HSL 30, 0.02%, 0.81%

LAB 82.82, 0.17, 0.61

 

CMYK 0 / 27 / 25 / 6

HEX #EFAEB4

RGB 239 174 180

HSL 354.46, 0.67%, 0.81%

LAB 77.23, 24.59, 6.35

 

CMYK 0 / 23 / 27 / 6

HEX #EFB8AE

RGB 239 184 174

HSL 9.23, 0.67%, 0.81%

LAB 79.44, 18.45, 12.74

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 8 / 27 / 6

HEX #EFDBAE

RGB 239 219 174

HSL 41.54, 0.67%, 0.81%

LAB 88, 0.15, 24.66

 

CMYK 0 / 1 / 27 / 6

HEX #EFECAE

RGB 239 236 174

HSL 57.23, 0.67%, 0.81%

LAB 92.31, -8.47, 30.51

 

CMYK 0 / 30 / 53 / 12

HEX #E19D69

RGB 225 157 105

HSL 26, 0.67%, 0.65%

LAB 70.27, 19.71, 37.19

 

CMYK 0 / 22 / 40 / 9

HEX #E8B48B

RGB 232 180 139

HSL 26.45, 0.67%, 0.73%

LAB 77.08, 13.58, 28.15

 

CMYK 0 / 15 / 27 / 6

HEX #EFCAAE

RGB 239 202 174

HSL 25.85, 0.67%, 0.81%

LAB 83.78, 8.96, 18.84

 

CMYK 0 / 9 / 15 / 4

HEX #F5E0D0

RGB 245 224 208

HSL 25.95, 0.65%, 0.89%

LAB 90.45, 4.63, 10.43

 

CMYK 0 / 2 / 4 / 1

HEX #FCF7F2

RGB 252 247 242

HSL 30, 0.63%, 0.97%

LAB 97.48, 0.81, 2.98

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 18 / 0 / 27 / 6

HEX #C5EFAE

RGB 197 239 174

HSL 98.77, 0.67%, 0.81%

LAB 90.16, -25.07, 27.12

 

CMYK 26 / 27 / 0 / 6

HEX #B0AEEF

RGB 176 174 239

HSL 241.85, 0.67%, 0.81%

LAB 73.37, 14.65, -32.15

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 27 / 0 / 15 / 6

HEX #AEEFCA

RGB 174 239 202

HSL 145.85, 0.67%, 0.81%

LAB 89.39, -27.79, 11.39

 

CMYK 15 / 27 / 0 / 6

HEX #CAAEEF

RGB 202 174 239

HSL 265.85, 0.67%, 0.81%

LAB 75.49, 22.49, -28.72

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 18 / 0 / 27 / 6

HEX #C5EFAE

RGB 197 239 174

HSL 98.77, 0.67%, 0.81%

LAB 90.16, -25.07, 27.12

 

CMYK 27 / 12 / 0 / 6

HEX #AED2EF

RGB 174 210 239

HSL 206.77, 0.67%, 0.81%

LAB 82.55, -5.42, -18.16

 

CMYK 10 / 27 / 0 / 6

HEX #D7AEEF

RGB 215 174 239

HSL 277.85, 0.67%, 0.81%

LAB 76.65, 26.54, -26.84

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 26 / 0 / 27 / 6

HEX #B2EFAE

RGB 178 239 174

HSL 116.31, 0.67%, 0.81%

LAB 89.04, -31.45, 25.4

 

CMYK 27 / 12 / 0 / 6

HEX #AED2EF

RGB 174 210 239

HSL 206.77, 0.67%, 0.81%

LAB 82.55, -5.42, -18.16

 

CMYK 2 / 27 / 0 / 6

HEX #EAAEEF

RGB 234 174 239

HSL 295.38, 0.67%, 0.81%

LAB 78.46, 32.56, -23.91

 

Description

Color code: HEX #EFCAAD | qconv.com Color code: HEX #EFCAAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 202 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 202 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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