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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFCCB9 it is the complementary color #103346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFCCB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFCCB9 shade: #F4CCB4, #FFDEC7, #FFF0DA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFCCB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFCCB9 shade: #EFCCB9, #DEBAA6, #CDA893, #BC9680 and #AB846D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFCCB9 shade: #EECBB8, #EEBCB8 and #EEB8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFCCB9 shade: #EECBB8, #EEDAB8, #EEE9B8, #E6EEB8 and #D7EEB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFCCB9 shade matches the following richer shades: #EECBB8, #F5C9B1 and #FCC7AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFCCB9 shade: #EECBB8, #E7CDBF, #E0CFC6, #D9D1CD and #D2D3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFCCB9 shade: #EEB8C2, #EEBCB8, #EECBB8, #EEDAB8 and #EEE8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFCCB9 shade: #DF9A75, #E7B396, #EECBB8, #F6E4D9 and #FEFCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFCCB9 shade: #EFCCB9, #D0EEB8 and #B8BBEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFCCB9 shade: #EFCCB9, #B8EECB and #CBB8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFCCB9 shade: #EFCCB9, #D0EEB8, #B8DBEE and #D6B8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFCCB9 shade: #EFCCB9, #C0EEB8, #B8DBEE and #E6B8EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

Complementary color

CMYK 77 / 27 / 0 / 73

HEX #103346

RGB 16 51 70

HSL 201.11, 0.63%, 0.17%

LAB 19.72, -5.21, -15.46

 

CMYK 0 / 16 / 26 / 4

HEX #F4CCB4

RGB 244 204 180

HSL 22.5, 0.74%, 0.83%

LAB 84.85, 10.6, 17.22

 

CMYK 0 / 13 / 22 / 0

HEX #FFDEC7

RGB 255 222 199

HSL 24.64, 1%, 0.89%

LAB 90.61, 7.94, 15.47

 

CMYK 0 / 6 / 15 / 0

HEX #FFF0DA

RGB 255 240 218

HSL 35.68, 1%, 0.93%

LAB 95.43, 1.52, 12.44

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

CMYK 0 / 16 / 25 / 13

HEX #DEBAA6

RGB 222 186 166

HSL 21.43, 0.46%, 0.76%

LAB 78.11, 9.91, 14.95

 

CMYK 0 / 18 / 28 / 20

HEX #CDA893

RGB 205 168 147

HSL 21.72, 0.37%, 0.69%

LAB 71.62, 10.43, 15.94

 

CMYK 0 / 20 / 32 / 26

HEX #BC9680

RGB 188 150 128

HSL 22, 0.31%, 0.62%

LAB 65.01, 11.03, 17.01

 

CMYK 0 / 23 / 36 / 33

HEX #AB846D

RGB 171 132 109

HSL 22.26, 0.27%, 0.55%

LAB 58.29, 11.72, 18.17

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 21 / 23 / 7

HEX #EEBCB8

RGB 238 188 184

HSL 4.44, 0.61%, 0.83%

LAB 80.52, 17.36, 8.88

 

CMYK 0 / 23 / 23 / 7

HEX #EEB8B8

RGB 238 184 184

HSL 0, 0.61%, 0.83%

LAB 79.57, 19.48, 7.52

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 8 / 23 / 7

HEX #EEDAB8

RGB 238 218 184

HSL 37.78, 0.61%, 0.83%

LAB 87.86, 1.65, 19.25

 

CMYK 0 / 2 / 23 / 7

HEX #EEE9B8

RGB 238 233 184

HSL 54.44, 0.61%, 0.83%

LAB 91.65, -6, 24.48

 

CMYK 3 / 0 / 23 / 7

HEX #E6EEB8

RGB 230 238 184

HSL 68.89, 0.61%, 0.83%

LAB 92.32, -11.42, 25.31

 

CMYK 10 / 0 / 23 / 7

HEX #D7EEB8

RGB 215 238 184

HSL 85.56, 0.61%, 0.83%

LAB 91.26, -16.78, 23.68

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 18 / 28 / 4

HEX #F5C9B1

RGB 245 201 177

HSL 21.18, 0.77%, 0.83%

LAB 84.15, 12.14, 17.85

 

CMYK 0 / 21 / 33 / 1

HEX #FCC7AA

RGB 252 199 170

HSL 21.22, 0.93%, 0.83%

LAB 84.2, 14.92, 21.72

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 11 / 17 / 9

HEX #E7CDBF

RGB 231 205 191

HSL 21, 0.45%, 0.83%

LAB 84.18, 6.87, 10.28

 

CMYK 0 / 8 / 12 / 12

HEX #E0CFC6

RGB 224 207 198

HSL 20.77, 0.3%, 0.83%

LAB 84.25, 4.4, 6.59

 

CMYK 0 / 4 / 6 / 15

HEX #D9D1CD

RGB 217 209 205

HSL 20, 0.14%, 0.83%

LAB 84.36, 2.06, 2.95

 

CMYK 1 / 0 / 0 / 17

HEX #D2D3D4

RGB 210 211 212

HSL 210, 0.02%, 0.83%

LAB 84.51, -0.15, -0.62

 

CMYK 0 / 23 / 18 / 7

HEX #EEB8C2

RGB 238 184 194

HSL 348.89, 0.61%, 0.83%

LAB 79.81, 20.96, 2.48

 

CMYK 0 / 21 / 23 / 7

HEX #EEBCB8

RGB 238 188 184

HSL 4.44, 0.61%, 0.83%

LAB 80.52, 17.36, 8.88

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 8 / 23 / 7

HEX #EEDAB8

RGB 238 218 184

HSL 37.78, 0.61%, 0.83%

LAB 87.86, 1.65, 19.25

 

CMYK 0 / 3 / 23 / 7

HEX #EEE8B8

RGB 238 232 184

HSL 53.33, 0.61%, 0.83%

LAB 91.39, -5.49, 24.13

 

CMYK 0 / 31 / 48 / 13

HEX #DF9A75

RGB 223 154 117

HSL 20.94, 0.62%, 0.67%

LAB 69.53, 21.61, 29.78

 

CMYK 0 / 23 / 35 / 9

HEX #E7B396

RGB 231 179 150

HSL 21.48, 0.63%, 0.75%

LAB 76.94, 14.99, 22.07

 

CMYK 0 / 15 / 23 / 7

HEX #EECBB8

RGB 238 203 184

HSL 21.11, 0.61%, 0.83%

LAB 84.15, 9.45, 14.04

 

CMYK 0 / 7 / 12 / 4

HEX #F6E4D9

RGB 246 228 217

HSL 22.76, 0.62%, 0.91%

LAB 91.72, 4.33, 7.56

 

CMYK 0 / 1 / 1 / 0

HEX #FEFCFB

RGB 254 252 251

HSL 20, 0.6%, 0.99%

LAB 99.09, 0.49, 0.7

 

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

CMYK 13 / 0 / 23 / 7

HEX #D0EEB8

RGB 208 238 184

HSL 93.33, 0.61%, 0.83%

LAB 90.79, -19.24, 22.96

 

CMYK 23 / 21 / 0 / 7

HEX #B8BBEE

RGB 184 187 238

HSL 236.67, 0.61%, 0.83%

LAB 77.22, 9.64, -25.65

 

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

CMYK 23 / 0 / 15 / 7

HEX #B8EECB

RGB 184 238 203

HSL 141.11, 0.61%, 0.83%

LAB 89.7, -24.02, 11.38

 

CMYK 15 / 23 / 0 / 7

HEX #CBB8EE

RGB 203 184 238

HSL 261.11, 0.61%, 0.83%

LAB 77.96, 17.13, -24.38

 

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

CMYK 13 / 0 / 23 / 7

HEX #D0EEB8

RGB 208 238 184

HSL 93.33, 0.61%, 0.83%

LAB 90.79, -19.24, 22.96

 

CMYK 23 / 8 / 0 / 7

HEX #B8DBEE

RGB 184 219 238

HSL 201.11, 0.61%, 0.83%

LAB 85.52, -7.39, -13.11

 

CMYK 10 / 23 / 0 / 7

HEX #D6B8EE

RGB 214 184 238

HSL 273.33, 0.61%, 0.83%

LAB 78.9, 20.6, -22.88

 

CMYK 0 / 15 / 23 / 6

HEX #EFCCB9

RGB 239 204 185

HSL 21.11, 0.63%, 0.83%

LAB 84.5, 9.44, 14.02

 

CMYK 19 / 0 / 23 / 7

HEX #C0EEB8

RGB 192 238 184

HSL 111.11, 0.61%, 0.83%

LAB 89.77, -24.72, 21.4

 

CMYK 23 / 8 / 0 / 7

HEX #B8DBEE

RGB 184 219 238

HSL 201.11, 0.61%, 0.83%

LAB 85.52, -7.39, -13.11

 

CMYK 3 / 23 / 0 / 7

HEX #E6B8EE

RGB 230 184 238

HSL 291.11, 0.61%, 0.83%

LAB 80.34, 25.74, -20.56

 

Description

Color code: HEX #EFCCB9 | qconv.com Color code: HEX #EFCCB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 204 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 204 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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