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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFDB84 it is the complementary color #10247B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFDB84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFDB84 shade: #F4DB7F, #FFED92, #FFFFA5, #FFFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFDB84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFDB84 shade: #EFDB84, #DEC971, #CDB75E, #BCA54B and #AB9338

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFDB84 shade: #EFDB85, #EFBE85, #EFA285, #EF8585 and #EF8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFDB84 shade: #EFDB85, #E6EF85, #C9EF85, #ADEF85 and #90EF85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFDB84 shade matches the following richer shades: #EFDB85 and #FAE279

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFDB84 shade: #EFDB85, #E4D490, #D8CD9B, #CDC6A6 and #C2BFB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFDB84 shade: #EFA185, #EFBD85, #EFD985, #E8EF85 and #CBEF85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFDB84 shade: #E5C53C, #EAD060, #EFDB85, #F3E6A9 and #F8F0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFDB84 shade: #EFDB84, #85EF85 and #AF85EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFDB84 shade: #EFDB84, #85EFD9 and #D985EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFDB84 shade: #EFDB84, #85EF85, #859AEF and #EF85EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFDB84 shade: #EFDB84, #85EFA4, #859AEF and #EF85CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

Complementary color

CMYK 87 / 71 / 0 / 52

HEX #10247B

RGB 16 36 123

HSL 228.79, 0.77%, 0.27%

LAB 19.23, 27.93, -51.11

 

CMYK 0 / 10 / 48 / 4

HEX #F4DB7F

RGB 244 219 127

HSL 47.18, 0.84%, 0.73%

LAB 87.69, -3.14, 48.12

 

CMYK 0 / 7 / 43 / 0

HEX #FFED92

RGB 255 237 146

HSL 50.09, 1%, 0.79%

LAB 93.41, -6.06, 46.18

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

CMYK 0 / 9 / 49 / 13

HEX #DEC971

RGB 222 201 113

HSL 48.44, 0.62%, 0.66%

LAB 81.01, -4.07, 46.34

 

CMYK 0 / 11 / 54 / 20

HEX #CDB75E

RGB 205 183 94

HSL 48.11, 0.53%, 0.59%

LAB 74.61, -3.37, 47.56

 

CMYK 0 / 12 / 60 / 26

HEX #BCA54B

RGB 188 165 75

HSL 47.79, 0.46%, 0.52%

LAB 68.1, -2.55, 48.73

 

CMYK 0 / 14 / 67 / 33

HEX #AB9338

RGB 171 147 56

HSL 47.48, 0.51%, 0.45%

LAB 61.49, -1.55, 49.76

 

CMYK 0 / 8 / 44 / 6

HEX #EFDB85

RGB 239 219 133

HSL 48.68, 0.77%, 0.73%

LAB 87.34, -4.56, 44.65

 

CMYK 0 / 21 / 44 / 6

HEX #EFBE85

RGB 239 190 133

HSL 32.26, 0.77%, 0.73%

LAB 80.11, 10.44, 35.42

 

CMYK 0 / 32 / 44 / 6

HEX #EFA285

RGB 239 162 133

HSL 16.42, 0.77%, 0.73%

LAB 73.47, 25.25, 26.67

 

CMYK 0 / 44 / 44 / 6

HEX #EF8585

RGB 239 133 133

HSL 0, 0.77%, 0.73%

LAB 67.14, 40.41, 18.08

 

CMYK 0 / 44 / 44 / 6

HEX #EF8585

RGB 239 133 133

HSL 0, 0.77%, 0.73%

LAB 67.14, 40.41, 18.08

 

CMYK 0 / 8 / 44 / 6

HEX #EFDB85

RGB 239 219 133

HSL 48.68, 0.77%, 0.73%

LAB 87.34, -4.56, 44.65

 

CMYK 4 / 0 / 44 / 6

HEX #E6EF85

RGB 230 239 133

HSL 65.09, 0.77%, 0.73%

LAB 91.8, -18.03, 50.02

 

CMYK 16 / 0 / 44 / 6

HEX #C9EF85

RGB 201 239 133

HSL 81.51, 0.77%, 0.73%

LAB 89.79, -29, 47.09

 

CMYK 28 / 0 / 44 / 6

HEX #ADEF85

RGB 173 239 133

HSL 97.36, 0.77%, 0.73%

LAB 88.12, -38.97, 44.64

 

CMYK 40 / 0 / 44 / 6

HEX #90EF85

RGB 144 239 133

HSL 113.77, 0.77%, 0.73%

LAB 86.68, -48.32, 42.53

 

CMYK 0 / 8 / 44 / 6

HEX #EFDB85

RGB 239 219 133

HSL 48.68, 0.77%, 0.73%

LAB 87.34, -4.56, 44.65

 

CMYK 0 / 10 / 52 / 2

HEX #FAE279

RGB 250 226 121

HSL 48.84, 0.93%, 0.73%

LAB 89.9, -4.8, 53.79

 

CMYK 0 / 8 / 44 / 6

HEX #EFDB85

RGB 239 219 133

HSL 48.68, 0.77%, 0.73%

LAB 87.34, -4.56, 44.65

 

CMYK 0 / 7 / 37 / 11

HEX #E4D490

RGB 228 212 144

HSL 48.57, 0.61%, 0.73%

LAB 84.79, -4.16, 35.67

 

CMYK 0 / 5 / 28 / 15

HEX #D8CD9B

RGB 216 205 155

HSL 49.18, 0.44%, 0.73%

LAB 82.18, -3.85, 26.32

 

CMYK 0 / 3 / 19 / 20

HEX #CDC6A6

RGB 205 198 166

HSL 49.23, 0.28%, 0.73%

LAB 79.68, -2.82, 16.93

 

CMYK 0 / 2 / 9 / 24

HEX #C2BFB1

RGB 194 191 177

HSL 49.41, 0.12%, 0.73%

LAB 77.22, -1.42, 7.42

 

CMYK 0 / 33 / 44 / 6

HEX #EFA185

RGB 239 161 133

HSL 15.85, 0.77%, 0.73%

LAB 73.24, 25.78, 26.37

 

CMYK 0 / 21 / 44 / 6

HEX #EFBD85

RGB 239 189 133

HSL 31.7, 0.77%, 0.73%

LAB 79.86, 10.96, 35.1

 

CMYK 0 / 9 / 44 / 6

HEX #EFD985

RGB 239 217 133

HSL 47.55, 0.77%, 0.73%

LAB 86.83, -3.54, 44.01

 

CMYK 3 / 0 / 44 / 6

HEX #E8EF85

RGB 232 239 133

HSL 63.96, 0.77%, 0.73%

LAB 91.95, -17.26, 50.24

 

CMYK 15 / 0 / 44 / 6

HEX #CBEF85

RGB 203 239 133

HSL 80.38, 0.77%, 0.73%

LAB 89.92, -28.27, 47.28

 

CMYK 0 / 14 / 74 / 10

HEX #E5C53C

RGB 229 197 60

HSL 48.64, 0.76%, 0.57%

LAB 80.13, -2.58, 68.64

 

CMYK 0 / 11 / 59 / 8

HEX #EAD060

RGB 234 208 96

HSL 48.7, 0.77%, 0.65%

LAB 83.68, -4.09, 57.74

 

CMYK 0 / 8 / 44 / 6

HEX #EFDB85

RGB 239 219 133

HSL 48.68, 0.77%, 0.73%

LAB 87.34, -4.56, 44.65

 

CMYK 0 / 5 / 30 / 5

HEX #F3E6A9

RGB 243 230 169

HSL 49.46, 0.76%, 0.81%

LAB 91.01, -4.59, 31.37

 

CMYK 0 / 3 / 17 / 3

HEX #F8F0CE

RGB 248 240 206

HSL 48.57, 0.75%, 0.89%

LAB 94.62, -2.76, 17.41

 

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

CMYK 44 / 0 / 44 / 6

HEX #85EF85

RGB 133 239 133

HSL 120, 0.77%, 0.73%

LAB 86.21, -51.53, 41.84

 

CMYK 27 / 44 / 0 / 6

HEX #AF85EF

RGB 175 133 239

HSL 263.77, 0.77%, 0.73%

LAB 63.44, 37.34, -47.66

 

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

CMYK 44 / 0 / 9 / 6

HEX #85EFD9

RGB 133 239 217

HSL 167.55, 0.77%, 0.73%

LAB 87.84, -35.87, 1.08

 

CMYK 9 / 44 / 0 / 6

HEX #D985EF

RGB 217 133 239

HSL 287.55, 0.77%, 0.73%

LAB 67.84, 49.07, -40.45

 

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

CMYK 44 / 0 / 44 / 6

HEX #85EF85

RGB 133 239 133

HSL 120, 0.77%, 0.73%

LAB 86.21, -51.53, 41.84

 

CMYK 44 / 36 / 0 / 6

HEX #859AEF

RGB 133 154 239

HSL 228.11, 0.77%, 0.73%

LAB 65.22, 14.35, -45.08

 

CMYK 0 / 44 / 0 / 6

HEX #EF85EF

RGB 239 133 239

HSL 300, 0.77%, 0.73%

LAB 70.43, 55.35, -36.23

 

CMYK 0 / 8 / 45 / 6

HEX #EFDB84

RGB 239 219 132

HSL 48.79, 0.77%, 0.73%

LAB 87.33, -4.66, 45.12

 

CMYK 44 / 0 / 31 / 6

HEX #85EFA4

RGB 133 239 164

HSL 137.55, 0.77%, 0.73%

LAB 86.7, -46.62, 26.97

 

CMYK 44 / 36 / 0 / 6

HEX #859AEF

RGB 133 154 239

HSL 228.11, 0.77%, 0.73%

LAB 65.22, 14.35, -45.08

 

CMYK 0 / 44 / 13 / 6

HEX #EF85CF

RGB 239 133 207

HSL 318.11, 0.77%, 0.73%

LAB 69.21, 50.01, -20.43

 

Description

Color code: HEX #EFDB84 | qconv.com Color code: HEX #EFDB84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 219 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 219 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 45 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 45% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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