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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFDD0F it is the complementary color #1022F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFDD0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFDD0F shade: #F4DD0A, #FFEF1D, #FFFF30, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFDD0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFDD0F shade: #EFDD0F, #DECB00, #CDB900, #BCA700 and #AB9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFDD0F shade: #EFDD0F, #EFA10F, #EF640F, #EF280F and #EF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFDD0F shade: #EFDD0F, #C5EF0F, #88EF0F, #4CEF0F and #0FEF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFDD0F shade matches the following richer shades: #EFDD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFDD0F shade: #EFDD0F, #DBCC23, #C6BB38, #B1A94D and #9D9861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFDD0F shade: #EF650F, #EFA10F, #EFDD0F, #C6EF0F and #8AEF0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFDD0F shade: #A2950A, #C8B90C, #EFDD0F, #F2E336 and #F4E85C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFDD0F shade: #EFDD0F, #0FEF29 and #830FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFDD0F shade: #EFDD0F, #0FEFDC and #DD0FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFDD0F shade: #EFDD0F, #0FEF29, #0F22EF and #EF0FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFDD0F shade: #EFDD0F, #0FEF6C, #0F22EF and #EF0F92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

Complementary color

CMYK 93 / 86 / 0 / 6

HEX #1022F0

RGB 16 34 240

HSL 235.18, 0.88%, 0.5%

LAB 33.02, 67.72, -98.2

 

CMYK 0 / 9 / 96 / 4

HEX #F4DD0A

RGB 244 221 10

HSL 54.1, 0.92%, 0.5%

LAB 87.47, -9.53, 86.24

 

CMYK 0 / 6 / 89 / 0

HEX #FFEF1D

RGB 255 239 29

HSL 55.75, 1%, 0.56%

LAB 93.05, -13.56, 88.57

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF30

RGB 255 255 48

HSL 60, 1%, 0.59%

LAB 97.22, -20.86, 88.25

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 0 / 9 / 100 / 13

HEX #DECB00

RGB 222 203 0

HSL 54.86, 1%, 0.44%

LAB 80.87, -9.98, 81.45

 

CMYK 0 / 10 / 100 / 20

HEX #CDB900

RGB 205 185 0

HSL 54.15, 1%, 0.4%

LAB 74.62, -8.19, 76.27

 

CMYK 0 / 11 / 100 / 26

HEX #BCA700

RGB 188 167 0

HSL 53.3, 1%, 0.37%

LAB 68.26, -6.33, 71.01

 

CMYK 0 / 13 / 100 / 33

HEX #AB9500

RGB 171 149 0

HSL 52.28, 1%, 0.34%

LAB 61.79, -4.42, 65.65

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 0 / 33 / 94 / 6

HEX #EFA10F

RGB 239 161 15

HSL 39.11, 0.88%, 0.5%

LAB 72.14, 19.42, 74.34

 

CMYK 0 / 58 / 94 / 6

HEX #EF640F

RGB 239 100 15

HSL 22.77, 0.88%, 0.5%

LAB 59.43, 50.3, 65.64

 

CMYK 0 / 83 / 94 / 6

HEX #EF280F

RGB 239 40 15

HSL 6.7, 0.88%, 0.5%

LAB 51.73, 71.31, 60.91

 

CMYK 0 / 94 / 94 / 6

HEX #EF0F0F

RGB 239 15 15

HSL 0, 0.88%, 0.5%

LAB 50.37, 75.21, 60.14

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 18 / 0 / 94 / 6

HEX #C5EF0F

RGB 197 239 15

HSL 71.25, 0.88%, 0.5%

LAB 88.75, -37.45, 85.2

 

CMYK 43 / 0 / 94 / 6

HEX #88EF0F

RGB 136 239 15

HSL 87.59, 0.88%, 0.5%

LAB 85.5, -59.4, 81.25

 

CMYK 68 / 0 / 94 / 6

HEX #4CEF0F

RGB 76 239 15

HSL 103.66, 0.88%, 0.5%

LAB 83.6, -74.62, 78.91

 

CMYK 94 / 0 / 94 / 6

HEX #0FEF0F

RGB 15 239 15

HSL 120, 0.88%, 0.5%

LAB 82.84, -81.32, 77.98

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 0 / 7 / 84 / 14

HEX #DBCC23

RGB 219 204 35

HSL 55.11, 0.72%, 0.5%

LAB 80.94, -11.26, 76.42

 

CMYK 0 / 6 / 72 / 22

HEX #C6BB38

RGB 198 187 56

HSL 55.35, 0.56%, 0.5%

LAB 74.72, -10.88, 63.91

 

CMYK 0 / 5 / 56 / 31

HEX #B1A94D

RGB 177 169 77

HSL 55.2, 0.39%, 0.5%

LAB 68.21, -9.23, 47.65

 

CMYK 0 / 3 / 38 / 38

HEX #9D9861

RGB 157 152 97

HSL 55, 0.24%, 0.5%

LAB 62.07, -6.66, 29.61

 

CMYK 0 / 58 / 94 / 6

HEX #EF650F

RGB 239 101 15

HSL 23.04, 0.88%, 0.5%

LAB 59.61, 49.84, 65.75

 

CMYK 0 / 33 / 94 / 6

HEX #EFA10F

RGB 239 161 15

HSL 39.11, 0.88%, 0.5%

LAB 72.14, 19.42, 74.34

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 17 / 0 / 94 / 6

HEX #C6EF0F

RGB 198 239 15

HSL 70.98, 0.88%, 0.5%

LAB 88.82, -37.06, 85.27

 

CMYK 42 / 0 / 94 / 6

HEX #8AEF0F

RGB 138 239 15

HSL 87.05, 0.88%, 0.5%

LAB 85.59, -58.77, 81.35

 

CMYK 0 / 8 / 94 / 36

HEX #A2950A

RGB 162 149 10

HSL 54.87, 0.88%, 0.34%

LAB 60.96, -8.38, 63.19

 

CMYK 0 / 8 / 94 / 22

HEX #C8B90C

RGB 200 185 12

HSL 55.21, 0.89%, 0.42%

LAB 74.19, -10.25, 74.45

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 0 / 6 / 78 / 5

HEX #F2E336

RGB 242 227 54

HSL 55.21, 0.88%, 0.58%

LAB 88.96, -12.46, 79.13

 

CMYK 0 / 5 / 62 / 4

HEX #F4E85C

RGB 244 232 92

HSL 55.26, 0.87%, 0.66%

LAB 90.65, -12.3, 67.35

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 94 / 0 / 83 / 6

HEX #0FEF29

RGB 15 239 41

HSL 126.96, 0.88%, 0.5%

LAB 82.91, -80.46, 73.58

 

CMYK 45 / 94 / 0 / 6

HEX #830FEF

RGB 131 15 239

HSL 271.07, 0.88%, 0.5%

LAB 40.24, 78.4, -85.39

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 94 / 0 / 8 / 6

HEX #0FEFDC

RGB 15 239 220

HSL 174.91, 0.88%, 0.5%

LAB 85.5, -50.78, -4.19

 

CMYK 8 / 94 / 0 / 6

HEX #DD0FEF

RGB 221 15 239

HSL 295.18, 0.88%, 0.5%

LAB 53.97, 89.74, -62.42

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 94 / 0 / 83 / 6

HEX #0FEF29

RGB 15 239 41

HSL 126.96, 0.88%, 0.5%

LAB 82.91, -80.46, 73.58

 

CMYK 94 / 86 / 0 / 6

HEX #0F22EF

RGB 15 34 239

HSL 234.91, 0.88%, 0.5%

LAB 32.87, 67.42, -97.88

 

CMYK 0 / 94 / 11 / 6

HEX #EF0FD5

RGB 239 15 213

HSL 306.96, 0.88%, 0.5%

LAB 55.58, 89.02, -44.96

 

CMYK 0 / 8 / 94 / 6

HEX #EFDD0F

RGB 239 221 15

HSL 55.18, 0.88%, 0.5%

LAB 87.04, -11.6, 85.26

 

CMYK 94 / 0 / 55 / 6

HEX #0FEF6C

RGB 15 239 108

HSL 144.91, 0.88%, 0.5%

LAB 83.4, -74.31, 49.65

 

CMYK 94 / 86 / 0 / 6

HEX #0F22EF

RGB 15 34 239

HSL 234.91, 0.88%, 0.5%

LAB 32.87, 67.42, -97.88

 

CMYK 0 / 94 / 39 / 6

HEX #EF0F92

RGB 239 15 146

HSL 324.91, 0.88%, 0.5%

LAB 52.69, 81.56, -10.31

 

Description

Color code: HEX #EFDD0F | qconv.com Color code: HEX #EFDD0F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 221 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 221 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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