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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE26B it is the complementary color #101D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE26B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE26B shade: #F4E266, #FFF479, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE26B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE26B shade: #EFE26B, #DED058, #CDBE45, #BCAC32 and #AB9A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE26B shade: #EEE16C, #EEBE6C, #EE9B6C, #EE786C and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE26B shade: #EEE16C, #D8EE6C, #B5EE6C, #91EE6C and #6EEE6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE26B shade matches the following richer shades: #EEE16C and #FBEC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE26B shade: #EEE16C, #E1D779, #D4CC86, #C7C293 and #B9B7A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE26B shade: #EE9B6C, #EEBE6C, #EEE16C, #D8EE6C and #B6EE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE26B shade: #E6D321, #EADA46, #EEE16C, #F2E991 and #F6F0B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE26B shade: #EFE26B, #6CEE79 and #AD6CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE26B shade: #EFE26B, #6CEEE1 and #E16CEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE26B shade: #EFE26B, #6CEE79, #6C79EE and #EE6CE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE26B shade: #EFE26B, #6CEEA0, #6C79EE and #EE6CBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

Complementary color

CMYK 89 / 80 / 0 / 42

HEX #101D94

RGB 16 29 148

HSL 234.09, 0.8%, 0.32%

LAB 20.55, 41.54, -64.63

 

CMYK 0 / 7 / 58 / 4

HEX #F4E266

RGB 244 226 102

HSL 52.39, 0.87%, 0.68%

LAB 89.2, -8.67, 61.51

 

CMYK 0 / 4 / 53 / 0

HEX #FFF479

RGB 255 244 121

HSL 55.07, 1%, 0.74%

LAB 94.88, -11.75, 59.77

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 0 / 6 / 60 / 13

HEX #DED058

RGB 222 208 88

HSL 53.73, 0.67%, 0.61%

LAB 82.56, -9.6, 59.76

 

CMYK 0 / 7 / 66 / 20

HEX #CDBE45

RGB 205 190 69

HSL 53.38, 0.58%, 0.54%

LAB 76.21, -8.75, 60.58

 

CMYK 0 / 9 / 73 / 26

HEX #BCAC32

RGB 188 172 50

HSL 53.04, 0.58%, 0.47%

LAB 69.77, -7.72, 61.02

 

CMYK 0 / 10 / 82 / 33

HEX #AB9A1F

RGB 171 154 31

HSL 52.71, 0.69%, 0.4%

LAB 63.23, -6.48, 60.76

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 0 / 20 / 55 / 7

HEX #EEBE6C

RGB 238 190 108

HSL 37.85, 0.79%, 0.68%

LAB 79.66, 7.77, 47.5

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 50 / 55 / 7

HEX #EE786C

RGB 238 120 108

HSL 5.54, 0.79%, 0.68%

LAB 63.91, 44.34, 27.72

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 9 / 0 / 55 / 7

HEX #D8EE6C

RGB 216 238 108

HSL 70.15, 0.79%, 0.68%

LAB 90.24, -25.25, 59.47

 

CMYK 24 / 0 / 55 / 7

HEX #B5EE6C

RGB 181 238 108

HSL 86.31, 0.79%, 0.68%

LAB 88, -38.43, 56.29

 

CMYK 39 / 0 / 55 / 7

HEX #91EE6C

RGB 145 238 108

HSL 102.92, 0.79%, 0.68%

LAB 86.13, -50.65, 53.64

 

CMYK 54 / 0 / 55 / 7

HEX #6EEE6C

RGB 110 238 108

HSL 119.08, 0.79%, 0.68%

LAB 84.76, -60.54, 51.68

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 0 / 6 / 63 / 2

HEX #FBEC5E

RGB 251 236 94

HSL 54.27, 0.95%, 0.68%

LAB 92.27, -11.31, 68.43

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 0 / 4 / 46 / 12

HEX #E1D779

RGB 225 215 121

HSL 54.23, 0.63%, 0.68%

LAB 84.99, -9.26, 47.35

 

CMYK 0 / 4 / 37 / 17

HEX #D4CC86

RGB 212 204 134

HSL 53.85, 0.48%, 0.68%

LAB 81.24, -7.47, 35.9

 

CMYK 0 / 3 / 26 / 22

HEX #C7C293

RGB 199 194 147

HSL 54.23, 0.32%, 0.68%

LAB 77.78, -5.73, 24.33

 

CMYK 0 / 1 / 14 / 27

HEX #B9B7A0

RGB 185 183 160

HSL 55.2, 0.15%, 0.68%

LAB 74.01, -3.29, 11.96

 

CMYK 0 / 35 / 55 / 7

HEX #EE9B6C

RGB 238 155 108

HSL 21.69, 0.79%, 0.68%

LAB 71.35, 26.27, 37.28

 

CMYK 0 / 20 / 55 / 7

HEX #EEBE6C

RGB 238 190 108

HSL 37.85, 0.79%, 0.68%

LAB 79.66, 7.77, 47.5

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 9 / 0 / 55 / 7

HEX #D8EE6C

RGB 216 238 108

HSL 70.15, 0.79%, 0.68%

LAB 90.24, -25.25, 59.47

 

CMYK 24 / 0 / 55 / 7

HEX #B6EE6C

RGB 182 238 108

HSL 85.85, 0.79%, 0.68%

LAB 88.05, -38.07, 56.37

 

CMYK 0 / 8 / 86 / 10

HEX #E6D321

RGB 230 211 33

HSL 54.21, 0.8%, 0.52%

LAB 83.72, -10.14, 79.52

 

CMYK 0 / 7 / 70 / 8

HEX #EADA46

RGB 234 218 70

HSL 54.15, 0.8%, 0.6%

LAB 86.05, -10.67, 70.92

 

CMYK 0 / 5 / 55 / 7

HEX #EEE16C

RGB 238 225 108

HSL 54, 0.79%, 0.68%

LAB 88.5, -10.16, 57.9

 

CMYK 0 / 4 / 40 / 5

HEX #F2E991

RGB 242 233 145

HSL 54.43, 0.79%, 0.76%

LAB 91.32, -9.21, 43.81

 

CMYK 0 / 2 / 26 / 4

HEX #F6F0B6

RGB 246 240 182

HSL 54.38, 0.78%, 0.84%

LAB 94.01, -6.84, 28.83

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 55 / 0 / 49 / 7

HEX #6CEE79

RGB 108 238 121

HSL 126, 0.79%, 0.68%

LAB 84.85, -59.36, 45.72

 

CMYK 27 / 55 / 0 / 7

HEX #AD6CEE

RGB 173 108 238

HSL 270, 0.79%, 0.68%

LAB 57.83, 50.2, -56.04

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 55 / 0 / 5 / 7

HEX #6CEEE1

RGB 108 238 225

HSL 174, 0.79%, 0.68%

LAB 86.89, -38.91, -4.61

 

CMYK 5 / 55 / 0 / 7

HEX #E16CEE

RGB 225 108 238

HSL 294, 0.79%, 0.68%

LAB 64.08, 63.34, -45.72

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 55 / 0 / 49 / 7

HEX #6CEE79

RGB 108 238 121

HSL 126, 0.79%, 0.68%

LAB 84.85, -59.36, 45.72

 

CMYK 55 / 49 / 0 / 7

HEX #6C79EE

RGB 108 121 238

HSL 234, 0.79%, 0.68%

LAB 55.11, 27.98, -60.71

 

CMYK 0 / 55 / 5 / 7

HEX #EE6CE1

RGB 238 108 225

HSL 306, 0.79%, 0.68%

LAB 65.23, 64.53, -36.58

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 55 / 0 / 33 / 7

HEX #6CEEA0

RGB 108 238 160

HSL 144, 0.79%, 0.68%

LAB 85.44, -53.1, 27.15

 

CMYK 55 / 49 / 0 / 7

HEX #6C79EE

RGB 108 121 238

HSL 234, 0.79%, 0.68%

LAB 55.11, 27.98, -60.71

 

CMYK 0 / 55 / 22 / 7

HEX #EE6CBA

RGB 238 108 186

HSL 324, 0.79%, 0.68%

LAB 63.71, 58.66, -16.98

 

Description

Color code: HEX #EFE26B | qconv.com Color code: HEX #EFE26B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 226 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 226 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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