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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFF5EB it is the complementary color #100A14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFF5EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFF5EB shade: #F4F5E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFF5EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFF5EB shade: #EFF5EB, #DEE3D8, #CDD1C5, #BCBFB2 and #ABAD9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFF5EB shade: #EEF4EA, #F1F4EA, #F4F4EA, #F4F2EA and #F4EFEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFF5EB shade: #EEF4EA, #EBF4EA, #EAF4EC, #EAF4EE and #EAF4F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFF5EB shade matches the following richer shades: #EEF4EA, #EEF7E8, #EDF9E5, #EDFCE3 and #ECFEE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFF5EB shade: #EEF4EA, #EFF2ED, #EFEFEF, #F0EDF2 and #F0EAF4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFF5EB shade: #F4F4EA, #F1F4EA, #EEF4EA, #EBF4EA and #EAF4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFF5EB shade: #C2D9B3, #D8E6CF and #EEF4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFF5EB shade: #EFF5EB, #EAF4F2 and #F4EAF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFF5EB shade: #EFF5EB, #EAEEF4 and #F4EAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFF5EB shade: #EFF5EB, #EAF4F2, #F0EAF4 and #F4EAEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFF5EB shade: #EFF5EB, #EAF3F4, #F0EAF4 and #F4EBEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

Complementary color

CMYK 20 / 50 / 0 / 92

HEX #100A14

RGB 16 10 20

HSL 276, 0.33%, 0.06%

LAB 3.41, 3.66, -4.29

 

CMYK 0 / 0 / 6 / 4

HEX #F4F5E6

RGB 244 245 230

HSL 64, 0.43%, 0.93%

LAB 96.1, -2.9, 7.09

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 2 / 0 / 5 / 11

HEX #DEE3D8

RGB 222 227 216

HSL 87.27, 0.16%, 0.87%

LAB 89.59, -3.63, 4.77

 

CMYK 2 / 0 / 6 / 18

HEX #CDD1C5

RGB 205 209 197

HSL 80, 0.12%, 0.8%

LAB 83.24, -3.51, 5.46

 

CMYK 2 / 0 / 7 / 25

HEX #BCBFB2

RGB 188 191 178

HSL 73.85, 0.09%, 0.72%

LAB 76.78, -3.39, 6.18

 

CMYK 1 / 0 / 8 / 32

HEX #ABAD9F

RGB 171 173 159

HSL 68.57, 0.08%, 0.65%

LAB 70.21, -3.26, 6.94

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 1 / 0 / 4 / 4

HEX #F1F4EA

RGB 241 244 234

HSL 78, 0.31%, 0.94%

LAB 95.72, -2.74, 4.45

 

CMYK 0 / 0 / 4 / 4

HEX #F4F4EA

RGB 244 244 234

HSL 60, 0.31%, 0.94%

LAB 95.94, -1.73, 4.8

 

CMYK 0 / 1 / 4 / 4

HEX #F4F2EA

RGB 244 242 234

HSL 48, 0.31%, 0.94%

LAB 95.45, -0.71, 4.08

 

CMYK 0 / 2 / 4 / 4

HEX #F4EFEA

RGB 244 239 234

HSL 30, 0.31%, 0.94%

LAB 94.7, 0.81, 3

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 4 / 0 / 4 / 4

HEX #EBF4EA

RGB 235 244 234

HSL 114, 0.31%, 0.94%

LAB 95.29, -4.75, 3.77

 

CMYK 4 / 0 / 3 / 4

HEX #EAF4EC

RGB 234 244 236

HSL 132, 0.31%, 0.94%

LAB 95.27, -4.73, 2.69

 

CMYK 4 / 0 / 2 / 4

HEX #EAF4EE

RGB 234 244 238

HSL 144, 0.31%, 0.94%

LAB 95.32, -4.37, 1.73

 

CMYK 4 / 0 / 1 / 4

HEX #EAF4F1

RGB 234 244 241

HSL 162, 0.31%, 0.94%

LAB 95.39, -3.83, 0.29

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 4 / 0 / 6 / 3

HEX #EEF7E8

RGB 238 247 232

HSL 96, 0.48%, 0.94%

LAB 96.21, -5.6, 6.17

 

CMYK 5 / 0 / 8 / 2

HEX #EDF9E5

RGB 237 249 229

HSL 96, 0.63%, 0.94%

LAB 96.58, -7.45, 8.23

 

CMYK 6 / 0 / 10 / 1

HEX #EDFCE3

RGB 237 252 227

HSL 96, 0.81%, 0.94%

LAB 97.3, -9.29, 10.29

 

CMYK 7 / 0 / 12 / 0

HEX #ECFEE0

RGB 236 254 224

HSL 96, 0.94%, 0.94%

LAB 97.67, -11.11, 12.35

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 1 / 0 / 2 / 5

HEX #EFF2ED

RGB 239 242 237

HSL 96, 0.16%, 0.94%

LAB 95.15, -1.87, 2.05

 

CMYK 0 / 0 / 0 / 6

HEX #EFEFEF

RGB 239 239 239

HSL 0, 0%, 0.94%

LAB 94.45, 0.01, -0.01

 

CMYK 1 / 2 / 0 / 5

HEX #F0EDF2

RGB 240 237 242

HSL 276, 0.16%, 0.94%

LAB 94.1, 1.89, -2.07

 

CMYK 2 / 4 / 0 / 4

HEX #F0EAF4

RGB 240 234 244

HSL 276, 0.31%, 0.94%

LAB 93.41, 3.79, -4.12

 

CMYK 0 / 0 / 4 / 4

HEX #F4F4EA

RGB 244 244 234

HSL 60, 0.31%, 0.94%

LAB 95.94, -1.73, 4.8

 

CMYK 1 / 0 / 4 / 4

HEX #F1F4EA

RGB 241 244 234

HSL 78, 0.31%, 0.94%

LAB 95.72, -2.74, 4.45

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 4 / 0 / 4 / 4

HEX #EBF4EA

RGB 235 244 234

HSL 114, 0.31%, 0.94%

LAB 95.29, -4.75, 3.77

 

CMYK 4 / 0 / 4 / 4

HEX #EAF4EB

RGB 234 244 235

HSL 126, 0.31%, 0.94%

LAB 95.24, -4.9, 3.17

 

CMYK 11 / 0 / 18 / 15

HEX #C2D9B3

RGB 194 217 179

HSL 96.32, 0.33%, 0.78%

LAB 84.15, -14.52, 16.18

 

CMYK 6 / 0 / 10 / 10

HEX #D8E6CF

RGB 216 230 207

HSL 96.52, 0.32%, 0.86%

LAB 89.72, -8.76, 9.61

 

CMYK 2 / 0 / 4 / 4

HEX #EEF4EA

RGB 238 244 234

HSL 96, 0.31%, 0.94%

LAB 95.5, -3.74, 4.11

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 4 / 0 / 1 / 4

HEX #EAF4F2

RGB 234 244 242

HSL 168, 0.31%, 0.94%

LAB 95.41, -3.65, -0.19

 

CMYK 0 / 4 / 1 / 4

HEX #F4EAF2

RGB 244 234 242

HSL 312, 0.31%, 0.94%

LAB 93.66, 4.77, -2.67

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 4 / 2 / 0 / 4

HEX #EAEEF4

RGB 234 238 244

HSL 216, 0.31%, 0.94%

LAB 93.96, -0.23, -3.37

 

CMYK 0 / 4 / 2 / 4

HEX #F4EAEE

RGB 244 234 238

HSL 336, 0.31%, 0.94%

LAB 93.56, 4.06, -0.74

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 4 / 0 / 1 / 4

HEX #EAF4F2

RGB 234 244 242

HSL 168, 0.31%, 0.94%

LAB 95.41, -3.65, -0.19

 

CMYK 2 / 4 / 0 / 4

HEX #F0EAF4

RGB 240 234 244

HSL 276, 0.31%, 0.94%

LAB 93.41, 3.79, -4.12

 

CMYK 0 / 4 / 3 / 4

HEX #F4EAEC

RGB 244 234 236

HSL 348, 0.31%, 0.94%

LAB 93.51, 3.72, 0.22

 

CMYK 2 / 0 / 4 / 4

HEX #EFF5EB

RGB 239 245 235

HSL 96, 0.33%, 0.94%

LAB 95.85, -3.74, 4.11

 

CMYK 4 / 0 / 0 / 4

HEX #EAF3F4

RGB 234 243 244

HSL 186, 0.31%, 0.94%

LAB 95.21, -2.78, -1.52

 

CMYK 2 / 4 / 0 / 4

HEX #F0EAF4

RGB 240 234 244

HSL 276, 0.31%, 0.94%

LAB 93.41, 3.79, -4.12

 

CMYK 0 / 4 / 4 / 4

HEX #F4EBEA

RGB 244 235 234

HSL 6, 0.31%, 0.94%

LAB 93.71, 2.86, 1.55

 

Description

Color code: HEX #EFF5EB | qconv.com Color code: HEX #EFF5EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 245 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 245 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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