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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFF77D it is the complementary color #100882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFF77D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFF77D shade: #F4F778, #FFFF8B, #FFFF9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFF77D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFF77D shade: #EFF77D, #DEE56A, #CDD357, #BCC144 and #ABAF31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFF77D shade: #EEF67D, #F6DD7D, #F6BD7D, #F69C7D and #F67D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFF77D shade: #EEF67D, #CEF67D, #ADF67D, #8CF67D and #7DF68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFF77D shade matches the following richer shades: #EEF67D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFF77D shade: #EEF67D, #E5EB88, #DBE093, #D1D59E and #C8CAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFF77D shade: #F6BC7D, #F6DC7D, #F0F67D, #D0F67D and #B0F67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFF77D shade: #E5F12F, #E9F456, #EEF67D, #F3F9A4 and #F8FBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFF77D shade: #EFF77D, #7DF69B and #CC7DF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFF77D shade: #EFF77D, #7DF0F6 and #F67DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFF77D shade: #EFF77D, #7DF69B, #837DF6 and #F67DD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFF77D shade: #EFF77D, #7DF6C0, #837DF6 and #F67DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

Complementary color

CMYK 88 / 94 / 0 / 49

HEX #100882

RGB 16 8 130

HSL 243.93, 0.88%, 0.27%

LAB 14.93, 45.26, -62.7

 

CMYK 1 / 0 / 51 / 3

HEX #F4F778

RGB 244 247 120

HSL 61.42, 0.89%, 0.72%

LAB 94.79, -17.63, 59.88

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

CMYK 3 / 0 / 54 / 10

HEX #DEE56A

RGB 222 229 106

HSL 63.41, 0.7%, 0.66%

LAB 88.26, -18.71, 58.2

 

CMYK 3 / 0 / 59 / 17

HEX #CDD357

RGB 205 211 87

HSL 62.9, 0.58%, 0.58%

LAB 81.98, -18.17, 59.16

 

CMYK 3 / 0 / 65 / 24

HEX #BCC144

RGB 188 193 68

HSL 62.4, 0.5%, 0.51%

LAB 75.61, -17.52, 59.91

 

CMYK 2 / 0 / 72 / 31

HEX #ABAF31

RGB 171 175 49

HSL 61.9, 0.56%, 0.44%

LAB 69.14, -16.71, 60.27

 

CMYK 3 / 0 / 49 / 4

HEX #EEF67D

RGB 238 246 125

HSL 63.97, 0.87%, 0.73%

LAB 94.13, -19.07, 56.73

 

CMYK 0 / 10 / 49 / 4

HEX #F6DD7D

RGB 246 221 125

HSL 47.6, 0.87%, 0.73%

LAB 88.35, -3.53, 49.92

 

CMYK 0 / 23 / 49 / 4

HEX #F6BD7D

RGB 246 189 125

HSL 31.74, 0.87%, 0.73%

LAB 80.44, 12.99, 40.11

 

CMYK 0 / 37 / 49 / 4

HEX #F69C7D

RGB 246 156 125

HSL 15.37, 0.87%, 0.73%

LAB 72.79, 30.35, 30.24

 

CMYK 0 / 49 / 49 / 4

HEX #F67D7D

RGB 246 125 125

HSL 0, 0.87%, 0.73%

LAB 66.32, 46.2, 21.6

 

CMYK 3 / 0 / 49 / 4

HEX #EEF67D

RGB 238 246 125

HSL 63.97, 0.87%, 0.73%

LAB 94.13, -19.07, 56.73

 

CMYK 16 / 0 / 49 / 4

HEX #CEF67D

RGB 206 246 125

HSL 79.83, 0.87%, 0.73%

LAB 91.92, -31.26, 53.55

 

CMYK 30 / 0 / 49 / 4

HEX #ADF67D

RGB 173 246 125

HSL 96.2, 0.87%, 0.73%

LAB 89.99, -43.01, 50.76

 

CMYK 43 / 0 / 49 / 4

HEX #8CF67D

RGB 140 246 125

HSL 112.56, 0.87%, 0.73%

LAB 88.43, -53.43, 48.51

 

CMYK 49 / 0 / 42 / 4

HEX #7DF68F

RGB 125 246 143

HSL 128.93, 0.87%, 0.73%

LAB 88.09, -55.05, 39.29

 

CMYK 3 / 0 / 49 / 4

HEX #EEF67D

RGB 238 246 125

HSL 63.97, 0.87%, 0.73%

LAB 94.13, -19.07, 56.73

 

CMYK 3 / 0 / 49 / 4

HEX #EEF67D

RGB 238 246 125

HSL 63.97, 0.87%, 0.73%

LAB 94.13, -19.07, 56.73

 

CMYK 3 / 0 / 42 / 8

HEX #E5EB88

RGB 229 235 136

HSL 63.64, 0.71%, 0.73%

LAB 90.71, -16.17, 47.22

 

CMYK 2 / 0 / 34 / 12

HEX #DBE093

RGB 219 224 147

HSL 63.9, 0.55%, 0.73%

LAB 87.23, -13.35, 37.19

 

CMYK 2 / 0 / 26 / 16

HEX #D1D59E

RGB 209 213 158

HSL 64.36, 0.4%, 0.73%

LAB 83.76, -10.2, 26.81

 

CMYK 1 / 0 / 16 / 21

HEX #C8CAAA

RGB 200 202 170

HSL 63.75, 0.23%, 0.73%

LAB 80.42, -6.14, 15.77

 

CMYK 0 / 24 / 49 / 4

HEX #F6BC7D

RGB 246 188 125

HSL 31.24, 0.87%, 0.73%

LAB 80.2, 13.52, 39.8

 

CMYK 0 / 11 / 49 / 4

HEX #F6DC7D

RGB 246 220 125

HSL 47.11, 0.87%, 0.73%

LAB 88.09, -3.03, 49.62

 

CMYK 2 / 0 / 49 / 4

HEX #F0F67D

RGB 240 246 125

HSL 62.98, 0.87%, 0.73%

LAB 94.28, -18.29, 56.94

 

CMYK 15 / 0 / 49 / 4

HEX #D0F67D

RGB 208 246 125

HSL 78.84, 0.87%, 0.73%

LAB 92.04, -30.52, 53.73

 

CMYK 28 / 0 / 49 / 4

HEX #B0F67D

RGB 176 246 125

HSL 94.71, 0.87%, 0.73%

LAB 90.15, -41.99, 51

 

CMYK 5 / 0 / 80 / 5

HEX #E5F12F

RGB 229 241 47

HSL 63.71, 0.87%, 0.56%

LAB 91.58, -24.83, 82.89

 

CMYK 5 / 0 / 65 / 4

HEX #E9F456

RGB 233 244 86

HSL 64.18, 0.88%, 0.65%

LAB 92.88, -22.93, 71.81

 

CMYK 3 / 0 / 49 / 4

HEX #EEF67D

RGB 238 246 125

HSL 63.97, 0.87%, 0.73%

LAB 94.13, -19.07, 56.73

 

CMYK 2 / 0 / 34 / 2

HEX #F3F9A4

RGB 243 249 164

HSL 64.24, 0.88%, 0.81%

LAB 95.78, -14.63, 40.19

 

CMYK 1 / 0 / 19 / 2

HEX #F8FBCB

RGB 248 251 203

HSL 63.75, 0.86%, 0.89%

LAB 97.33, -8.71, 22.73

 

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

CMYK 49 / 0 / 37 / 4

HEX #7DF69B

RGB 125 246 155

HSL 134.88, 0.87%, 0.73%

LAB 88.27, -53.15, 33.58

 

CMYK 17 / 49 / 0 / 4

HEX #CC7DF6

RGB 204 125 246

HSL 279.17, 0.87%, 0.73%

LAB 65.09, 51.05, -48.72

 

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

CMYK 49 / 2 / 0 / 4

HEX #7DF0F6

RGB 125 240 246

HSL 182.98, 0.87%, 0.73%

LAB 88.61, -31.1, -12.99

 

CMYK 0 / 49 / 2 / 4

HEX #F67DF0

RGB 246 125 240

HSL 302.98, 0.87%, 0.73%

LAB 69.86, 61.36, -37.59

 

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

CMYK 49 / 0 / 37 / 4

HEX #7DF69B

RGB 125 246 155

HSL 134.88, 0.87%, 0.73%

LAB 88.27, -53.15, 33.58

 

CMYK 47 / 49 / 0 / 4

HEX #837DF6

RGB 131 125 246

HSL 242.98, 0.87%, 0.73%

LAB 58.18, 32.86, -60.14

 

CMYK 0 / 49 / 12 / 4

HEX #F67DD8

RGB 246 125 216

HSL 314.88, 0.87%, 0.73%

LAB 68.91, 57.46, -25.8

 

CMYK 3 / 0 / 49 / 3

HEX #EFF77D

RGB 239 247 125

HSL 63.93, 0.88%, 0.73%

LAB 94.46, -19.16, 57.14

 

CMYK 49 / 0 / 22 / 4

HEX #7DF6C0

RGB 125 246 192

HSL 153.22, 0.87%, 0.73%

LAB 88.96, -46.3, 15.66

 

CMYK 47 / 49 / 0 / 4

HEX #837DF6

RGB 131 125 246

HSL 242.98, 0.87%, 0.73%

LAB 58.18, 32.86, -60.14

 

CMYK 0 / 49 / 27 / 4

HEX #F67DB4

RGB 246 125 180

HSL 332.73, 0.87%, 0.73%

LAB 67.69, 52.29, -7.5

 

Description

Color code: HEX #EFF77D | qconv.com Color code: HEX #EFF77D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 247 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 247 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 49 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 49% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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