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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFFBF6 it is the complementary color #100409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFFBF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFFBF6 shade: #F4FBF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFFBF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFFBF6 shade: #EFFBF6, #DEE9E3, #CDD7D0, #BCC5BD and #ABB3AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFFBF6 shade: #EEFAF5, #EEFAF2, #EEFAEF, #F1FAEE and #F4FAEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFFBF6 shade: #EEFAF5, #EEFAF9, #EEF9FA, #EEF6FA and #EEF2FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFFBF6 shade matches the following richer shades: #EEFAF5, #EDFCF6 and #EBFEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFFBF6 shade: #EEFAF5, #F0F9F5, #F1F7F5, #F3F5F4 and #F5F4F4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFFBF6 shade: #EEFAEF, #EEFAF2, #EEFAF5, #EEFAF9 and #EEF9FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFFBF6 shade: #ACEAD0, #CDF2E3 and #EEFAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFFBF6 shade: #EFFBF6, #EEF1FA and #FAF0EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFFBF6 shade: #EFFBF6, #F5EEFA and #FAF5EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFFBF6 shade: #EFFBF6, #EEF1FA, #FAEEF3 and #FAF8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFFBF6 shade: #EFFBF6, #EFEEFA, #FAEEF3 and #F9FAEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

Complementary color

CMYK 0 / 75 / 44 / 94

HEX #100409

RGB 16 4 9

HSL 335, 0.6%, 0.04%

LAB 1.96, 4.11, -0.69

 

CMYK 3 / 0 / 4 / 2

HEX #F4FBF1

RGB 244 251 241

HSL 102, 0.56%, 0.96%

LAB 97.86, -4.06, 3.97

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

CMYK 5 / 0 / 3 / 9

HEX #DEE9E3

RGB 222 233 227

HSL 147.27, 0.2%, 0.89%

LAB 91.39, -4.74, 1.63

 

CMYK 5 / 0 / 3 / 16

HEX #CDD7D0

RGB 205 215 208

HSL 138, 0.11%, 0.82%

LAB 85.06, -4.66, 2.27

 

CMYK 5 / 0 / 4 / 23

HEX #BCC5BD

RGB 188 197 189

HSL 126.67, 0.07%, 0.75%

LAB 78.64, -4.58, 2.93

 

CMYK 4 / 0 / 5 / 30

HEX #ABB3AA

RGB 171 179 170

HSL 113.33, 0.06%, 0.68%

LAB 72.09, -4.49, 3.61

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 5 / 0 / 3 / 2

HEX #EEFAF2

RGB 238 250 242

HSL 140, 0.55%, 0.96%

LAB 97.21, -5.37, 2.46

 

CMYK 5 / 0 / 4 / 2

HEX #EEFAEF

RGB 238 250 239

HSL 125, 0.55%, 0.96%

LAB 97.14, -5.89, 3.9

 

CMYK 4 / 0 / 5 / 2

HEX #F1FAEE

RGB 241 250 238

HSL 105, 0.55%, 0.96%

LAB 97.33, -5.07, 4.71

 

CMYK 2 / 0 / 5 / 2

HEX #F4FAEE

RGB 244 250 238

HSL 90, 0.55%, 0.96%

LAB 97.54, -4.07, 5.05

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 5 / 0 / 0 / 2

HEX #EEFAF9

RGB 238 250 249

HSL 175, 0.55%, 0.96%

LAB 97.38, -4.11, -0.9

 

CMYK 5 / 0 / 0 / 2

HEX #EEF9FA

RGB 238 249 250

HSL 185, 0.55%, 0.96%

LAB 97.16, -3.42, -1.74

 

CMYK 5 / 2 / 0 / 2

HEX #EEF6FA

RGB 238 246 250

HSL 200, 0.55%, 0.96%

LAB 96.41, -1.9, -2.84

 

CMYK 5 / 3 / 0 / 2

HEX #EEF2FA

RGB 238 242 250

HSL 220, 0.55%, 0.96%

LAB 95.41, 0.14, -4.31

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 6 / 0 / 2 / 1

HEX #EDFCF6

RGB 237 252 246

HSL 156, 0.71%, 0.96%

LAB 97.74, -5.98, 1.17

 

CMYK 7 / 0 / 3 / 0

HEX #EBFEF6

RGB 235 254 246

HSL 154.74, 0.9%, 0.96%

LAB 98.11, -7.63, 1.69

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 4 / 0 / 2 / 2

HEX #F0F9F5

RGB 240 249 245

HSL 153.33, 0.43%, 0.96%

LAB 97.17, -3.67, 0.88

 

CMYK 2 / 0 / 1 / 3

HEX #F1F7F5

RGB 241 247 245

HSL 160, 0.27%, 0.96%

LAB 96.74, -2.33, 0.26

 

CMYK 1 / 0 / 0 / 4

HEX #F3F5F4

RGB 243 245 244

HSL 150, 0.09%, 0.96%

LAB 96.37, -0.83, 0.24

 

CMYK 0 / 0 / 0 / 4

HEX #F5F4F4

RGB 245 244 244

HSL 0, 0.05%, 0.96%

LAB 96.26, 0.34, 0.11

 

CMYK 5 / 0 / 4 / 2

HEX #EEFAEF

RGB 238 250 239

HSL 125, 0.55%, 0.96%

LAB 97.14, -5.89, 3.9

 

CMYK 5 / 0 / 3 / 2

HEX #EEFAF2

RGB 238 250 242

HSL 140, 0.55%, 0.96%

LAB 97.21, -5.37, 2.46

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 5 / 0 / 0 / 2

HEX #EEFAF9

RGB 238 250 249

HSL 175, 0.55%, 0.96%

LAB 97.38, -4.11, -0.9

 

CMYK 5 / 0 / 0 / 2

HEX #EEF9FA

RGB 238 249 250

HSL 185, 0.55%, 0.96%

LAB 97.16, -3.42, -1.74

 

CMYK 26 / 0 / 11 / 8

HEX #ACEAD0

RGB 172 234 208

HSL 154.84, 0.6%, 0.8%

LAB 88.05, -24.83, 6.33

 

CMYK 15 / 0 / 6 / 5

HEX #CDF2E3

RGB 205 242 227

HSL 155.68, 0.59%, 0.88%

LAB 92.59, -14.82, 3.23

 

CMYK 5 / 0 / 2 / 2

HEX #EEFAF5

RGB 238 250 245

HSL 155, 0.55%, 0.96%

LAB 97.28, -4.83, 1.02

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

CMYK 5 / 4 / 0 / 2

HEX #EEF1FA

RGB 238 241 250

HSL 225, 0.55%, 0.96%

LAB 95.16, 0.65, -4.68

 

CMYK 0 / 4 / 5 / 2

HEX #FAF0EE

RGB 250 240 238

HSL 10, 0.55%, 0.96%

LAB 95.5, 3.02, 2.15

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

CMYK 2 / 5 / 0 / 2

HEX #F5EEFA

RGB 245 238 250

HSL 275, 0.55%, 0.96%

LAB 94.93, 4.47, -4.95

 

CMYK 0 / 2 / 5 / 2

HEX #FAF5EE

RGB 250 245 238

HSL 35, 0.55%, 0.96%

LAB 96.74, 0.47, 3.94

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

CMYK 5 / 4 / 0 / 2

HEX #EEF1FA

RGB 238 241 250

HSL 225, 0.55%, 0.96%

LAB 95.16, 0.65, -4.68

 

CMYK 0 / 5 / 3 / 2

HEX #FAEEF3

RGB 250 238 243

HSL 335, 0.55%, 0.96%

LAB 95.14, 4.89, -0.98

 

CMYK 0 / 1 / 5 / 2

HEX #FAF8EE

RGB 250 248 238

HSL 50, 0.55%, 0.96%

LAB 97.48, -1.05, 5.02

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF6

RGB 239 251 246

HSL 155, 0.6%, 0.96%

LAB 97.63, -4.83, 1.02

 

CMYK 4 / 5 / 0 / 2

HEX #EFEEFA

RGB 239 238 250

HSL 245, 0.55%, 0.96%

LAB 94.48, 2.51, -5.67

 

CMYK 0 / 5 / 3 / 2

HEX #FAEEF3

RGB 250 238 243

HSL 335, 0.55%, 0.96%

LAB 95.14, 4.89, -0.98

 

CMYK 0 / 0 / 5 / 2

HEX #F9FAEE

RGB 249 250 238

HSL 65, 0.55%, 0.96%

LAB 97.91, -2.39, 5.62

 

Description

Color code: HEX #EFFBF6 | qconv.com Color code: HEX #EFFBF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 251 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 251 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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