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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A7C3 it is the complementary color #0C583C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A7C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3A7C3 shade: #F8A7BE, #FFB9D1, #FFCBE4, #FFDDF7 and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A7C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3A7C3 shade: #F3A7C3, #E295B0, #D1839D, #C0718A and #AF5F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3A7C3 shade: #F2A5C1, #F2A5AC and #F2A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3A7C3 shade: #F2A5C1, #F2A5D6, #F2A5EB, #E5A5F2 and #D0A5F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3A7C3 shade matches the following richer shades: #F2A5C1 and #FB9CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3A7C3 shade: #F2A5C1, #EAADC3, #E2B5C6, #DABDC8 and #D1C6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3A7C3 shade: #F2A5EC, #F2A5D7, #F2A5C2, #F2A5AE and #F2B0A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3A7C3 shade: #E85C90, #ED80A9, #F2A5C1, #F7C9DA and #FCEDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3A7C3 shade: #F3A7C3, #F2E4A5 and #A5E1F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3A7C3 shade: #F3A7C3, #C2F2A5 and #A5C2F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3A7C3 shade: #F3A7C3, #F2E4A5, #A5F2D5 and #A5B3F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3A7C3 shade: #F3A7C3, #E9F2A5, #A5F2D5 and #AEA5F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

Complementary color

CMYK 86 / 0 / 32 / 65

HEX #0C583C

RGB 12 88 60

HSL 157.89, 0.76%, 0.2%

LAB 32.67, -29.46, 10.13

 

CMYK 0 / 33 / 23 / 3

HEX #F8A7BE

RGB 248 167 190

HSL 342.96, 0.85%, 0.81%

LAB 76.87, 32.93, 0.49

 

CMYK 0 / 27 / 18 / 0

HEX #FFB9D1

RGB 255 185 209

HSL 339.43, 1%, 0.86%

LAB 82.14, 28.72, -2.01

 

CMYK 0 / 20 / 11 / 0

HEX #FFCBE4

RGB 255 203 228

HSL 331.15, 1%, 0.9%

LAB 86.79, 22.25, -5.33

 

CMYK 0 / 13 / 3 / 0

HEX #FFDDF7

RGB 255 221 247

HSL 314.12, 1%, 0.93%

LAB 91.54, 16.05, -8.31

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

CMYK 0 / 34 / 22 / 11

HEX #E295B0

RGB 226 149 176

HSL 338.96, 0.57%, 0.74%

LAB 70.03, 32.65, -2.08

 

CMYK 0 / 37 / 25 / 18

HEX #D1839D

RGB 209 131 157

HSL 340, 0.46%, 0.67%

LAB 63.53, 33.45, -1.16

 

CMYK 0 / 41 / 28 / 25

HEX #C0718A

RGB 192 113 138

HSL 341.01, 0.39%, 0.6%

LAB 56.93, 34.31, -0.13

 

CMYK 0 / 46 / 32 / 31

HEX #AF5F77

RGB 175 95 119

HSL 342, 0.33%, 0.53%

LAB 50.25, 35.22, 1.06

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C1

RGB 242 165 193

HSL 338.18, 0.75%, 0.8%

LAB 75.85, 32.31, -2.73

 

CMYK 0 / 32 / 29 / 5

HEX #F2A5AC

RGB 242 165 172

HSL 354.55, 0.75%, 0.8%

LAB 75.31, 29.37, 8

 

CMYK 0 / 32 / 32 / 5

HEX #F2A5A5

RGB 242 165 165

HSL 0, 0.75%, 0.8%

LAB 75.14, 28.46, 11.6

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C1

RGB 242 165 193

HSL 338.18, 0.75%, 0.8%

LAB 75.85, 32.31, -2.73

 

CMYK 0 / 32 / 12 / 5

HEX #F2A5D6

RGB 242 165 214

HSL 321.82, 0.75%, 0.8%

LAB 76.46, 35.58, -13.29

 

CMYK 0 / 32 / 3 / 5

HEX #F2A5EB

RGB 242 165 235

HSL 305.45, 0.75%, 0.8%

LAB 77.15, 39.15, -23.66

 

CMYK 5 / 32 / 0 / 5

HEX #E5A5F2

RGB 229 165 242

HSL 289.87, 0.75%, 0.8%

LAB 76.06, 36.36, -29.25

 

CMYK 14 / 32 / 0 / 5

HEX #D0A5F2

RGB 208 165 242

HSL 273.51, 0.75%, 0.8%

LAB 74.02, 29.9, -32.56

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C1

RGB 242 165 193

HSL 338.18, 0.75%, 0.8%

LAB 75.85, 32.31, -2.73

 

CMYK 0 / 38 / 24 / 2

HEX #FB9CBF

RGB 251 156 191

HSL 337.89, 0.92%, 0.8%

LAB 74.86, 39.85, -2.97

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C1

RGB 242 165 193

HSL 338.18, 0.75%, 0.8%

LAB 75.85, 32.31, -2.73

 

CMYK 0 / 26 / 17 / 8

HEX #EAADC3

RGB 234 173 195

HSL 338.36, 0.59%, 0.8%

LAB 76.87, 25.55, -2.41

 

CMYK 0 / 20 / 12 / 11

HEX #E2B5C6

RGB 226 181 198

HSL 337.33, 0.44%, 0.8%

LAB 78.05, 18.92, -2.41

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 5 / 3 / 18

HEX #D1C6CA

RGB 209 198 202

HSL 338.18, 0.11%, 0.8%

LAB 80.85, 4.54, -0.63

 

CMYK 0 / 32 / 2 / 5

HEX #F2A5EC

RGB 242 165 236

HSL 304.68, 0.75%, 0.8%

LAB 77.19, 39.33, -24.15

 

CMYK 0 / 32 / 11 / 5

HEX #F2A5D7

RGB 242 165 215

HSL 321.04, 0.75%, 0.8%

LAB 76.49, 35.74, -13.79

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C2

RGB 242 165 194

HSL 337.4, 0.75%, 0.8%

LAB 75.87, 32.46, -3.23

 

CMYK 0 / 32 / 28 / 5

HEX #F2A5AE

RGB 242 165 174

HSL 352.99, 0.75%, 0.8%

LAB 75.35, 29.63, 6.97

 

CMYK 0 / 27 / 32 / 5

HEX #F2B0A5

RGB 242 176 165

HSL 8.57, 0.75%, 0.8%

LAB 77.66, 22.64, 15.15

 

CMYK 0 / 60 / 38 / 9

HEX #E85C90

RGB 232 92 144

HSL 337.71, 0.75%, 0.64%

LAB 58.81, 58.8, -0.2

 

CMYK 0 / 46 / 29 / 7

HEX #ED80A9

RGB 237 128 169

HSL 337.43, 0.75%, 0.72%

LAB 66.75, 46.4, -2.82

 

CMYK 0 / 32 / 20 / 5

HEX #F2A5C1

RGB 242 165 193

HSL 338.18, 0.75%, 0.8%

LAB 75.85, 32.31, -2.73

 

CMYK 0 / 19 / 12 / 3

HEX #F7C9DA

RGB 247 201 218

HSL 337.83, 0.74%, 0.88%

LAB 85.31, 18.92, -2.27

 

CMYK 0 / 6 / 4 / 1

HEX #FCEDF3

RGB 252 237 243

HSL 336, 0.71%, 0.96%

LAB 95.05, 6.08, -1.09

 

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

CMYK 0 / 6 / 32 / 5

HEX #F2E4A5

RGB 242 228 165

HSL 49.09, 0.75%, 0.8%

LAB 90.36, -4.44, 32.52

 

CMYK 32 / 7 / 0 / 5

HEX #A5E1F2

RGB 165 225 242

HSL 193.25, 0.75%, 0.8%

LAB 86.14, -15, -14.41

 

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

CMYK 20 / 0 / 32 / 5

HEX #C2F2A5

RGB 194 242 165

HSL 97.4, 0.75%, 0.8%

LAB 90.64, -28.85, 32.29

 

CMYK 32 / 20 / 0 / 5

HEX #A5C2F2

RGB 165 194 242

HSL 217.4, 0.75%, 0.8%

LAB 77.87, 1.25, -26.92

 

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

CMYK 0 / 6 / 32 / 5

HEX #F2E4A5

RGB 242 228 165

HSL 49.09, 0.75%, 0.8%

LAB 90.36, -4.44, 32.52

 

CMYK 32 / 0 / 12 / 5

HEX #A5F2D5

RGB 165 242 213

HSL 157.4, 0.75%, 0.8%

LAB 90, -29.71, 6.48

 

CMYK 32 / 26 / 0 / 5

HEX #A5B3F2

RGB 165 179 242

HSL 229.09, 0.75%, 0.8%

LAB 73.97, 9.46, -32.93

 

CMYK 0 / 31 / 20 / 5

HEX #F3A7C3

RGB 243 167 195

HSL 337.89, 0.76%, 0.8%

LAB 76.46, 31.9, -2.91

 

CMYK 4 / 0 / 32 / 5

HEX #E9F2A5

RGB 233 242 165

HSL 67.01, 0.75%, 0.8%

LAB 93.25, -14.81, 36.24

 

CMYK 32 / 0 / 12 / 5

HEX #A5F2D5

RGB 165 242 213

HSL 157.4, 0.75%, 0.8%

LAB 90, -29.71, 6.48

 

CMYK 28 / 32 / 0 / 5

HEX #AEA5F2

RGB 174 165 242

HSL 247.01, 0.75%, 0.8%

LAB 71.09, 19.82, -37.33

 

Description

Color code: HEX #F3A7C3 | qconv.com Color code: HEX #F3A7C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 167 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 167 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 20% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - home page - Evian
Link: http://www.eviankorea.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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