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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A9C2 it is the complementary color #0C563D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A9C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3A9C2 shade: #F8A9BD, #FFBBD0, #FFCDE3, #FFDFF6 and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A9C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3A9C2 shade: #F3A9C2, #E297AF, #D1859C, #C07389 and #AF6176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3A9C2 shade: #F3A9C2, #F3A9AE and #F3A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3A9C2 shade: #F3A9C2, #F3A9D6, #F3A9EA, #E8A9F3 and #D4A9F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3A9C2 shade matches the following richer shades: #F3A9C2 and #FBA1C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3A9C2 shade: #F3A9C2, #EBB1C5, #E3B9C7, #DBC1CA and #D4C9CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3A9C2 shade: #F3A9EA, #F3A9D7, #F3A9C3, #F3A9AF and #F3B7A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3A9C2 shade: #E9618F, #EE85A8, #F3A9C2, #F8CEDC and #FDF2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3A9C2 shade: #F3A9C2, #F3E8A9 and #A9E0F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3A9C2 shade: #F3A9C2, #C3F3A9 and #A9C3F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3A9C2 shade: #F3A9C2, #F3E8A9, #A9F3D9 and #A9B4F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3A9C2 shade: #F3A9C2, #E8F3A9, #A9F3D9 and #B4A9F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

Complementary color

CMYK 86 / 0 / 29 / 66

HEX #0C563D

RGB 12 86 61

HSL 159.73, 0.76%, 0.19%

LAB 31.97, -28.29, 8.54

 

CMYK 0 / 32 / 24 / 3

HEX #F8A9BD

RGB 248 169 189

HSL 344.81, 0.85%, 0.82%

LAB 77.28, 31.74, 1.64

 

CMYK 0 / 27 / 18 / 0

HEX #FFBBD0

RGB 255 187 208

HSL 341.47, 1%, 0.87%

LAB 82.57, 27.52, -0.85

 

CMYK 0 / 20 / 11 / 0

HEX #FFCDE3

RGB 255 205 227

HSL 333.6, 1%, 0.9%

LAB 87.23, 21.04, -4.15

 

CMYK 0 / 13 / 4 / 0

HEX #FFDFF6

RGB 255 223 246

HSL 316.88, 1%, 0.94%

LAB 91.99, 14.84, -7.12

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 33 / 23 / 11

HEX #E297AF

RGB 226 151 175

HSL 340.8, 0.56%, 0.74%

LAB 70.45, 31.44, -0.91

 

CMYK 0 / 36 / 25 / 18

HEX #D1859C

RGB 209 133 156

HSL 341.84, 0.45%, 0.67%

LAB 63.94, 32.24, 0.02

 

CMYK 0 / 40 / 29 / 25

HEX #C07389

RGB 192 115 137

HSL 342.86, 0.38%, 0.6%

LAB 57.34, 33.1, 1.05

 

CMYK 0 / 45 / 33 / 31

HEX #AF6176

RGB 175 97 118

HSL 343.85, 0.33%, 0.53%

LAB 50.65, 34.01, 2.24

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 30 / 28 / 5

HEX #F3A9AE

RGB 243 169 174

HSL 355.95, 0.76%, 0.81%

LAB 76.37, 27.88, 8.44

 

CMYK 0 / 30 / 30 / 5

HEX #F3A9A9

RGB 243 169 169

HSL 0, 0.76%, 0.81%

LAB 76.25, 27.23, 11

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 30 / 12 / 5

HEX #F3A9D6

RGB 243 169 214

HSL 323.51, 0.76%, 0.81%

LAB 77.45, 33.81, -11.8

 

CMYK 0 / 30 / 4 / 5

HEX #F3A9EA

RGB 243 169 234

HSL 307.3, 0.76%, 0.81%

LAB 78.09, 37.19, -21.68

 

CMYK 5 / 30 / 0 / 5

HEX #E8A9F3

RGB 232 169 243

HSL 291.08, 0.76%, 0.81%

LAB 77.28, 35.35, -27.89

 

CMYK 13 / 30 / 0 / 5

HEX #D4A9F3

RGB 212 169 243

HSL 274.86, 0.76%, 0.81%

LAB 75.35, 29.15, -31.01

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 36 / 24 / 2

HEX #FBA1C0

RGB 251 161 192

HSL 339.33, 0.92%, 0.81%

LAB 75.95, 37.4, -1.91

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 25 / 16 / 8

HEX #EBB1C5

RGB 235 177 197

HSL 339.31, 0.59%, 0.81%

LAB 77.96, 24.08, -1.9

 

CMYK 0 / 19 / 12 / 11

HEX #E3B9C7

RGB 227 185 199

HSL 340, 0.43%, 0.81%

LAB 79.13, 17.29, -1.35

 

CMYK 0 / 12 / 8 / 14

HEX #DBC1CA

RGB 219 193 202

HSL 339.23, 0.27%, 0.81%

LAB 80.44, 10.7, -1.14

 

CMYK 0 / 5 / 4 / 17

HEX #D4C9CC

RGB 212 201 204

HSL 343.64, 0.11%, 0.81%

LAB 81.91, 4.35, -0.13

 

CMYK 0 / 30 / 4 / 5

HEX #F3A9EA

RGB 243 169 234

HSL 307.3, 0.76%, 0.81%

LAB 78.09, 37.19, -21.68

 

CMYK 0 / 30 / 12 / 5

HEX #F3A9D7

RGB 243 169 215

HSL 322.7, 0.76%, 0.81%

LAB 77.48, 33.97, -12.3

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C3

RGB 243 169 195

HSL 338.92, 0.76%, 0.81%

LAB 76.9, 30.84, -2.26

 

CMYK 0 / 30 / 28 / 5

HEX #F3A9AF

RGB 243 169 175

HSL 355.14, 0.76%, 0.81%

LAB 76.39, 28.02, 7.92

 

CMYK 0 / 25 / 30 / 5

HEX #F3B7A9

RGB 243 183 169

HSL 11.35, 0.76%, 0.81%

LAB 79.49, 19.82, 15.57

 

CMYK 0 / 58 / 39 / 9

HEX #E9618F

RGB 233 97 143

HSL 339.71, 0.76%, 0.65%

LAB 59.76, 56.81, 1.78

 

CMYK 0 / 44 / 29 / 7

HEX #EE85A8

RGB 238 133 168

HSL 340, 0.76%, 0.73%

LAB 67.86, 44.09, -0.62

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 17 / 11 / 3

HEX #F8CEDC

RGB 248 206 220

HSL 340, 0.75%, 0.89%

LAB 86.64, 16.96, -1.38

 

CMYK 0 / 4 / 3 / 1

HEX #FDF2F6

RGB 253 242 246

HSL 338.18, 0.73%, 0.97%

LAB 96.43, 4.37, -0.62

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 5 / 30 / 5

HEX #F3E8A9

RGB 243 232 169

HSL 51.08, 0.76%, 0.81%

LAB 91.52, -5.59, 32.05

 

CMYK 30 / 8 / 0 / 5

HEX #A9E0F3

RGB 169 224 243

HSL 195.41, 0.76%, 0.81%

LAB 86.12, -13.16, -14.94

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 20 / 0 / 30 / 5

HEX #C3F3A9

RGB 195 243 169

HSL 98.92, 0.76%, 0.81%

LAB 91.04, -28.4, 30.82

 

CMYK 30 / 20 / 0 / 5

HEX #A9C3F3

RGB 169 195 243

HSL 218.92, 0.76%, 0.81%

LAB 78.42, 2.08, -26.59

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 0 / 5 / 30 / 5

HEX #F3E8A9

RGB 243 232 169

HSL 51.08, 0.76%, 0.81%

LAB 91.52, -5.59, 32.05

 

CMYK 30 / 0 / 11 / 5

HEX #A9F3D9

RGB 169 243 217

HSL 158.92, 0.76%, 0.81%

LAB 90.57, -28.22, 5.25

 

CMYK 30 / 26 / 0 / 5

HEX #A9B4F3

RGB 169 180 243

HSL 231.08, 0.76%, 0.81%

LAB 74.54, 10.28, -32.56

 

CMYK 0 / 30 / 20 / 5

HEX #F3A9C2

RGB 243 169 194

HSL 339.73, 0.76%, 0.81%

LAB 76.88, 30.7, -1.75

 

CMYK 5 / 0 / 30 / 5

HEX #E8F3A9

RGB 232 243 169

HSL 68.92, 0.76%, 0.81%

LAB 93.5, -15.17, 34.55

 

CMYK 30 / 0 / 11 / 5

HEX #A9F3D9

RGB 169 243 217

HSL 158.92, 0.76%, 0.81%

LAB 90.57, -28.22, 5.25

 

CMYK 26 / 30 / 0 / 5

HEX #B4A9F3

RGB 180 169 243

HSL 248.92, 0.76%, 0.81%

LAB 72.59, 19.56, -35.5

 

Description

Color code: HEX #F3A9C2 | qconv.com Color code: HEX #F3A9C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 169 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 169 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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