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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AE3E it is the complementary color #0C51C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AE3E shade: #F8AE39, #FFC04C, #FFD25F, #FFE472 and #FFF685

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AE3E shade: #F3AE3E, #E29C2B, #D18A18, #C07805 and #AF6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AE3E shade: #F2AE3F, #F27D3F, #F24D3F and #F23F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AE3E shade: #F2AE3F, #F2DE3F, #D6F23F, #A5F23F and #75F23F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AE3E shade matches the following richer shades: #F2AE3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AE3E shade: #F2AE3F, #E2AA4F, #D1A660, #C1A270 and #B09E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AE3E shade: #F24E3F, #F27E3F, #F2AD3F, #F2DD3F and #D7F23F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AE3E shade: #D2870D, #F09E18, #F2AE3F, #F5BE66 and #F7CE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AE3E shade: #F3AE3E, #60F23F and #663FF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AE3E shade: #F3AE3E, #3FF2AD and #AD3FF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AE3E shade: #F3AE3E, #60F23F, #3F84F2 and #D13FF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AE3E shade: #F3AE3E, #3FF254, #3F84F2 and #F23FDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

Complementary color

CMYK 94 / 58 / 0 / 24

HEX #0C51C1

RGB 12 81 193

HSL 217.13, 0.88%, 0.4%

LAB 37.51, 25.12, -63.75

 

CMYK 0 / 30 / 77 / 3

HEX #F8AE39

RGB 248 174 57

HSL 36.75, 0.93%, 0.6%

LAB 76.39, 17.38, 66.87

 

CMYK 0 / 25 / 70 / 0

HEX #FFC04C

RGB 255 192 76

HSL 38.88, 1%, 0.65%

LAB 81.56, 11.72, 64.72

 

CMYK 0 / 18 / 63 / 0

HEX #FFD25F

RGB 255 210 95

HSL 43.13, 1%, 0.69%

LAB 86.1, 3.48, 61.42

 

CMYK 0 / 11 / 55 / 0

HEX #FFE472

RGB 255 228 114

HSL 48.51, 1%, 0.72%

LAB 90.76, -4.35, 58.16

 

CMYK 0 / 4 / 48 / 0

HEX #FFF685

RGB 255 246 133

HSL 55.57, 1%, 0.76%

LAB 95.52, -11.73, 55.01

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 0 / 31 / 81 / 11

HEX #E29C2B

RGB 226 156 43

HSL 37.05, 0.76%, 0.53%

LAB 69.55, 17.1, 64.71

 

CMYK 0 / 34 / 89 / 18

HEX #D18A18

RGB 209 138 24

HSL 36.97, 0.79%, 0.46%

LAB 63.18, 18.97, 64.28

 

CMYK 0 / 38 / 97 / 25

HEX #C07805

RGB 192 120 5

HSL 36.9, 0.95%, 0.39%

LAB 56.73, 21.09, 62.42

 

CMYK 0 / 42 / 100 / 31

HEX #AF6600

RGB 175 102 0

HSL 34.97, 1%, 0.34%

LAB 50.24, 23.49, 58.04

 

CMYK 0 / 28 / 74 / 5

HEX #F2AE3F

RGB 242 174 63

HSL 37.21, 0.87%, 0.6%

LAB 75.77, 15.09, 63.72

 

CMYK 0 / 48 / 74 / 5

HEX #F27D3F

RGB 242 125 63

HSL 20.78, 0.87%, 0.6%

LAB 64.89, 40.62, 52.72

 

CMYK 0 / 68 / 74 / 5

HEX #F24D3F

RGB 242 77 63

HSL 4.69, 0.87%, 0.6%

LAB 56.63, 62.17, 43.89

 

CMYK 0 / 74 / 74 / 5

HEX #F23F3F

RGB 242 63 63

HSL 0, 0.87%, 0.6%

LAB 54.86, 67.06, 41.93

 

CMYK 0 / 28 / 74 / 5

HEX #F2AE3F

RGB 242 174 63

HSL 37.21, 0.87%, 0.6%

LAB 75.77, 15.09, 63.72

 

CMYK 0 / 8 / 74 / 5

HEX #F2DE3F

RGB 242 222 63

HSL 53.3, 0.87%, 0.6%

LAB 87.72, -9.64, 75.2

 

CMYK 12 / 0 / 74 / 5

HEX #D6F23F

RGB 214 242 63

HSL 69.39, 0.87%, 0.6%

LAB 90.85, -30.75, 77.37

 

CMYK 32 / 0 / 74 / 5

HEX #A5F23F

RGB 165 242 63

HSL 85.81, 0.87%, 0.6%

LAB 87.9, -49.22, 73.53

 

CMYK 52 / 0 / 74 / 5

HEX #75F23F

RGB 117 242 63

HSL 101.9, 0.87%, 0.6%

LAB 85.83, -64.27, 70.8

 

CMYK 0 / 28 / 74 / 5

HEX #F2AE3F

RGB 242 174 63

HSL 37.21, 0.87%, 0.6%

LAB 75.77, 15.09, 63.72

 

CMYK 0 / 28 / 74 / 5

HEX #F2AE3F

RGB 242 174 63

HSL 37.21, 0.87%, 0.6%

LAB 75.77, 15.09, 63.72

 

CMYK 0 / 25 / 65 / 11

HEX #E2AA4F

RGB 226 170 79

HSL 37.14, 0.72%, 0.6%

LAB 73.21, 11.29, 53.61

 

CMYK 0 / 21 / 54 / 18

HEX #D1A660

RGB 209 166 96

HSL 37.17, 0.55%, 0.6%

LAB 70.64, 7.5, 41.92

 

CMYK 0 / 16 / 42 / 24

HEX #C1A270

RGB 193 162 112

HSL 37.04, 0.4%, 0.6%

LAB 68.28, 4.56, 30.24

 

CMYK 0 / 10 / 27 / 31

HEX #B09E81

RGB 176 158 129

HSL 37.02, 0.23%, 0.6%

LAB 65.96, 2, 17.58

 

CMYK 0 / 68 / 74 / 5

HEX #F24E3F

RGB 242 78 63

HSL 5.03, 0.87%, 0.6%

LAB 56.77, 61.79, 44.04

 

CMYK 0 / 48 / 74 / 5

HEX #F27E3F

RGB 242 126 63

HSL 21.12, 0.87%, 0.6%

LAB 65.09, 40.11, 52.93

 

CMYK 0 / 29 / 74 / 5

HEX #F2AD3F

RGB 242 173 63

HSL 36.87, 0.87%, 0.6%

LAB 75.53, 15.62, 63.49

 

CMYK 0 / 9 / 74 / 5

HEX #F2DD3F

RGB 242 221 63

HSL 52.96, 0.87%, 0.6%

LAB 87.46, -9.14, 74.96

 

CMYK 11 / 0 / 74 / 5

HEX #D7F23F

RGB 215 242 63

HSL 69.05, 0.87%, 0.6%

LAB 90.92, -30.35, 77.46

 

CMYK 0 / 36 / 94 / 18

HEX #D2870D

RGB 210 135 13

HSL 37.16, 0.88%, 0.44%

LAB 62.56, 20.85, 66.22

 

CMYK 0 / 34 / 90 / 6

HEX #F09E18

RGB 240 158 24

HSL 37.22, 0.88%, 0.52%

LAB 71.59, 21.55, 72.34

 

CMYK 0 / 28 / 74 / 5

HEX #F2AE3F

RGB 242 174 63

HSL 37.21, 0.87%, 0.6%

LAB 75.77, 15.09, 63.72

 

CMYK 0 / 22 / 58 / 4

HEX #F5BE66

RGB 245 190 102

HSL 36.92, 0.88%, 0.68%

LAB 80.29, 10.19, 51.34

 

CMYK 0 / 17 / 43 / 3

HEX #F7CE8C

RGB 247 206 140

HSL 37.01, 0.87%, 0.76%

LAB 84.9, 5.97, 38.17

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 60 / 0 / 74 / 5

HEX #60F23F

RGB 96 242 63

HSL 108.94, 0.87%, 0.6%

LAB 85.17, -69.47, 69.93

 

CMYK 58 / 74 / 0 / 5

HEX #663FF2

RGB 102 63 242

HSL 253.07, 0.87%, 0.6%

LAB 42.45, 60.93, -83.56

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 74 / 0 / 29 / 5

HEX #3FF2AD

RGB 63 242 173

HSL 156.87, 0.87%, 0.6%

LAB 85.8, -59.92, 20.8

 

CMYK 29 / 74 / 0 / 5

HEX #AD3FF2

RGB 173 63 242

HSL 276.87, 0.87%, 0.6%

LAB 50.51, 71.83, -70.05

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 60 / 0 / 74 / 5

HEX #60F23F

RGB 96 242 63

HSL 108.94, 0.87%, 0.6%

LAB 85.17, -69.47, 69.93

 

CMYK 74 / 45 / 0 / 5

HEX #3F84F2

RGB 63 132 242

HSL 216.87, 0.87%, 0.6%

LAB 56.06, 15.34, -61.52

 

CMYK 14 / 74 / 0 / 5

HEX #D13FF2

RGB 209 63 242

HSL 288.94, 0.87%, 0.6%

LAB 55.61, 78.44, -61.57

 

CMYK 0 / 28 / 74 / 5

HEX #F3AE3E

RGB 243 174 62

HSL 37.13, 0.88%, 0.6%

LAB 75.87, 15.47, 64.26

 

CMYK 74 / 0 / 65 / 5

HEX #3FF254

RGB 63 242 84

HSL 127.04, 0.87%, 0.6%

LAB 84.59, -73.82, 61.46

 

CMYK 74 / 45 / 0 / 5

HEX #3F84F2

RGB 63 132 242

HSL 216.87, 0.87%, 0.6%

LAB 56.06, 15.34, -61.52

 

CMYK 0 / 74 / 9 / 5

HEX #F23FDD

RGB 242 63 221

HSL 307.04, 0.87%, 0.6%

LAB 59.57, 81.73, -43.16

 

Description

Color code: HEX #F3AE3E | qconv.com Color code: HEX #F3AE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 174 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 174 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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